22.05.2016 Views

sng_2016-05-12_high-single-crop_k3

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

The atypical portions of the interior, in particular the raised auditorium<br />

seating of light wood, the profiled acoustic wall cladding<br />

and the paned wooden acoustic ceiling, with the cinema hall<br />

lighting and sound system, was realized according to the design<br />

of Jaroslav Nemec. He also designed the built-in wooden<br />

office furniture (with built-in cabinet configuration including sink<br />

and closet space). He designed low seating for the exhibit hall<br />

(square upholstered, with out armrests covered in black leather,<br />

on metal legs and a solid square base) and square wooden tables<br />

with laminated surface on an analogous metal base (the collective<br />

Umeleckých remesiel also participated in making this furniture).<br />

Nemec’s design for the secretariat interior, meeting rooms,<br />

offices and director’s suite underwent major changes. For the<br />

offices and director’s suite he designed atypical white wood<br />

wall covering in columns, with white console desks in various<br />

orthogonal shapes, dimensions and heights, which with the<br />

white surfacing and lighting panels made for a “<strong>single</strong> whole,<br />

in construction and architecture”, accented with black and light<br />

wood surfaces; it was a customized, partly “built-in interior” for<br />

the 1960s, modified in the late 1970s, and it went unrealized.<br />

Also unrealized was his customized “diagram table” (NEMEC 1978,<br />

p. 3). The spaces were furnished with atypical office furniture of<br />

light wood, and manufactured seating from the ALFA series, by<br />

the state firm Turčan in Martin.<br />

Classification<br />

Form/style : A short review by Jozef Liščák did not categorize<br />

the building in style or form. The review concerned itself roughly<br />

equally with stages I and II of the construction as well as the<br />

27 The architect was mainly referring to panelling (Izomín),<br />

sprayed-on surfacing (Dikoplast) and floor surfaces (Izofloor),<br />

in support of the stone flooring of public gallery spaces.<br />

IZOMÍN came from the IZOMAT plant in Nová Baňa; these are<br />

hard insulation panels of mineral fibre with strong fireproofing<br />

resistance. The Swedish firm Junkers supplied the technology;<br />

they started producing in Slovakia in 1973.<br />

37

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!