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A history of Greek mathematics Vol.II from Aristarchus to Diophantus by Heath, Thomas Little, Sir, 1921

MACEDONIA is GREECE and will always be GREECE- (if they are desperate to steal a name, Monkeydonkeys suits them just fine) ΚΑΤΩ Η ΣΥΓΚΥΒΕΡΝΗΣΗ ΤΩΝ ΠΡΟΔΟΤΩΝ!!! ΦΕΚ,ΚΚΕ,ΚΝΕ,ΚΟΜΜΟΥΝΙΣΜΟΣ,ΣΥΡΙΖΑ,ΠΑΣΟΚ,ΝΕΑ ΔΗΜΟΚΡΑΤΙΑ,ΕΓΚΛΗΜΑΤΑ,ΔΑΠ-ΝΔΦΚ, MACEDONIA,ΣΥΜΜΟΡΙΤΟΠΟΛΕΜΟΣ,ΠΡΟΣΦΟΡΕΣ,ΥΠΟΥΡΓΕΙΟ,ΕΝΟΠΛΕΣ ΔΥΝΑΜΕΙΣ,ΣΤΡΑΤΟΣ, ΑΕΡΟΠΟΡΙΑ,ΑΣΤΥΝΟΜΙΑ,ΔΗΜΑΡΧΕΙΟ,ΝΟΜΑΡΧΙΑ,ΠΑΝΕΠΙΣΤΗΜΙΟ,ΛΟΓΟΤΕΧΝΙΑ,ΔΗΜΟΣ,LIFO,ΛΑΡΙΣΑ, ΠΕΡΙΦΕΡΕΙΑ,ΕΚΚΛΗΣΙΑ,ΟΝΝΕΔ,ΜΟΝΗ,ΠΑΤΡΙΑΡΧΕΙΟ,ΜΕΣΗ ΕΚΠΑΙΔΕΥΣΗ,ΙΑΤΡΙΚΗ,ΟΛΜΕ,ΑΕΚ,ΠΑΟΚ,ΦΙΛΟΛΟΓΙΚΑ,ΝΟΜΟΘΕΣΙΑ,ΔΙΚΗΓΟΡΙΚΟΣ,ΕΠΙΠΛΟ, ΣΥΜΒΟΛΑΙΟΓΡΑΦΙΚΟΣ,ΕΛΛΗΝΙΚΑ,ΜΑΘΗΜΑΤΙΚΑ,ΝΕΟΛΑΙΑ,ΟΙΚΟΝΟΜΙΚΑ,ΙΣΤΟΡΙΑ,ΙΣΤΟΡΙΚΑ,ΑΥΓΗ,ΤΑ ΝΕΑ,ΕΘΝΟΣ,ΣΟΣΙΑΛΙΣΜΟΣ,LEFT,ΕΦΗΜΕΡΙΔΑ,ΚΟΚΚΙΝΟ,ATHENS VOICE,ΧΡΗΜΑ,ΟΙΚΟΝΟΜΙΑ,ΕΝΕΡΓΕΙΑ, ΡΑΤΣΙΣΜΟΣ,ΠΡΟΣΦΥΓΕΣ,GREECE,ΚΟΣΜΟΣ,ΜΑΓΕΙΡΙΚΗ,ΣΥΝΤΑΓΕΣ,ΕΛΛΗΝΙΣΜΟΣ,ΕΛΛΑΔΑ, ΕΜΦΥΛΙΟΣ,ΤΗΛΕΟΡΑΣΗ,ΕΓΚΥΚΛΙΟΣ,ΡΑΔΙΟΦΩΝΟ,ΓΥΜΝΑΣΤΙΚΗ,ΑΓΡΟΤΙΚΗ,ΟΛΥΜΠΙΑΚΟΣ, ΜΥΤΙΛΗΝΗ,ΧΙΟΣ,ΣΑΜΟΣ,ΠΑΤΡΙΔΑ,ΒΙΒΛΙΟ,ΕΡΕΥΝΑ,ΠΟΛΙΤΙΚΗ,ΚΥΝΗΓΕΤΙΚΑ,ΚΥΝΗΓΙ,ΘΡΙΛΕΡ, ΠΕΡΙΟΔΙΚΟ,ΤΕΥΧΟΣ,ΜΥΘΙΣΤΟΡΗΜΑ,ΑΔΩΝΙΣ ΓΕΩΡΓΙΑΔΗΣ,GEORGIADIS,ΦΑΝΤΑΣΤΙΚΕΣ ΙΣΤΟΡΙΕΣ, ΑΣΤΥΝΟΜΙΚΑ,ΦΙΛΟΣΟΦΙΚΗ,ΦΙΛΟΣΟΦΙΚΑ,ΙΚΕΑ,ΜΑΚΕΔΟΝΙΑ,ΑΤΤΙΚΗ,ΘΡΑΚΗ,ΘΕΣΣΑΛΟΝΙΚΗ,ΠΑΤΡΑ, ΙΟΝΙΟ,ΚΕΡΚΥΡΑ,ΚΩΣ,ΡΟΔΟΣ,ΚΑΒΑΛΑ,ΜΟΔΑ,ΔΡΑΜΑ,ΣΕΡΡΕΣ,ΕΥΡΥΤΑΝΙΑ,ΠΑΡΓΑ,ΚΕΦΑΛΟΝΙΑ, ΙΩΑΝΝΙΝΑ,ΛΕΥΚΑΔΑ,ΣΠΑΡΤΗ,ΠΑΞΟΙ

