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associated project of reconstruction and completion, to use<br />

Michel Foucault’s terminology – in the context of his thoughts<br />

on any archives as being the modernistic will to enclose, in one<br />

place, all times, all epochs, all the alterations in taste, and then<br />

to put them outside of time and its ravages. She characterized<br />

the gallery and its addition as “... heterotopy and hetero chrony<br />

in a compromised form”. 32 She thus formulated an interpretation<br />

basis that is so far unique, from which she views the structure<br />

as a relationship of various architectural and artistic times<br />

and spaces, without categorizing it in terms of form/style or<br />

emblem/symbol.<br />

42

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