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We resolved the exhibition spaces as variable halls, separated<br />

by movable exhibit panels. Spatial variability and flexibility requirements<br />

were of our spatial solution’s fundamental axiom... To this goal<br />

we sacrificed many of the practicable architectural/artistic results<br />

that a fixed exhibit space would allow, graded in expression...<br />

Our solution’s content is based exclusively on how to display Slovakia’s<br />

— vladimír dedeček<br />

art, rather than displaying an architectural interior. 1<br />

The cascaded shift of exhibition levels made it possible for each of them<br />

— vladimír dedeček<br />

to be lit by natural daylight. 2<br />

An open amphitheatre, with an audiovisual block using film to promote<br />

visual art, is part of the outdoor exhibition space. There are spaces<br />

in various wings for libraries and reading rooms, academic research,<br />

and individual departments such as those for graphic art and restoration<br />

studios, a laboratory and a meeting hall with an audiovisual block at<br />

— vladimír dedeček<br />

the border between the exhibition and research/administrative spaces. 3<br />

1 DEDEČEK, Vladimír. [Areál Slovenskej národnej galérie<br />

v Bratislave]. Slovo autora. Projekt. Revue slovenskej architektúry,<br />

23, 1981, vol. 1–2, pp. 10–11.<br />

2 Ibidem, p. 10.<br />

3 Ibidem, p. 11.<br />

55

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