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i. institutional support and commitment to continuous improvement

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School of the Art Institute of Chicago<br />

Department of Architecture, Interior Architecture, <strong>and</strong> Designed Objects<br />

Master of Architecture<br />

Master of Architecture with emphasis in Interior Architecture<br />

in<strong>to</strong> a working labora<strong>to</strong>ry for experimentation, collaboration, <strong>and</strong> the traces they leave<br />

behind. Through performance, architectural intervention, <strong>and</strong> material accumulation the<br />

classes engage in an ongoing dialogue over the course of the exhibition.<br />

o Learning Modern Exhibition—<br />

September 26, 2009 - January 9, 2010<br />

Sullivan Galleries<br />

With the world on the brink of economic <strong>and</strong> political disaster, László Moholy-Nagy <strong>and</strong><br />

Ludwig Mies van der Rohe carried Bauhaus principles from Germany <strong>to</strong> Chicago in the<br />

late 1930s. This exhibition featured projects by artists <strong>and</strong> architects, ranging in age from<br />

their 20s <strong>to</strong> 80s, who <strong>to</strong>day continue a legacy of interdisciplinary innovation for better<br />

living, while exploring the central role of experiential education in the modern vision.<br />

o Faculty Projects—August 18 – September 25, 2009<br />

Betty Rymer Gallery<br />

This exhibition featured select projects by faculty at the School who are returning from<br />

their sabbatical leaves.<br />

o 2700—June 18-July 31, 2009<br />

Betty Rymer Gallery<br />

The twenty-seven-hundred-square-foot space of the Rymer Gallery becomes the sites<br />

for the latest work of the School’s new artists, selected by the Faculty Exhibitions Com-<br />

mittee. Artists included Sarah Belknap, Joseph Belknap, Tif Bullard, Yu-Hang Huang,<br />

Merideth Lacina, Alison Rhoades, <strong>and</strong> Isabelle Schiltz.<br />

o The Art of Connection—May 16-29, 2009<br />

Betty Rymer Gallery<br />

Artwork by graduate Art Therapy students <strong>and</strong> the people they work with at their intern-<br />

ships. Artwork in the show reflected the varied settings, populations, <strong>and</strong> practices of art<br />

therapy.<br />

o Invasive—March 3-31, 2009<br />

Betty Rymer Gallery<br />

The woodcut prints of Nicola Lopez <strong>and</strong> S<strong>and</strong>ow Birk employ centuries-old techniques<br />

<strong>to</strong> contemporary subjects <strong>and</strong> take a careful, personal look at our world. From l<strong>and</strong>-<br />

scapes that thrust from the ground as if in a struggle against themselves, <strong>to</strong> images ref-<br />

erencing peoples’ capacity for inhumanity during wartime, Invasive suggested complex<br />

conditions that affect each of us in our relationship <strong>to</strong> nature <strong>and</strong> <strong>to</strong> each other.<br />

o Ship in a Bottle—January 24-February 21, 2009<br />

Sullivan Galleries<br />

Poised between the possible <strong>and</strong> the impossible, <strong>and</strong> with an emphasis on visual plea-<br />

sure, the work in this exhibition was concerned with the elevation of experience through<br />

process, material, <strong>and</strong> subject matter.<br />

o New Work—January 24 - February 21, 2009<br />

Sullivan Galleries<br />

New work in installation, painting, performance, pho<strong>to</strong>graphy, sculpture, <strong>and</strong> video were<br />

presented by current <strong>and</strong> recent SAIC students.<br />

Architecture Program Report | 76

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