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146 The Principles of Beautiful Web Design characters used to separate printed text and fill whitespace. Original dingbat fonts consisted mainly of flourishes and commonly used symbols; however, the concept of dingbat fonts changed radically with the digital font revolution. Now, any series of graphics can be assigned as characters in a dingbat font. While these fonts may not be of much use from a typesetting perspective, they can be useful as supportive vector graphics and icons. Since fonts consist of scalable vector shapes, dingbat glyphs can be converted to outlines in Photoshop or Illustrator, and then resized, dismantled, and manipulated without any loss of quality. The only issue when using these fonts is that you have to know where to find the glyph you’re after. Occasionally, I’ll remember an arrow or symbol from a dingbat font, and type out half the alphabet before I find the one I want. Fortunately, though, most dingbat fonts have a theme, so it’s easy to remember which font the glyph is in, even if the specific character is hard to find. When people think about dingbats, the first sets that come to mind are Wingdings and Webdings, the dingbat fonts that come pre-installed in Windows. There are actually hundreds of other dingbat fonts available on the Web. A few examples are given in Figure 4.28. Figure 4.28. A few examples of free dingbat fonts
Typography 147 Finding Fonts Although I’ve mentioned that you can find fonts on the Web a few times now, I’ve yet to really give you any places to look for them. If you start googling for fonts, you’ll probably discover that there are three main categories of font sites out there: free font galleries, commercial font galleries, and sites for individual artists and foundries. All are great sources of fonts to add to your typographic tool belt. Free Font Galleries These websites list and categorize free fonts from many designers. Some of the designers listed on these galleries have their own websites, through which they sell other fonts that they’ve designed. If you enjoy the fonts created by particular designers, be sure to track down the rest of their work. Remember that there are a lot of really ugly free fonts out there, and while many websites claim to offer free fonts, you often have to wade through loads of annoying ads to download them. Also, if you plan to embed a font (even a free one) into your site using @font-face, be sure that the font’s license allows it. With that said, here are a few great resources for free fonts: ■ Font Squirrel, at http://fontsquirrel.com/ ■ The League of Movable Type, at https://www.theleagueofmoveabletype.com/ ■ DaFont, at http://dafont.com/ Commercial Font Galleries Like the free and shareware galleries mentioned above, these websites promote fonts from many different designers and foundries. But unlike those galleries, most of the fonts here cost money. In most cases, though, you really get what you pay for with typography. If you license a font from one of these sites, as well as gaining a complete set of characters, the purchased fonts often include bold, italic, oblique, and other variants. ■ FontShop, at http://fontshop.com/ ■ Monotype, at http://fonts.com/ ■ Veer, at http://veer.com/products/fonts/ ■ MyFonts, at http://myfonts.com/ ■ Adobe Fonts, at http://adobe.com/type/ Individual Artists and Foundries Many of my favorite contemporary fonts come from a handful of individual artists and companies. Most of these websites have a few free fonts, as well as offering fonts for sale: ■ Jos Buivenga’s exljbris Font Foundry, at http://www.exljbris.com/. Creator of such popular typefaces as Museo, Anivers, and Diavlo.
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Summary of Contents Preface . . . .
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iv The Principles of Beautiful Web
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Table of Contents Preface . . . . .
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ix Color Scheme Designer 3 . . . .
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xi Creative Image Treatments . . .
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xiv bathroom with the work that we
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xvi Tips, Notes, and Warnings Hey,
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2 The Principles of Beautiful Web D
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10 The Principles of Beautiful Web
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2 Chapter Color Whether you’re de
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Color 51 reason, it’s often used
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Color 53 Figure 2.5. Calming stones
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Color 55 Figure 2.7. These wind tur
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Color 57 Chromatic Value The measur
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Color 59 Figure 2.12. The tradition
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Color 61 thick that you’re unable
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Color 63 Another example of saturat
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Color 65 An Analogous Color Scheme
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Color 67 Figure 2.22. Blinksale’s
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Color 69 put off by the stark contr
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Color 71 Figure 2.27. Cross Cross C
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Color 73 Figure 2.30. The Bulls+Arr
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Color 75 Figure 2.34. The adventuro
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Color 77 Table 2.1. Counting from 1
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Color 79 Scheme Designer 3 works. U
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Color 81 Figure 2.39. Pictaculous C
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Color 83 Figure 2.41. A mood board
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3 Chapter Texture There are many we
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Texture 87 Figure 3.2. The A-Team b
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Texture 89 Figure 3.5. Geometric an
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Texture 91 Rounded Corners So we’
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Texture 93 Figure 3.10. Ithaca Even
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Page 119 and 120: Texture 103 declaration background-
Page 121 and 122: Texture 105 Figure 3.25. Three repe
Page 123 and 124: Texture 107 Figure 3.27. Team Fanny
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Page 129 and 130: Texture 113 Another notable example
Page 131 and 132: Texture 115 Figure 3.36. Minimalism
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