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Illah van Oijen prepared the first of two meetings with Vladimír Dedeček's work in the SNG bridging on the occasion of his 80 th birthday – a temporary installation of architectural analyses and photographic interpretations of his work. Curator Monika Mitášová. The Laudatio was presented by Professor Marián Zervan: “… Vladimír Dedeček as a member of the third generation of 20 th century Slovak architects was, like many others, facing complicated and even insoluble tasks: to build city premises and housing estates, cultural and shopping buildings, schools and school premises, sports and multifunctional halls, to rethink their functionalist postulates in new social conditions, to continue with the typification and at the same time create unrepeatable works, to free architecture from pseudohistorical reminiscences and start a dialogue with world architecture, to definitively come to terms with the dilemma of folksiness, national specificity and cosmopolitanism. The results were singular works or extraordinary artefacts, monumental projects that were nolens volens assigning the significance to the socialistic way of life and rituals. In Vladimír Dedeček's work and in his approach to space and architectural form we can see a huge effort to demonumentalize and deperfectionize the architectural testimony using elementary techniques and yet in very effective ways within these big gestures. It is this that I feel is Dedeček's shift and deviation from the context of the third modern generation in Slovakia. Therefore please allow me to conclude this speech which is not full of praise and address Vladimír Dedeček, who is celebrating his 80th anniversary, in the way that I addressed him in our first meetings, although today's meeting is, after all, enriched by different knowledges: Happy Birthday ‘Mr. Architect’.” 62 17 th July, the Slovak National Gallery organized a second birthday celebration with Vladimír Dedeček in the SNG bridging: A marathon of fifteen-minute lectures. The presenters <strong>12</strong>0
were the architects Benjamín Brádňanský, Ján Ťupek, Imro Vaško, historian Peter Szalay, theorist Marián Zervan from Bratislava and guests from Austria: the curator and art historian Ingrid Holzschuh 63 and the architect and critic Jan Tabor. 64 The final speech was given by Vladimír Dedeček. Theorist Marián Zervan considered and evaluated Dedeček's work in the Slovak historiography: “In writings about Vladimír Dedeček and evaluations of his work we can see myths of two types. Firstly, that no one was writing about it, i.e. everyone kept silent about it. Secondly, that it was uncritically accepted in the socialist era and uncritically condemned after 1989.” 65 Architect and critic Imro Vaško summarized the local situation and the requests of international architects for the preservation and protection of modern architectural works in Slovakia 66 : “While the architecture of parallel modernism has been overlooked in Slovakia for the past twenty years, the Dedeček phenomenon has not only been ignored by retrospective works such as Dejiny slovenského výtvarného umenia – 20. storočie (History of Slovak Fine Arts – 20 th Century) but also dismissed and negatively evaluated by the top representatives of the Slovak architectural community as well as the intellectual and artistic community. At this time we should mention e.g. the inability of the AFAD 62 ZERVAN, Marián. Laudatio. Digital document, p. 2, author's archive. 63 See HOLZSCHUH, Ingrid. Wiener Stadtplanung im Nationalsozialismus von 1938 bis 1942. Das Neugestaltungsprojekt von Architekt Hanns Dustmann. Wien: Böhlau Verlag, 2011. 64 See TABOR, Jan. Kunst und Diktatur. Architektur, Bildhauerei und Malerei in Österreich, Deutschland, Italien und der Sowjetunion 1922–1956. Baden: Grasl, 1994. An exhibition with the same name took place in his curator concept from 28 March to 15 August 1994 in Künstlerhaus Wien. 65 ZERVAN, Marián. Vladimír Dedeček's work in some books on Slovak, Czechoslovak as well as world architecture (contribution presented during the Marathon of fifteen-minute lectures dedicated to Vladimír Dedeček's architecture in domestic and international context. 17 July 2009, SNG in Bratislava). Digital document, p. 3, author's archive. 66 VAŠKO, Imro. Dedeček's generation of Stavoprojekt (contribution presented ibidem). Digital document, p. 2 Author's archive. <strong>12</strong>1
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CARE (SORGE ) FOR ARCHITECTURE mari
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15. Mostra Internazionale di Archit
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01. Statement p. 6 marián zervan 0
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Architecture must never lose its pr
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The SNG building/area has long been
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02. ON THE SLOVAK NATIONAL GALLERY
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investor : Povereníctvo pre škols
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Building(s) and spatial relationshi
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the arcaded palace with a “cour d
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give the quarter a new scale and ex
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founded earlier. Therefore construc
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in 1968) in 1966-1967 with the gall
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with its central square, to a field
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thing that had been outlived in the
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The commission discussed these expe
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In late 1969, i.e. after Czechoslov
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The ceiling is of waved metal plate
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The architect’s second alternativ
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unbuilt stages III and IV. The (fut
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“Doch gerade durch diese brachial
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associated project of reconstructio
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[1] [2]
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[4] [5] [4-5] Vladimír Dedeček, S
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[9] [10] [9-16] Vladimír Dedeček,
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[18] [19] [18-23] Vladimír Dedeče
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[26] [27] [26-29] Built edifices of
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03a. TEXTUAL INTERPRETATION OF COMP
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The Slovak National Gallery area si
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was that either to allow for or to
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The administrative building’s ter
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Indeed the amphitheatre clusters ev
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locked it in places (the Water Barr
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03b. ARCHITECTURAL INTERPRETATION O
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[d—02] Built SNG edifices {red} i
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Page 74 and 75: [d—06] Clusters of SNG “agoras
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Page 78 and 79: C A B [d—10] Two introductory pro
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Page 82 and 83: [d—14] Relationships of module fi
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Page 96 and 97: 04. CHRONOLOGY monika mitášová,
Page 98 and 99: 1961 the director of the SNG Dr. Ka
Page 100 and 101: 1969 a new initial project for the
Page 102 and 103: pressing. The architectural works t
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Page 112 and 113: not as an MP but as “the former d
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Page 116 and 117: in Bratislava was announced. The ju
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Page 126 and 127: Selected works of Vladimír Dedeče
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Page 130 and 131: 05. PROJECT DESCRIPTION marián zer
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