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i. institutional support and commitment to continuous improvement

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Christine Atha<br />

Courses Taught (Two Academic Years Prior <strong>to</strong> Visit):<br />

F 09 ARTHI 5120 Survey of Modern/Postmodern<br />

Design <strong>and</strong> Architecture<br />

F 10 ARTHI 5120 Survey of Modern/Postmodern<br />

Design <strong>and</strong> Architecture<br />

Educational Credentials:<br />

2006 Post Graduate Certificate in Learning <strong>and</strong><br />

Teaching in Higher Education<br />

2003 SEDA Certificate in Supervising Research<br />

Degrees for Professionals in Art <strong>and</strong> Design<br />

1990 - 93 MA Humanities, Royal College of Art,<br />

London<br />

1992 – 93 Awarded the Henry Moore Scholarship,<br />

Royal College of Art, London<br />

1973 -76 BA (Hons) Fine Art (2.1) Commendation<br />

in Art His<strong>to</strong>ry, Hull Institute of Higher Education<br />

1971-73 Foundation Studies, Leeds College of Art<br />

Teaching Experience:<br />

Royal College of Art, London, 2007 – 2008<br />

Visiting Tu<strong>to</strong>r in Department of Critical <strong>and</strong><br />

His<strong>to</strong>rical Studies<br />

Central Saint Martins College of Art <strong>and</strong> Design,<br />

London, 1999 – 2008<br />

Senior Lecturer/Course Leader for Cultural<br />

Studies <strong>and</strong> Course Coordina<strong>to</strong>r<br />

Professional Experience:<br />

Background is in both university <strong>and</strong> museum<br />

education, <strong>and</strong> cura<strong>to</strong>rial practice.<br />

Museum education at Tate Britain<br />

Cura<strong>to</strong>r of the Review Gallery at the Design<br />

Museum <strong>and</strong> Head of Education at The Institute<br />

of Contemporary Arts, London; Cura<strong>to</strong>rial<br />

projects include: “Hermès <strong>and</strong> Matali Crasset:<br />

Cheval Surprise/Equine Reflections” Hanbury<br />

Gallery, London; “Future Map”, London Institute<br />

Gallery, London; “The Shape of Things <strong>to</strong><br />

Come”, Institute of Contemporary Arts, London;<br />

“Designing Tomorrow: British Design Education”,<br />

British Council, London; Review Gallery, Design<br />

Museum, London<br />

Selected Publications <strong>and</strong> Recent Research:<br />

Publications:<br />

“Vic<strong>to</strong>rian Values: the Roles of Reception Theory<br />

in the Construction of Taste in the context of<br />

Regeneration Practice”<br />

“The Thing is: between the Designer Poet <strong>and</strong><br />

the Artist Bricoleur”; “Value <strong>and</strong> Integrity in the<br />

Creative Process”<br />

“Language: Developing Communication between<br />

different Cultures”. Co-edi<strong>to</strong>r (with Jeremy<br />

Myerson) of Design Renaissance<br />

Exhibitions:<br />

“Roger Brown Calif. U.S.A”., exhibition at the Hyde<br />

Park Arts Center, Chicago<br />

USA,” 2010<br />

Catalogue essay for “Roger Brown Calif.<br />

‘The People’s Gallery of Everyday Objects’ Hyde<br />

Park Art Center, Chicago<br />

The Exhibition asks for audiences visiting<br />

the exhibition <strong>and</strong> working at the Hyde Park Arts<br />

Center <strong>to</strong> actively participate in the creation of<br />

a catalogue or document of their experiences<br />

of Everyday Objects by contributing objects <strong>to</strong><br />

construct a People’s Gallery, 2010<br />

Professional Memberships:<br />

Fellow of the Royal Society of Arts (FRSA)<br />

Association of Art His<strong>to</strong>rians<br />

Design His<strong>to</strong>ry Society<br />

189 | Spring 2011<br />

IV. Supplemental Information<br />

Supplemental Information<br />

SECTION IV

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