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i. institutional support and commitment to continuous improvement

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Course Number & Title:<br />

INARC 5110 Interior Architecture Studio 1:<br />

Emotive Space (4.5)<br />

Course Description:<br />

This introduc<strong>to</strong>ry studio addresses site as a genera<strong>to</strong>r<br />

of architectural ideas <strong>and</strong> examines how architecture<br />

constructs, <strong>and</strong> responds <strong>to</strong>, site conditions. It pays close<br />

attention <strong>to</strong> issues of site that affect the development of<br />

interior space. Additionally, students examine inherent<br />

material effects, <strong>and</strong> more ephemeral sensory effects,<br />

<strong>and</strong> their manipulation <strong>to</strong> communicate an architectural<br />

intention in a single space. Architectural “transitions” in-<br />

cluding approach, entry, occupation <strong>and</strong> egress are stud-<br />

ied in order <strong>to</strong> posit the building as a sustainable system<br />

<strong>and</strong> the threshold between interior <strong>and</strong> exterior space.<br />

Course Goals & Objectives:<br />

1) Design culture: introduction <strong>to</strong> the role of site<br />

<strong>and</strong> material context in contemporary architectural<br />

design.<br />

2) Design practice: introduction <strong>to</strong> basic design<br />

methods, emphasizing conceptual experimentation<br />

<strong>and</strong> rigor, material innovation, <strong>and</strong> cultural invention<br />

through the conceptual design of a small building<br />

with an extensive site infrastructure.<br />

3) Design techniques <strong>and</strong> skills: develop an inter-<br />

mediate level of architectural representation, with<br />

an emphasis on visual explanation <strong>and</strong> analysis,<br />

plans, sections <strong>and</strong> elevations, <strong>and</strong> basic manual<br />

model construction.<br />

Student Performance Criterion:<br />

1) Best exemplifies the following criteria:<br />

a) A.6. Fundamental design skills (ability)<br />

b) B.4. Site Design (ability)<br />

2) Additional criteria<br />

a) A.2. Design thinking (ability)<br />

b) A.5. Investigative Skills (ability)<br />

c) A.8. Ordering Systems Skills (underst<strong>and</strong>ing)<br />

d) A.10. Cultural Diversity (ability)<br />

Topical Outline:<br />

1) Design culture: students will investigate the rela-<br />

tionship of site <strong>to</strong> interior space <strong>to</strong> site as developed<br />

in contemporary art <strong>and</strong> architecture, completing<br />

case studies that relate the use of site in contem-<br />

porary art practice <strong>to</strong> contemporary architectural<br />

design; 15% of the course.<br />

2) Design culture: through a series of readings of<br />

contemporary theory related <strong>to</strong> site, students will<br />

develop a written statement describing the relation-<br />

ship of their project <strong>to</strong> contemporary architectural<br />

design practice; 10% of the course.<br />

165 | Spring 2011<br />

IV. Supplemental Information<br />

3) Design practice: through a series of lectures <strong>and</strong><br />

demonstrations, students will be introduced <strong>to</strong> site<br />

documentation <strong>and</strong> analysis techniques; students<br />

will prepare a series of diagrams <strong>and</strong> explana-<br />

<strong>to</strong>ry graphics describing both the qualitative <strong>and</strong><br />

quantitative characteristics of the existing site <strong>and</strong><br />

proposed site design; 10% of the course.<br />

4) Design practice: working from ideas generated<br />

through the case studies <strong>and</strong> site analysis, students<br />

will develop a design for a building <strong>and</strong> site that in-<br />

tegrates site considerations with architectural ideas;<br />

students will work through an iterative process that<br />

integrates analog <strong>and</strong> digital techniques, <strong>and</strong> will<br />

make formal presentations at 50%, 75% <strong>and</strong> 100%<br />

completion, at an introduc<strong>to</strong>ry level of accomplish-<br />

ment; 25% of the course.<br />

5) Design techniques: students will document their<br />

conceptual design through a complete <strong>and</strong> coordi-<br />

nated set of site plans <strong>and</strong> sections, <strong>and</strong> building plans,<br />

sections, elevations, showing context, scale figures <strong>and</strong><br />

materials, using CAD, <strong>and</strong> showing appropriate line<br />

types, weights <strong>and</strong> notations at a professional level;<br />

15% of the course.<br />

6) Design techniques: students will document their<br />

conceptual design through physical site <strong>and</strong> build-<br />

ing models, emphasizing material effects <strong>and</strong> formal<br />

ideas, at a professional level; 15% of the course.<br />

7) Design techniques: students will complete ap-<br />

proximately 10’x10’ <strong>to</strong>tal of presentation boards,<br />

showing all plans, sections <strong>and</strong> elevation context,<br />

scale figures <strong>and</strong> materials, along with <strong>support</strong>ing<br />

analysis <strong>and</strong> information, that may include vignettes<br />

<strong>and</strong> models, at a professional level; 10% of the<br />

course.<br />

Prerequisites:<br />

5004, 5005, 5006<br />

Textbooks/Learning Resources:<br />

Various sources including:<br />

• Interior Atmoshperes Bridging the Thresh-<br />

olds of Interior <strong>and</strong> L<strong>and</strong>scapes, An interview with<br />

Petra Blaisse<br />

Offered (semester <strong>and</strong> year):<br />

• Semester: FALL<br />

• Year: ONE<br />

Faculty assigned:<br />

• 2009-2010 academic year:<br />

Miller, Carl Ray (F/T)<br />

• 2010-2011 academic year:<br />

Miller, Carl Ray (F/T), Kasemsarn, Richard<br />

(P/T)<br />

Supplemental Information<br />

SECTION IV

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