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Building(s) and spatial relationships The new buildings of the gallery site area have been constructed around three public spaces, such that they connect the river banks with two of the city centre’s squares. The southern space, facing the river, is a rectangular courtyard, bounded by the historical building’s three wings and the new facing wing (bridging). The underground gallery depository lies underneath. At the courtyard’s centre is a raised plinth level planted with grass and trees, designed for outdoor sculpture exhibitions and visitor use (the reinstallation of the historical fountain, with a circular pool connected to the building’s air conditioning, was not realized in the courtyard because the investor altered the air conditioning plan 11 ). Thus the river bank area is connected to the gallery site via a “sculpture courtyard” and a view into the historical building. The second public space is an outdoor amphitheatre with cinema, west of the courtyard. It connects the southern facing wing (bridging) with the lower pavilion of the library and lecture hall in the taller northwestern administrative building (which houses restoration studios, a photo lab and a residential apartment flat). The amphitheatre’s side wall of perforated concrete forms allows a visual connectedness that parallels the river. The western side, adjacent Hotel Devín, also made allowance for outdoor sculpture installation (but this was not realized). The third public space on the north, behind the historical building, was designed as a terraced roof of garages and storage. The terraces’ walkable roofs and lawn was meant to be an outdoor sculpture gallery (this building was not realized; the site came to serve as a gallery car park). The northern terraces were designed to connect the river bank and the gallery site area, through several varying heights, and the historic city centre to the north. The main entrance to the gallery site from the river promenade was placed at its southwest corner, near Belluš’ Hotel Devín. A gallery of temporary exhibitions, or “Kunsthalle”, was designed 16
to be on the floor above (the site’s whole corner section was not realized, and two apartment buildings from the 1940s remained). The main entrance became the side entrances and central entryway is from the courtyard / see p. 51 /. Situation A group of gallery buildings with public spaces, in the centre of Bratislava on the Danube River banks (previously known variously as Nábrežná ulica, Dunajské nábrežie, nábrežie Batthányiho, Fadruszovo, Jiráskovo, currently called Rázusovo). In addition to the river road, the site is bordered by the streets Riečna to the west, Mostová to the east, and Paulínyho-Tótha to the north. The streets connect the site to the east with Štúrova and to the north with the square Hviezdoslavo námestie. From the year 1700 a granary was located on SNG land, and later the town militia’s Vodné kasárne (Water Barracks). The four-wing Theresian barracks and it its square courtyard (1759– 1763) has been attributed to the Viennese architect Franz Anton Hillebrandt. Its southern wing and parts of the eastern and western wings was demolished in 1941 when the river road was widened. 12 The remaining “three-wing” arrangement was used as 11 The air system, by the French firm Tunzini, was to have been computer-controlled, with water pumped from a dedicated well. Expert analysis by the firm Strojexport Praha led them to select Weiss from Austria (which later changed its commercial name to ÖKG Grünbach), which planned a cheaper automatic/manual control system that pumped water from the adjacent Danube. The glass ceiling over the bridge’s exhibit spaces was sealed with permanent plastic silicon into full glass Weginplast walls by the Austrian firm Wegscheider Farben. For more see Záverečné technicko-ekonomické vyhodnotenie dokončenej stavby “Rekonštrukcia a prístavba Slovenskej národnej galérie” as cited in Note 1, pp. 7–8. An expert appraisal in 1990 found air condition unit consumption to be higher than what corresponded to the stated period of operation. Thus the less expensive air conditioning purchased and installed was in fact used. 12 HOLČÍK, Štefan. The gallery building also housed the Múzeum hygieny. Staromestské noviny newspaper, 20 October 2007. 17
Page 1 and 2: CARE (SORGE ) FOR ARCHITECTURE mari
Page 3: 15. Mostra Internazionale di Archit
Page 7 and 8: 01. Statement p. 6 marián zervan 0
Page 9 and 10: Architecture must never lose its pr
Page 11 and 12: The SNG building/area has long been
Page 14 and 15: 02. ON THE SLOVAK NATIONAL GALLERY
Page 16 and 17: investor : Povereníctvo pre škols
Page 20 and 21: the arcaded palace with a “cour d
Page 22 and 23: give the quarter a new scale and ex
Page 24 and 25: founded earlier. Therefore construc
Page 26 and 27: in 1968) in 1966-1967 with the gall
Page 28 and 29: with its central square, to a field
Page 30 and 31: thing that had been outlived in the
Page 32 and 33: The commission discussed these expe
Page 34 and 35: In late 1969, i.e. after Czechoslov
Page 36 and 37: The ceiling is of waved metal plate
Page 38 and 39: The architect’s second alternativ
Page 40 and 41: unbuilt stages III and IV. The (fut
Page 42 and 43: “Doch gerade durch diese brachial
Page 44 and 45: associated project of reconstructio
Page 46 and 47: [1] [2]
Page 48 and 49: [4] [5] [4-5] Vladimír Dedeček, S
Page 50 and 51: [9] [10] [9-16] Vladimír Dedeček,
Page 52 and 53: [18] [19] [18-23] Vladimír Dedeče
Page 54 and 55: [26] [27] [26-29] Built edifices of
Page 56 and 57: 03a. TEXTUAL INTERPRETATION OF COMP
Page 58 and 59: The Slovak National Gallery area si
Page 60 and 61: was that either to allow for or to
Page 62 and 63: The administrative building’s ter
Page 64 and 65: Indeed the amphitheatre clusters ev
Page 66 and 67: locked it in places (the Water Barr
Page 68 and 69:
03b. ARCHITECTURAL INTERPRETATION O
Page 70 and 71:
[d—02] Built SNG edifices {red} i
Page 72 and 73:
[d—04] Paths of movement {red lin
Page 74 and 75:
[d—06] Clusters of SNG “agoras
Page 76 and 77:
[d—08] SNG interior “amphitheat
Page 78 and 79:
C A B [d—10] Two introductory pro
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[d—12] Superimposition of 1 st an
Page 82 and 83:
[d—14] Relationships of module fi
Page 84 and 85:
[d—16] 1 st subterranean level wi
Page 86 and 87:
[d—18] 2 nd level of administrati
Page 88 and 89:
[d—20] 4 th level with paths of m
Page 90 and 91:
[d—22] 6 th level with paths of m
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[d—24] Facade rasters {according
Page 94 and 95:
[d—26] Built edifices of SNG area
Page 96 and 97:
04. CHRONOLOGY monika mitášová,
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1961 the director of the SNG Dr. Ka
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1969 a new initial project for the
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pressing. The architectural works t
Page 104 and 105:
for Cultural and Educational Buildi
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1987 journal Výtvarný život publ
Page 108 and 109:
south Danube wing (closed due to it
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and demolished this square. (...) I
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not as an MP but as “the former d
Page 114 and 115:
[is] a need to build any more so ca
Page 116 and 117:
in Bratislava was announced. The ju
Page 118 and 119:
down and changed the character of c
Page 120 and 121:
totalitarian style haunting Europea
Page 122 and 123:
Illah van Oijen prepared the first
Page 124 and 125:
Arts Council to appreciate the valu
Page 126 and 127:
Selected works of Vladimír Dedeče
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on 14 th March, the Týždeň magaz
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05. PROJECT DESCRIPTION marián zer
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This project The Care for Architect
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The entrance wall in-between contai
Page 137 and 138:
Metal exhibition model variants in
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Metal exhibition model (1:17,78) of
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140 | 141
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