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i. institutional support and commitment to continuous improvement

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Course Number & Title:<br />

ARCH & INARC 5004 Design Visualization (3)<br />

Course Description:<br />

This first graduate studio course introduces incom-<br />

ing graduate students <strong>to</strong> basic 3D representation<br />

<strong>and</strong> fabrication for architecture <strong>and</strong> interior archi-<br />

tecture.<br />

Course Goals & Objectives:<br />

1) Design culture: introduction <strong>to</strong> design as a<br />

practice grounded in cultural <strong>and</strong> material in-<br />

novation.<br />

2) Design practice: introduction <strong>to</strong> graduate<br />

design studio as an inquiry-based pedagogy<br />

which depends upon rigorous experimentation<br />

with 3D representation <strong>and</strong> production.<br />

3) Design techniques: introduction <strong>to</strong> 3D com-<br />

puter drawing, modeling, <strong>and</strong> rendering, <strong>and</strong><br />

manufacturing techniques.<br />

Student Performance Criterion:<br />

1) Criteria<br />

a)A.6. Fundamental Design Skills<br />

Topical Outline:<br />

1) Students are introduced <strong>to</strong> design studio<br />

<strong>and</strong> descriptive media production through a<br />

computer application demos culminating in<br />

technical exercises <strong>and</strong> small, abstract design<br />

projects, no larger than 20’ x 20’ x 20’ in actual<br />

scale; desk crits <strong>and</strong> reviews associated with<br />

this work represent 50% of the course.<br />

2) Students are introduced <strong>to</strong> 3D digital model-<br />

ing <strong>and</strong> fabrication, including dimensional data<br />

entry, 2D <strong>to</strong> 3D modeling <strong>to</strong>ols, parametric<br />

modeling <strong>to</strong>ols, material indications, lighting<br />

techniques, rendering, plotting <strong>and</strong> 3D fabrica-<br />

tion using laser cutting <strong>and</strong> CNC techniques;<br />

assignments require that students develop<br />

their design project through these modeling<br />

techniques, producing a rendered digital model<br />

<strong>and</strong> digitally fabricated physical model of their<br />

design; 25% of the course.<br />

3) Students develop the ability <strong>to</strong> move across<br />

various production platforms, <strong>and</strong> complete<br />

assignments for their design project that<br />

include exporting <strong>and</strong> importing files from<br />

one program <strong>to</strong> another, developing manual<br />

pro<strong>to</strong>types for digitally fabricated models, <strong>and</strong><br />

manipulating digitally fabricated models with<br />

manual techniques; 25% of the course.<br />

Prerequisites:<br />

Admission <strong>to</strong> the MArch program.<br />

Textbooks/Learning Resources:<br />

Various text <strong>and</strong> online sources including:<br />

• http://www.rhino3d.com/<br />

• http://www.grasshopper3d.com/<br />

• Grasshopper Primer – 2nd Edition, by<br />

Andrew Payne<br />

• Generative Algorithms with Grasshopper<br />

by Zubin Khabazi<br />

Offered (semester <strong>and</strong> year):<br />

• Semester: SUMMER<br />

• Year: ONE<br />

Faculty assigned:<br />

• 2009-2010 academic year:<br />

Sterk, Tristan (F/T), Kasemsarn, Richard<br />

(P/T)<br />

• 2010-2011 academic year:<br />

Pancoast, Douglas (F/T), Sterk, Tristan<br />

(F/T)<br />

161 | Spring 2011<br />

IV. Supplemental Information<br />

Supplemental Information<br />

SECTION IV

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