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Crossing the Borders: New Methods and Techniques in the Study of Archaeological Materials from the Caribbean

by Corrine L. Hoffman, et. al.

by Corrine L. Hoffman, et. al.

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5<br />

A <strong>New</strong> Material to View <strong>the</strong> Past<br />

Dental Alg<strong>in</strong>ate Molds <strong>of</strong> Friable Artifacts<br />

Charlene Dixon Hutcheson<br />

Introduction<br />

Palmettan Ostionoid pottery, or Palmetto ware dated to a.d. 850–1500 (see H<strong>of</strong>fman<br />

1967, 1970), <strong>in</strong> <strong>the</strong> Bahama Archipelago is primarily undecorated (Keegan<br />

1997a:39; Rouse 1992:99), although very limited examples <strong>of</strong> punctate- <strong>in</strong>cised <strong>and</strong><br />

molded appliqué occur (Sears <strong>and</strong> Sullivan 1978). The primary decorations on Palmetto<br />

ware are negative basketry impressions, which occur to a vary<strong>in</strong>g degree<br />

(4 to 14 percent) <strong>in</strong> <strong>the</strong> reported assemblages. There is some debate concern<strong>in</strong>g<br />

<strong>the</strong> purposefulness <strong>of</strong> <strong>the</strong> basketry impressions (cf. Berman <strong>and</strong> Hutcheson 2000;<br />

H<strong>of</strong>fman 1970; Hutcheson 2001; Keegan 1997a; Rose 1987; Sears <strong>and</strong> Sullivan 1978).<br />

Regardless <strong>of</strong> <strong>the</strong> reason <strong>the</strong>se negative impressions occur, <strong>the</strong>y are <strong>in</strong>valuable <strong>in</strong><br />

<strong>the</strong> reconstruction <strong>of</strong> <strong>the</strong> basketry <strong>and</strong> textile <strong>in</strong>dustries <strong>in</strong> <strong>the</strong> pre- Columbian Bahamas<br />

<strong>and</strong> elsewhere (Drooker 1992, 2001; Petersen et al. 1997), as actual fiber artifacts<br />

are extremely rare (Conrad et al. 2001). Thus, this class <strong>of</strong> material culture has<br />

been disproportionately underrepresented <strong>in</strong> archaeological models.<br />

Negative basketry, cordage, fabric, <strong>and</strong> nett<strong>in</strong>g impressions on ceramics provide<br />

an avenue through which <strong>the</strong>se technologies can be studied <strong>in</strong> <strong>the</strong> absence<br />

<strong>of</strong> <strong>the</strong> orig<strong>in</strong>al fiber artifacts (Adovasio et al. 2001; Drooker 1992; Hutcheson 2001;<br />

Petersen et al. 1997), <strong>and</strong> <strong>of</strong>fer <strong>the</strong> potential for underst<strong>and</strong><strong>in</strong>g <strong>the</strong> cultural <strong>and</strong> political<br />

expressions associated with <strong>the</strong>m (Berman <strong>and</strong> Hutcheson 2000; Drooker<br />

1992:xiii–xiv; Petersen 1996:2).<br />

Background<br />

In 1995, under <strong>the</strong> auspices <strong>of</strong> <strong>the</strong> Lucayan Ecological Archaeology Project, directed<br />

by Mary Jane Berman <strong>and</strong> Perry L. Gnivecki, on San Salvador Isl<strong>and</strong> (Fig-<br />

You are read<strong>in</strong>g copyrighted material published by <strong>the</strong> University <strong>of</strong> Alabama Press.<br />

Any post<strong>in</strong>g, copy<strong>in</strong>g, or distribut<strong>in</strong>g <strong>of</strong> this work beyond fair use as def<strong>in</strong>ed under U.S. Copyright law is illegal <strong>and</strong><br />

<strong>in</strong>jures <strong>the</strong> author <strong>and</strong> publisher. For permission to reuse this work, contact <strong>the</strong> University <strong>of</strong> Alabama Press.

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