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i. institutional support and commitment to continuous improvement

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I. Institutional Support <strong>and</strong> Commitment <strong>to</strong> Continuous Improvement<br />

I. INSTITUTIONAL SUPPORT AND COMMITMENT TO<br />

CONTINUOUS IMPROVEMENT<br />

I.2. RESOURCES<br />

I.2.3 Physical Resources<br />

Chicago itself is a vital part of the School, <strong>and</strong> with significant buildings by Daniel Burnham, Louis<br />

Sullivan, Ludwig Mies van der Rohe, Frank Lloyd Wright, Helmut Jahn, Frank Gehry, <strong>and</strong> Renzo Piano,<br />

among others, Chicago is an ideal seat of architectural education. In addition <strong>to</strong> the significant archi-<br />

tecture, other universities—including Loyola, Northwestern, DePaul, the University of Chicago, <strong>and</strong> the<br />

University of Illinois at Chicago among others—their resources, <strong>and</strong> the culturally diverse neighbor-<br />

hoods <strong>and</strong> citizenry of the city make Chicago an open-air museum for students. The School-museum<br />

complex—located in Grant Park, adjacent <strong>to</strong> Millennium Park, <strong>and</strong> overlooking Michigan Avenue—has<br />

been the central inspiring presence that houses the museum’s collection, audi<strong>to</strong>ria, restaurants, admin-<br />

istrative offices, libraries, <strong>and</strong> a portion of the School. Several nearby building house the School’s class-<br />

rooms, students services <strong>and</strong> housing, administrative offices, more libraries <strong>and</strong> special collections, <strong>and</strong><br />

exhibitions spaces.<br />

Of particular note is the building which houses the MArch program: the Sullivan Center. Along with<br />

several administrative office, the School relocated AIADO <strong>and</strong> all its facilities—including its classrooms,<br />

instructional facilities, shops, faculty <strong>and</strong> administrative offices—<strong>to</strong> the twelfth floor of the Sullivan Cen-<br />

ter in the l<strong>and</strong>mark Sullivan building originally designed as the Carson Pirie Scott Building, at 36 South<br />

Wabash Avenue, in 2006. The move was made <strong>to</strong> accommodate the expansion of the department as<br />

it established new graduate programs in design. This building also houses the Fashion Design depart-<br />

ment (BFA, Post-Baccalaureate, <strong>and</strong> MDes) <strong>and</strong> the Sullivan Galleries run by Exhibition <strong>and</strong> Events.<br />

The facilities for AIADO include: dedicated, technologically “smart” studio, lecture <strong>and</strong> seminar spaces;<br />

a full range of traditional <strong>and</strong> cutting-edge object-making <strong>and</strong> digital output facilities; an eighty-foot<br />

display area <strong>and</strong> endowed project space for exhibitions; faculty offices; <strong>and</strong> a nearly universal wireless<br />

access <strong>and</strong> among its signature features. Below, AIADO’s instructional, exhibition, <strong>and</strong> administrative<br />

spaces are discussed at length.<br />

A) Instructional physical resources<br />

Teaching studios on the twelfth floor of the Sullivan building are configured in two groups of 5 or 6<br />

each, one for undergraduates, which has “hot” desks that are reassigned for different classes, <strong>and</strong> one<br />

for graduates, which has assigned desks. Each group of studios is made of a range of open twenty-one<br />

foot square columnar bays that run along the famous Louis Sullivan strip window on State Street. This<br />

long open space allows an important <strong>and</strong> useful wide-angle view of 120 years of buildings in Chicago’s<br />

Loop, <strong>and</strong> encourages faculty <strong>and</strong> students <strong>to</strong> observe what other studios are doing in an informal,<br />

community-building way.<br />

The next bay <strong>to</strong>ward the inside of the building is divided, however, in<strong>to</strong> two columnar bay pin-up <strong>and</strong><br />

lecture-discussion-critique areas. A movable sound-attenuating curtain divides each of these two bay<br />

pin-up areas. Normally a full class discussion can take place in a circle of rolling chairs in this discus-<br />

sion area, <strong>and</strong> still be quiet enough for several of these <strong>to</strong> occur simultaneously in the larger group of<br />

studios. When a double class is held, <strong>and</strong> a number of integrated technical practice classes are double<br />

the normal enrollment by design, the curtain is pulled back <strong>to</strong> allow a larger discussion space.<br />

Each graduate student in the professional programs is assigned an individual desk area immediately<br />

adjacent <strong>to</strong> a teaching area that includes a pin up <strong>and</strong> discussion space, <strong>and</strong> ceiling mounted data<br />

projec<strong>to</strong>rs with VHS <strong>and</strong> DVD players. All desks are equipped with hardware Ethernet connecting <strong>to</strong><br />

shared 2D <strong>and</strong> 3D printing facility, <strong>and</strong> wireless is available throughout the floor for general Internet ac-<br />

91 | Spring 2011<br />

SECTION I Institutional Support <strong>and</strong> Commitment <strong>to</strong> Continuous Improvement

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