MACEDONIA is GREECE and will always be GREECE- (if they are desperate to steal a name, Monkeydonkeys suits them just fine)

ΚΑΤΩ Η ΣΥΓΚΥΒΕΡΝΗΣΗ ΤΩΝ ΠΡΟΔΟΤΩΝ!!!

ΦΕΚ,ΚΚΕ,ΚΝΕ,ΚΟΜΜΟΥΝΙΣΜΟΣ,ΣΥΡΙΖΑ,ΠΑΣΟΚ,ΝΕΑ ΔΗΜΟΚΡΑΤΙΑ,ΕΓΚΛΗΜΑΤΑ,ΔΑΠ-ΝΔΦΚ, MACEDONIA,ΣΥΜΜΟΡΙΤΟΠΟΛΕΜΟΣ,ΠΡΟΣΦΟΡΕΣ,ΥΠΟΥΡΓΕΙΟ,ΕΝΟΠΛΕΣ ΔΥΝΑΜΕΙΣ,ΣΤΡΑΤΟΣ, ΑΕΡΟΠΟΡΙΑ,ΑΣΤΥΝΟΜΙΑ,ΔΗΜΑΡΧΕΙΟ,ΝΟΜΑΡΧΙΑ,ΠΑΝΕΠΙΣΤΗΜΙΟ,ΛΟΓΟΤΕΧΝΙΑ,ΔΗΜΟΣ,LIFO,ΛΑΡΙΣΑ, ΠΕΡΙΦΕΡΕΙΑ,ΕΚΚΛΗΣΙΑ,ΟΝΝΕΔ,ΜΟΝΗ,ΠΑΤΡΙΑΡΧΕΙΟ,ΜΕΣΗ ΕΚΠΑΙΔΕΥΣΗ,ΙΑΤΡΙΚΗ,ΟΛΜΕ,ΑΕΚ,ΠΑΟΚ,ΦΙΛΟΛΟΓΙΚΑ,ΝΟΜΟΘΕΣΙΑ,ΔΙΚΗΓΟΡΙΚΟΣ,ΕΠΙΠΛΟ, ΣΥΜΒΟΛΑΙΟΓΡΑΦΙΚΟΣ,ΕΛΛΗΝΙΚΑ,ΜΑΘΗΜΑΤΙΚΑ,ΝΕΟΛΑΙΑ,ΟΙΚΟΝΟΜΙΚΑ,ΙΣΤΟΡΙΑ,ΙΣΤΟΡΙΚΑ,ΑΥΓΗ,ΤΑ ΝΕΑ,ΕΘΝΟΣ,ΣΟΣΙΑΛΙΣΜΟΣ,LEFT,ΕΦΗΜΕΡΙΔΑ,ΚΟΚΚΙΝΟ,ATHENS VOICE,ΧΡΗΜΑ,ΟΙΚΟΝΟΜΙΑ,ΕΝΕΡΓΕΙΑ, ΡΑΤΣΙΣΜΟΣ,ΠΡΟΣΦΥΓΕΣ,GREECE,ΚΟΣΜΟΣ,ΜΑΓΕΙΡΙΚΗ,ΣΥΝΤΑΓΕΣ,ΕΛΛΗΝΙΣΜΟΣ,ΕΛΛΑΔΑ, ΕΜΦΥΛΙΟΣ,ΤΗΛΕΟΡΑΣΗ,ΕΓΚΥΚΛΙΟΣ,ΡΑΔΙΟΦΩΝΟ,ΓΥΜΝΑΣΤΙΚΗ,ΑΓΡΟΤΙΚΗ,ΟΛΥΜΠΙΑΚΟΣ, ΜΥΤΙΛΗΝΗ,ΧΙΟΣ,ΣΑΜΟΣ,ΠΑΤΡΙΔΑ,ΒΙΒΛΙΟ,ΕΡΕΥΝΑ,ΠΟΛΙΤΙΚΗ,ΚΥΝΗΓΕΤΙΚΑ,ΚΥΝΗΓΙ,ΘΡΙΛΕΡ, ΠΕΡΙΟΔΙΚΟ,ΤΕΥΧΟΣ,ΜΥΘΙΣΤΟΡΗΜΑ,ΑΔΩΝΙΣ ΓΕΩΡΓΙΑΔΗΣ,GEORGIADIS,ΦΑΝΤΑΣΤΙΚΕΣ ΙΣΤΟΡΙΕΣ, ΑΣΤΥΝΟΜΙΚΑ,ΦΙΛΟΣΟΦΙΚΗ,ΦΙΛΟΣΟΦΙΚΑ,ΙΚΕΑ,ΜΑΚΕΔΟΝΙΑ,ΑΤΤΙΚΗ,ΘΡΑΚΗ,ΘΕΣΣΑΛΟΝΙΚΗ,ΠΑΤΡΑ, ΙΟΝΙΟ,ΚΕΡΚΥΡΑ,ΚΩΣ,ΡΟΔΟΣ,ΚΑΒΑΛΑ,ΜΟΔΑ,ΔΡΑΜΑ,ΣΕΡΡΕΣ,ΕΥΡΥΤΑΝΙΑ,ΠΑΡΓΑ,ΚΕΦΑΛΟΝΙΑ, ΙΩΑΝΝΙΝΑ,ΛΕΥΚΑΔΑ,ΣΠΑΡΤΗ,ΠΑΞΟΙ

