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We resolved the exhibition spaces as variable halls, separated<br />
by movable exhibit panels. Spatial variability and flexibility requirements<br />
were of our spatial solution’s fundamental axiom... To this goal<br />
we sacrificed many of the practicable architectural/artistic results<br />
that a fixed exhibit space would allow, graded in expression...<br />
Our solution’s content is based exclusively on how to display Slovakia’s<br />
— vladimír dedeček<br />
art, rather than displaying an architectural interior. 1<br />
The cascaded shift of exhibition levels made it possible for each of them<br />
— vladimír dedeček<br />
to be lit by natural daylight. 2<br />
An open amphitheatre, with an audiovisual block using film to promote<br />
visual art, is part of the outdoor exhibition space. There are spaces<br />
in various wings for libraries and reading rooms, academic research,<br />
and individual departments such as those for graphic art and restoration<br />
studios, a laboratory and a meeting hall with an audiovisual block at<br />
— vladimír dedeček<br />
the border between the exhibition and research/administrative spaces. 3<br />
1 DEDEČEK, Vladimír. [Areál Slovenskej národnej galérie<br />
v Bratislave]. Slovo autora. Projekt. Revue slovenskej architektúry,<br />
23, 1981, vol. 1–2, pp. 10–11.<br />
2 Ibidem, p. 10.<br />
3 Ibidem, p. 11.<br />
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