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i. institutional support and commitment to continuous improvement

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School of the Art Institute of Chicago<br />

Department of Architecture, Interior Architecture, <strong>and</strong> Designed Objects<br />

Master of Architecture<br />

Master of Architecture with emphasis in Interior Architecture<br />

Course Number & Title:<br />

ARCH 6210 Architecture Studio 5: Integrations (4.5)<br />

Course Description:<br />

This comprehensive design studio examines how<br />

creative program analysis drives creative, complex<br />

design solutions. This studio uses innovative program-<br />

ming techniques <strong>to</strong> design large-scale buildings <strong>and</strong><br />

complexes. The final projects integrate design ideas<br />

with structures <strong>and</strong> systems. The course uses a vari-<br />

ety of discrete analytical, diagrammatic <strong>and</strong> visualiza-<br />

tion exercises <strong>to</strong> register obscure existing conditions<br />

<strong>and</strong> cultural changes in<strong>to</strong> clear terms so the designer,<br />

client <strong>and</strong> the public can underst<strong>and</strong> them <strong>and</strong> the<br />

new solutions that arise out of them.<br />

Course Goals & Objectives:<br />

1) Design culture: methods of integration <strong>and</strong><br />

information synthesis in contemporary architectural<br />

design.<br />

2) Design practice: advanced design methods, em-<br />

phasizing feasibility, <strong>and</strong> comprehension through<br />

the design of a large building with an extensive<br />

systems integration challenge.<br />

3) Design techniques <strong>and</strong> skills: develop an ad-<br />

vanced level of architectural representation, with an<br />

emphasis on analysis, plans, sections <strong>and</strong> eleva-<br />

tions, <strong>and</strong> model construction.<br />

Student Performance Criterion:<br />

1) Best exemplifies the following criteria:<br />

a) B.6. Comprehensive Design (ability)<br />

b) B.7. Financial Considerations (underst<strong>and</strong>ing)<br />

2) Additional criteria associated with SPC B.6<br />

a) A.2. Design Thinking (ability)<br />

b) A.4 Technical Documentation (ability)<br />

c) A.5. Investigative Skills (ability)<br />

d) A.8. Ordering Systems Skills (underst<strong>and</strong>ing)<br />

e) A.9 His<strong>to</strong>rical Traditions & Global Culture<br />

(underst<strong>and</strong>ing)<br />

f) B.2. Accessibility (ability)<br />

g) B.3. Sustainability (ability)<br />

h) B.4. Site Design (ability)<br />

i) B.5. Life Safety (ability)<br />

j) B.8. Environmental Systems (underst<strong>and</strong>ing)<br />

k) B.9. Structural Systems (underst<strong>and</strong>ing)<br />

l) B.11. Building Service Systems (underst<strong>and</strong>ing)<br />

Topical Outline:<br />

1) Design culture: ‘disciplinary literacy’— student<br />

will examine <strong>and</strong> critique contemporary practice<br />

Architecture Program Report | 178<br />

relevant <strong>to</strong> studio <strong>to</strong>pic; 10% of the course.<br />

2) Design practice: through a series of lectures <strong>and</strong><br />

exercises, students will be introduced <strong>to</strong> informa-<br />

tion collection <strong>and</strong> research methodologies; stu-<br />

dents will prepare a series of explana<strong>to</strong>ry graphics<br />

describing proposed programmatic conditions in<br />

existing behavioral contexts, system integrations<br />

<strong>and</strong> comprehensive planning; 15% of the course.<br />

3) Design practice: working from ideas generated<br />

through the case studies, site analysis <strong>and</strong> systems<br />

research, students will develop a design for a large<br />

urban building that integrates site considerations<br />

with architectural ideas; students will work through<br />

an iterative process that integrates analog <strong>and</strong><br />

digital techniques, <strong>and</strong> will make formal presenta-<br />

tions at 50%, 75% <strong>and</strong> 100% completion, 15% of the<br />

course.<br />

4) Design techniques: students will document their<br />

design through a complete <strong>and</strong> coordinated set of<br />

design research diagrams, tables <strong>and</strong> reports, site<br />

plans <strong>and</strong> sections, building plans, sections, eleva-<br />

tions, showing context, <strong>and</strong> materials, using CAD,<br />

<strong>and</strong> showing appropriate symbology <strong>and</strong> notations<br />

at a professional level; 25% of the course.<br />

5) Design techniques: students will document<br />

their conceptual design through physical site <strong>and</strong><br />

building models, emphasizing material effects <strong>and</strong><br />

formal ideas, at a professional level; 25% of the<br />

course.<br />

6) Design techniques: students will complete ap-<br />

proximately 10’x10’ <strong>to</strong>tal of presentation boards,<br />

showing all plans, sections <strong>and</strong> elevation context,<br />

<strong>and</strong> materials, along with <strong>support</strong>ing analysis <strong>and</strong><br />

information, that may include vignettes <strong>and</strong> mod-<br />

els, at a professional level; 25% of the course.<br />

Prerequisites:<br />

All required fourth semester coursework.<br />

Textbooks/Learning Resources:<br />

Various sources including: S,M,L,XL by Rem Kool-<br />

haas <strong>and</strong> Bruce Mau<br />

Offered (semester <strong>and</strong> year):<br />

• Semester: FALL<br />

• Year: THREE<br />

Faculty assigned:<br />

• 2009-2010 academic year:<br />

Ahleman, Thomas (P/T), Tornheim, Dan (P/T)<br />

• 2010-2011 academic year:<br />

Ahleman, Thomas (P/T), Exley, Peter (P/T)

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