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CONTROVERSIES AS TO HERON'S DATE 307<br />

Heron was known as 6 'AXegavSpevs (e.g. <strong>by</strong> Pappus) or<br />

6 nrf^aviKos (mechanicus), <strong>to</strong> distinguish him <strong>from</strong> other<br />

persons <strong>of</strong> the same name<br />

;<br />

Proclus and Damianus use the<br />

latter title, while Pappus also speaks <strong>of</strong> ol nepl rbv "Hpoova<br />

/j.r}\a^LK0L.<br />

Character <strong>of</strong> works.<br />

Heron was an almost encyclopaedic writer on mathematical<br />

and physical subjects. Practical utility rather than theoretical<br />

completeness was the object aimed at; his environment in<br />

Egypt no doubt accounts largely for this. His Metrica begins<br />

with the old legend <strong>of</strong> the traditional origin <strong>of</strong> geometry in<br />

Egypt, and in the Dioptra we find one <strong>of</strong> the very problems<br />

which geometry was intended <strong>to</strong> solve, namely that <strong>of</strong> reestablishing<br />

boundaries <strong>of</strong> lands when the flooding <strong>of</strong> the<br />

Nile '<br />

had destroyed the land -marks : When the boundaries<br />

<strong>of</strong> an area have become obliterated <strong>to</strong> such an extent that<br />

only two or three marks remain, in addition <strong>to</strong> a plan <strong>of</strong> the<br />

area, <strong>to</strong> supply afresh the remaining marks.' 1 Heron makes<br />

little or no claim <strong>to</strong> originality; he <strong>of</strong>ten quotes authorities,<br />

but, in accordance with <strong>Greek</strong> practice, he more frequently<br />

omits <strong>to</strong> do so, evidently without any idea <strong>of</strong> misleading any<br />

one ; only when he has made what is in his opinion any<br />

slight improvement on the methods <strong>of</strong> his<br />

predecessors does<br />

he trouble <strong>to</strong> mention the fact, a habit which clearly indicates<br />

that, except in these cases, he is simply giving the best<br />

traditional methods in the form which seemed <strong>to</strong> him easiest<br />

