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not as an MP but as “the former dean of the Academy of<br />

Performing Arts [sic!, Academy of Fine Arts and Design, AFAD<br />

in Bratislava]”: “... The first discussion, which was held in<br />

the SNG, showed that the gallery management supported<br />

the preservation of the current state, based on the fictitious<br />

idea that a reconstruction will cost less and a new building<br />

will cost more. Some of the present designers, art historians<br />

and architects also declared that in their opinion the building<br />

should be preserved. The arguments used to support this<br />

opinion were, however, very vague. Statements such as those<br />

saying that a new gallery would ‘surely’ be more expensive,<br />

that the disassembly of the existing construction will be an<br />

insuperably problem, that it is ‘iconoclastic’ having no place<br />

in the beginning of the 21 st century, that the only reason for<br />

the removal of the existing object is the fact that it is a symbol<br />

of socialism, that it is actually good architecture, an example<br />

of an ‘alternative modern style’ or that it is already almost<br />

a cultural monument, are unconvincing and unacceptable for<br />

me. (...) I personally would prefer to disassemble the existing<br />

bridging. I am sure that the persons in charge must find the<br />

courage for such solutions. I have myself protected many<br />

pieces of modern architecture from demolition or inappropriate<br />

interventions. But it has always been in the case of good<br />

architecture. In this case I am convinced that this is bad<br />

architecture. The Slovak National Gallery building should be,<br />

as such, a piece of art. Take some examples – Guggenheim<br />

in New York, MOMA [sic!, MOCA] in Los Angeles, Sainsbury<br />

Wing in London, Hirshorn [Hirshhorn] in Washington,<br />

examples of new galleries and museums in Bonne, Frankfurt,<br />

Stockholm, Helsinki etc. There is no doubt Slovakia and<br />

Bratislava have the architectural potential to be able to<br />

cope with this problem with dignity, to enrich Bratislava and<br />

represent Slovakia, its architecture and culture.” 44<br />

The opinion of another discussion participant with<br />

executive political power, this time in municipal politics, the<br />

Old City Mayor Andrej Ďurkovský was similarly consistent:<br />

110

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