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iurf 111<br />

.¥•<br />

If Tlie Coat Fits!<br />

hose in gunmetal shade, heeled<br />

in black and worn with smart<br />

ties, and it is our duty to select black satin shoes. Every cosand<br />

adapt, viewing- each and tume detail should be chosen<br />

every one of them in the light of wilh exquisite care. Hard, stiff<br />

our personal requirements, and effects should be avoided. The<br />

with our limitations in mind, large woman should never wear<br />

Perhaps no one thing falls in the huge pins—as cameos; large,<br />

class of adaptable details as round beads; or anything- that<br />

readily as skirt length. In many WlH suggest curves. Remember<br />

cases it should be decided before —even a necklace draws lines,<br />

the model itself. and lines are the making or the<br />

Symmetry may lie thrown en- unmaking of the costume.<br />

tirely out of balance by a too<br />

short skirt. This is enough in<br />

itself to make one watchful. Another<br />

consideration is raised by<br />

MUSIC A N D ART<br />

j.1 j. i n i , The Seraph's Strain . Wolstenholme<br />

the fact that some women have<br />

ugly knees and should not call Soprano' *,'i,',"'<br />

attention to them by a stretch of ..,,,„.„ the Gates ,. the Temp,0..<br />

stocking, usually light colored. Knapp<br />

There is grace, beauty and con- A"~-|"« 'in soir cermet<br />

cealment in the uneven hemline. Danse d'' la Fee Dra&et....Tchaikovsky<br />

We hope that it is a prophecy of<br />

the longer skirt, bv which is<br />

The Lost chord " " Su;iivan<br />

, ,, . . , , ,,,,,.

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