Secret_History

Chapter 8: The Culture of Stones 277
Leedskalnin spinning a precise number of times, at a precise frequency length, in
order to produce an energy within him that connected him to another realm, which
resulted in a “Magneto Acoustic Emission”? That is, did he produce a sound of a
very special sort that enabled him to move massive blocks of stone, not because he
was strengthened by what he did, but because this sound, emitted from a timeless
dimension that he had tapped, directed at the stones, had an effect on gravity?
That’s all fine and good for a single person to be able to utilize such a handy
technique to manhandle some big chunks of rock like they were marshmallows.
But now we want to inquire into how an entire civilization would utilize such a
technology? What can it mean to suggest that in those areas where the megaliths
march along the landscape, and where the megalithic temples are situated, that the
peoples did not produce a civilization as we know it because they didn’t need to?
How does it all connect to Morris Jessup’s remark that “It may be that this
tremendous power was limited in its application to articles of stone texture
only…[This would] account for the strange fact that almost all relics of the
profound past are non-metallic”?
Egyptian Stone Vases
Both Graham Hancock and Colin Wilson devote considerable time to describing
the marvels of Egypt and the construction of the pyramid in terms of the possible
techniques of cutting the stones with such amazing accuracy. They describe in
some detail the event that led to the fraudulent dating of the pyramid, which date
was taken up by mainstream archaeologists who cannot now repudiate it because
they have too many other theories and dates hinged on this original error. What is
interesting to us here about Egypt is a discovery made by Flinders Petrie in the
village of Naqada in 1893. Naqada is 300 miles south of Cairo, and pottery and
stone vases were discovered there that were produced by some technique that has
created considerable controversy.
It seems that the pottery of Naqada had none of the striations that would indicate
that it had been thrown on a wheel. But, without a pottery wheel, it is almost
impossible to get pots to be “perfectly round”. But this pottery was so perfectly
rounded that it was absurd to think that it had been made by hand without a wheel!
Petrie, of course, dated the pottery to the 11 th dynasty, around 2000 BC, based on
his observations of workmanship, rather than on any other criteria. The pottery
was, however, so “un-Egyptian” that he called the creators “the New Race”.
Petrie faced a certain difficulty when he later found some of these same types of
stone vases in tombs of the First Dynasty dating from, according to Egyptologists,
around 3000 BC. At this point, he dropped the Naqada vase from his chronology,
preferring to ignore what he could not explain.