sng_2016-05-12_high-single-crop_k3

Recommendations

Info

locked it in places (the Water Barracks’ rear facade); i.e. he both introduced light and muted it, or blocked its sharper variations (the administrative building’s west facade). This contradictory playing with light was unquestionably meant to facilitate reading of meanings within architecture. But what do these three ways of developing the SNG site concept in a <strong>single</strong>, contradictory unity, and what role in this does clustering play? We presume the clustering mediates a basic theme within architecture, that theme being the exhibiting of art in diverse forms, expressed through clusters of agoras, stoas and amphitheatres, or odea and pavilions. In his text, Dedeček wrote that his solution’s content was not meant to exhibit an architectural interior, but exclusively to exhibit Slovakia’s art, though he certainly had in mind international art as well. In this he gave voice to the unstated dogma that echoes in the minds of artists and art historians still: the architecture should be a neutral frame for visual art. Furthermore, while Vladimír Dedeček was interested in architectural asceticism, he decidedly was not limiting exhibiting to the classic fine/visual arts. The bridging is a cluster fulfilling the function of a “raised curtain”, making possible the exposition of art on an outdoor stage and simultaneously in a historical architecture; it also links the gallery’s exhibit spaces with the “most exhibited” part of the city of which the SNG was becoming part: the Danube riverfront. The amphitheatres (with cinema) and the individual stoas are also exhibit spaces. In some of his renderings, Dedeček himself drew sculptures in the stoa space opening onto Riečna ulica and toward the Hotel Devín. The theme of exhibiting, exposition and installation thus penetrated the whole area’s outdoor and indoor spaces, even those not primarily intended for exhibition. This theme is likewise a test of the diversity of architectural forms to exhibit art and architecture. In Dedeček’s words, flexibility and variability were to be the fundamental axiom of the SNG site’s spatial solution. Therefore, indisputably this was not a question of mere halls and moving panels, but of the variable 64
and flexible interconnection of architectural and urban forms and their figurative meanings within architecture; of clustered established, anterior forms that would invite a variety of views and diverse forms of exposition. The expression of this flexibility a variability is clustering. 65
Page 1 and 2:
CARE (SORGE ) FOR ARCHITECTURE mari
Page 3:
15. Mostra Internazionale di Archit
Page 7 and 8:
01. Statement p. 6 marián zervan 0
Page 9 and 10:
Architecture must never lose its pr
Page 11 and 12:
The SNG building/area has long been
Page 14 and 15:
02. ON THE SLOVAK NATIONAL GALLERY
Page 16 and 17: investor : Povereníctvo pre škols
Page 18 and 19: Building(s) and spatial relationshi
Page 20 and 21: the arcaded palace with a “cour d
Page 22 and 23: give the quarter a new scale and ex
Page 24 and 25: founded earlier. Therefore construc
Page 26 and 27: in 1968) in 1966-1967 with the gall
Page 28 and 29: with its central square, to a field
Page 30 and 31: thing that had been outlived in the
Page 32 and 33: The commission discussed these expe
Page 34 and 35: In late 1969, i.e. after Czechoslov
Page 36 and 37: The ceiling is of waved metal plate
Page 38 and 39: The architect’s second alternativ
Page 40 and 41: unbuilt stages III and IV. The (fut
Page 42 and 43: “Doch gerade durch diese brachial
Page 44 and 45: associated project of reconstructio
Page 46 and 47: [1] [2]
Page 48 and 49: [4] [5] [4-5] Vladimír Dedeček, S
Page 50 and 51: [9] [10] [9-16] Vladimír Dedeček,
Page 52 and 53: [18] [19] [18-23] Vladimír Dedeče
Page 54 and 55: [26] [27] [26-29] Built edifices of
Page 56 and 57: 03a. TEXTUAL INTERPRETATION OF COMP
Page 58 and 59: The Slovak National Gallery area si
Page 60 and 61: was that either to allow for or to
Page 62 and 63: The administrative building’s ter
Page 64 and 65: Indeed the amphitheatre clusters ev
Page 68 and 69: 03b. ARCHITECTURAL INTERPRETATION O
Page 70 and 71: [d—02] Built SNG edifices {red} i
Page 72 and 73: [d—04] Paths of movement {red lin
Page 74 and 75: [d—06] Clusters of SNG “agoras
Page 76 and 77: [d—08] SNG interior “amphitheat
Page 78 and 79: C A B [d—10] Two introductory pro
Page 80 and 81: [d—12] Superimposition of 1 st an
Page 82 and 83: [d—14] Relationships of module fi
Page 84 and 85: [d—16] 1 st subterranean level wi
Page 86 and 87: [d—18] 2 nd level of administrati
Page 88 and 89: [d—20] 4 th level with paths of m
Page 90 and 91: [d—22] 6 th level with paths of m
Page 92 and 93: [d—24] Facade rasters {according
Page 94 and 95: [d—26] Built edifices of SNG area
Page 96 and 97: 04. CHRONOLOGY monika mitášová,
Page 98 and 99: 1961 the director of the SNG Dr. Ka
Page 100 and 101: 1969 a new initial project for the
Page 102 and 103: pressing. The architectural works t
Page 104 and 105: for Cultural and Educational Buildi
Page 106 and 107: 1987 journal Výtvarný život publ
Page 108 and 109: south Danube wing (closed due to it
Page 110 and 111: and demolished this square. (...) I
Page 112 and 113: not as an MP but as “the former d
Page 114 and 115: [is] a need to build any more so ca
Page 116 and 117:
in Bratislava was announced. The ju
Page 118 and 119:
down and changed the character of c
Page 120 and 121:
totalitarian style haunting Europea
Page 122 and 123:
Illah van Oijen prepared the first
Page 124 and 125:
Arts Council to appreciate the valu
Page 126 and 127:
Selected works of Vladimír Dedeče
Page 128 and 129:
on 14 th March, the Týždeň magaz
Page 130 and 131:
05. PROJECT DESCRIPTION marián zer
Page 132 and 133:
This project The Care for Architect
Page 134 and 135:
The entrance wall in-between contai
Page 137 and 138:
Metal exhibition model variants in
Page 139:
Metal exhibition model (1:17,78) of
Page 143:
140 | 141
Page 146:
This publication was made possible
show all

sng_2016-05-12_high-single-crop_k3

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?