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306 The <strong>Secret</strong> <strong>History</strong> of the World<br />

Department of the Aube, and Albaci, Spain, that are currently identified as Gothic<br />

may actually be Alanic. If that is the case, then we cannot understand Gothic in<br />

any way at all without understanding the Sarmatian-Scythian origins in the<br />

Northeast Iranian traditions that constitute its foundation.<br />

One of the more fascinating discoveries of this intrepid team of Grail questors<br />

was Linda Malcor’s elucidation of the fact that one group of Alanic Sarmatians<br />

allied with Alaric’s Visigoths, seems to have been responsible for a famous theft<br />

of some vessels of great value from the Basilica of St. Peter’s during the sack of<br />

Rome in 410 AD. Whether or not one of these vessels was a sacred chalice<br />

associated with the Last Supper is not definitively known, but the fact is that the<br />

pagan marauders carried the treasure to southern Gaul, to the very region<br />

traditionally associated with the Grail legends. The treasure disappeared shortly<br />

thereafter, and it seems that the stories of these stolen “holy vessels” were<br />

combined with the stories of the Holy Cup of the Narts, the Nartamongae, which<br />

was hidden from all but the bravest and purest warriors. And so, a cup stolen from<br />

a church became the object of a sacred quest, obscuring the true history and<br />

meaning of the stories.<br />

The genealogies given for the Grail knights, Perceval, Galahad, and Bors, are<br />

extensive, and they are all related to Lancelot - Alanus-a-Lot - a specific tribe or<br />

family of Alans from the region around the Lot river in France. In the Perlesvaus,<br />

Perceval’s father is Alain le Gros de la Vales. Littleton and Malcor present a<br />

fascinating etymology of many of the names involved in the stories, showing their<br />

connection to the Nart Sagas, and the reader is encouraged to dig more deeply into<br />

these matters there. For the moment, let us just mention that the prenomen “Pant”,<br />

as in “Pantdragon”, evolving to “Pendragon”, in what now seems to be the most<br />

likely Scythian-Steppe culture etymology, was a word meaning “king” or “ruler<br />

over” whatever followed. Thus, the family of “Pendragon”, rather than being<br />

“sons of the dragon”, become “rulers over the dragon”, or Dragon Slayers. The<br />

title Ban, Pant, and Pen was very likely an original Scythian word, carried to<br />

Britain by the Iazyges and to Gaul by the Alans. Thus, the banners of the<br />

Sarmatians emblazoned with dragons signify their function as rulers over, and<br />

slayers of dragons, in the same way that warriors collect trophies of their victories<br />

to display and advertise their prowess in a particular famous battle. This subtle<br />

difference will be very important as we go along.<br />

Perceval was the best known of the Grail heroes, but he was not the original one.<br />

There are also many medieval stories about this Perceval that have nothing to do<br />

with the Grail. He was so popular that he was depicted on wall frescoes, carvings<br />

on assorted items, tapestries, and so on. You could say that he was a “Star” in the<br />

Medieval Hollywood. The question is: was this just propaganda, or was it, as is<br />

suggested by experts on esotericism, conveyance of a symbolic meaning?<br />

Perceval was also known as Parsifal, Percival, Persevelle, Peredur, Perlesvaus,<br />

Paladrhir, and so on. His name has been generally interpreted as meaning “Pierce<br />

the valley”, implying a tantric connotation, or general balance in a person’s life, as<br />

in Taoist teachings. He has been called the “Spearman with a Long Shaft”, relating<br />

him to Osiris, who was the “Mummy with a Long Member”, which would be<br />

literally “he who Pierces the valley” in sexual terms - a sexual reference that<br />

probably did not originally relate to sex.

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