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The commission discussed these expert opinions with the<br />

architect on 1 July, and 14 July 1967 was set as deadline for<br />

checking on project adjustments. Dedeček, responding to the<br />

opinions and the discussion, prepared over these 14 days a new<br />

alternative design (second area alternative, with third alternative<br />

for the Danube wing). In his new Technical report he stated:<br />

“Comrade Ing. arch. Svetko expressed reservations to the 4 m<br />

under-passage under the mass of exhibit spaces [i.e. to the<br />

colonnade in the Danube wing parterre], which in his opinion<br />

did not sufficiently visually connect the Taranda spaces with the<br />

riverbank’s; further, compared to the architectural solution of<br />

enclosing the SNG atrium with the new building, the proposal<br />

is not sufficiently organic.” 22 Dedeček reacted by raising the<br />

space under the Danube wing, creating: “... a 3-level bridge in<br />

front of the current [historical building’s] SNG, enabling visual<br />

connection between viewers by the Danube and the entire<br />

SNG space, which would then be visible up to the cornice<br />

(given that the courtyard vegetation so allows). The height of<br />

the opening [under the bridging is now] approximately 7.80 m.<br />

There are no supports in this space, enhancing the perception<br />

of the courtyard. (...) A courtyard spectator sees the new and<br />

old roofs at almost the same angle. This also improves the access<br />

of sunlight to the atrium; at the same time, this change<br />

reduces the total floor space, and one level is eliminated by<br />

increasing the opening. (...) Though the experts’ suggestions<br />

are at odds with the opinion of the jury and the advisory body of<br />

studies [of the architects’ association], I accept them because<br />

they reduce expenses, which in this situation will seem beneficial.<br />

I believe this had led me to a more interesting conception,<br />

with a similar volume composition for all sections.” 23<br />

Thus the Danube wing’s new space and arrangement came<br />

about through elimination of the lowest storeys, and a new<br />

conception of design of exposition spaces (the 3-storey wing<br />

became an open hall divided into 3 levels of ascending walkways).<br />

This new design also called for a new steel construction<br />

free of middle supports. The composition of the “bridging’s”<br />

30

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