<strong>of</strong> comprehension and application. The Metrica seems <strong>to</strong> be<br />

richest in definite references <strong>to</strong> the discoveries <strong>of</strong> predecessors<br />

;<br />

the names mentioned are Archimedes, Dionysodorus,<br />

Eudoxus, Pla<strong>to</strong> ; in the Dioptra Era<strong>to</strong>sthenes is quoted, and<br />

in the introduction <strong>to</strong> the Ga<strong>to</strong>ptrica Pla<strong>to</strong> and Aris<strong>to</strong>tle are<br />

mentioned.<br />

The practical utility <strong>of</strong> Heron's manuals being so great, it<br />

was natural that they should have great vogue, and equally<br />

natural that the most popular <strong>of</strong> them at any rate should be<br />

re-edited, altered and added <strong>to</strong> <strong>by</strong> later writers ; this was<br />

inevitable with books which, like the Elements <strong>of</strong> Euclid,<br />

were in regular use in <strong>Greek</strong>, Byzantine, Roman, and Arabian<br />

1<br />

Heron, Dioptra, c. 25, p. 268. 17-19.<br />

x 2<br />

308 HERON OF ALEXANDRIA<br />

education for centuries. The geometrical or mensurational<br />

books in particular gave scope for expansion <strong>by</strong> multiplication<br />

<strong>of</strong> examples, so that it is difficult <strong>to</strong> disentangle the genuine<br />

Heron <strong>from</strong> the rest <strong>of</strong> the collections which have come down<br />

<strong>to</strong> us under his name. Hultsch's considered criterion is as<br />

follows : The Heron texts which have come down <strong>to</strong> our<br />

'<br />

time are authentic in so far as they bear the author's name<br />

and have kept the original design and form <strong>of</strong> Heron's works,<br />

but are unauthentic in so far as, being constantly in use for<br />

practical<br />

purposes, they were repeatedly re-edited and, in the<br />

course <strong>of</strong> re-editing, were rewritten with a view <strong>to</strong> the<br />

particular needs <strong>of</strong> the<br />

List<br />

time.'<br />

<strong>of</strong> Treatises.<br />

Such <strong>of</strong> the works <strong>of</strong> Heron as have survived have reached<br />

us in very different ways. Those which have come down in<br />

the <strong>Greek</strong> are<br />

I. The Metrica, first discovered in 1896 in a manuscript<br />

<strong>of</strong> the eleventh (or twelfth) century at Constantinople <strong>by</strong><br />

R. Schone and edited <strong>by</strong> his son, H. Scheme (Heronis Opera, iii,<br />

Teubner, 1903).<br />

<strong>II</strong>. On the Dioptra, edited in an Italian version <strong>by</strong> Venturi<br />

in 1814 ;<br />

the <strong>Greek</strong> text was first brought out <strong>by</strong> A. J. H.<br />

Vincent 1 in 1858, and the critical edition <strong>of</strong> it <strong>by</strong>H. Schone is<br />

included in the Teubner vol. iii just mentioned.<br />

<strong>II</strong>I. The Pneumatica, in two Books, which appeared first in<br />

a Latin translation <strong>by</strong> Commandinus, published after his<br />

death in 1575; the <strong>Greek</strong> text was first edited <strong>by</strong> TheVenot<br />

in Vetevum mathematicovum opera Graece et Latine edita<br />

(Paris, 1693), and is now available in Heronis Opera, i (Teubner,<br />

1899), <strong>by</strong> W. Schmidt.<br />

IV. On the art <strong>of</strong> constructing au<strong>to</strong>mata (irepl avTo/jiaToiroLrjTLKrjs),<br />

or The au<strong>to</strong>ma<strong>to</strong>n-theatre, first edited in an Italian<br />

translation <strong>by</strong> B. Baldi in 1589 ; the <strong>Greek</strong> text was included<br />

in TheVenot's Vet, math., and now forms part <strong>of</strong> Heronis<br />

Opera, vol. i, <strong>by</strong> W. Schmidt.<br />

V. Belopoe'ica (on the construction <strong>of</strong> engines <strong>of</strong> war), edited<br />

1<br />

Notices et extraits des manuscrits de la Biblioiheque impe'riale, xix, pt. 2,<br />

pp. 157-337.

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