INDEX 307Cohen, Margret, 175Cole, Jonathan, 126, 129Coles, Alex, 3, 20collector, 80, 137, 142, 149–51, 155,160, 199, 202, 273colonialism, 217–18, 220–28, 231. Seealso postcolonialitycommodity fetish, 103–4, 165, 225,238, 248, 258, 268, 279Commune (Paris), 99, 153, 227communism, 6, 36, 169, 177–79, 188.See also socialismcomputer, 92–94, 110, 116, 125, 172constellation: 12, 16, 19, 28, 31, 47–48,50, 52, 56, 98, 119, 130, 161, 165–67, 171, 175, 186–89, 218–20, 228,231, 241, 246, 248, 250, 255, 258,266, 271. See also dialectical image,dialectics at a standstillconsumption, 3, 10, 31, 165, 187, 237–38, 248, 263Cordovero, Moses, 43Cornelius, Hans, 46Crary, Jonathan, 89, 276, 291, 292cyberspace, 1, 116, 156, 170, 174–75Da Vinci, Leonardo, 47Dada, 78, 120Daguerre, Louis-Jacques-Mandé, 168D’Annunzio, Gabriele, 24Dante Alighieri, 234, 245Daumier, Honoré, 222, 224Davis, Mike, 245De La Grange, Henri-Louis, 293decolonization, 218. See also postcolonialityDeleuze, Gilles, 21, 42, 46, 51–52, 62,67–69, 271–72Demar, Claire, 261Derrida, Jacques, 18, 23, 32, 43, 196,201, 210, 213–14, 292Descartes, René, 34destiny, 53, 56–57, 179, 235, 239. Seealso fateDewey, John, 282, 292dialectical image, 7, 89, 160–61, 165–71, 175, 183, 187–91, 225, 247, 252,254–55. See also constellationdialectics at a standstill, 4, 12, 15,79–80, 89, 165–66, 175. See alsoconstellationDick, Philip, K., 125digital age, 10–11, 115digital media, 1, 121–22, 223digitalization, 82, 116, 174Döblin, Alfred, 35, 45Documenta (Kassel art exhibition),112–13Doorn, Herman van, 21Downey, Robert Jr., 125Downing, Eric, 136, 151dream, 9, 17, 71, 73, 75, 78, 80, 107,150, 157, 160–63, 171, 173, 187, 201,221, 229, 237–38, 251, 254, 270dream city, 157, 162dream houses, 14, 157, 162, 263dream image, 89, 147, 281dream world, 188, 251, 273–93Duchamp, Marcel, 120Dumas, Alexandre, 220, 226Duns Scotus, John, 23, 86Dürer, Albrecht, 57–59, 79, 200Dürer, Albrecht, work by: Melencolia I,57–58, 200Dusolier, Alcide, 235Duveyrier, Charles, 267eco-technological eros, 18, 270–71Eggebrecht, Hans Heinrich, 275, 290Elektrofant, 3Engels, Friedrich, 68enjambment, 206–7Eros, 18, 246–72Eschwege, Wilhelm Ludwig von, 225esoteric love, 253–55eurocentrism, 220experience, 10, 48–49, 51, 60–62, 92,95, 96–99, 103–10, 114, 116, 119–21, 124–25, 132–35, 137, 143–44,154, 158, 162, 164–72, 177, 181–82,188–90, 201–2, 230–31, 247, 249,251–52, 260, 268–70, 277, 279–84,287–89. See also memory; shockFabien, Jacques, 221Fanon, Frantz, 216, 236, 243
308 INDEXFascism, 7, 11, 74, 99, 100, 103, 105,113–14, 137, 154, 178–79, 184, 188fashion, 7, 224–25, 233, 248, 251, 255,258, 263–64, 267–69fate, 56–57, 79, 103, 163, 179, 201, 207.See also destinyFenves, Peter, 51, 67–68, 176Ferneyhough, Brian, 3, 20Ferris, David S., 20Fichte, Johann Gottlieb, 37Ficino, Marsilio, 79film, 1, 4, 10–11, 73, 92–93, 113–28,142–43, 146–47, 156, 167, 173. Seealso photographyFinkelde, Dominik, 68, 69First World War, 5, 48, 78, 217–18,229, 255–56, 270Fischer, Fritz, 217, 244Fischer, Joschka, 18, 191–93flânerie, flâneur, 10, 73, 102–3, 105, 107,154–58, 202, 217, 222–23, 248–49,256, 260, 265, 272, 273–76Fleischer, Max, 124Flusser, Vilém, 86Foucault, Michel, 42, 57, 68, 84, 89,249, 252, 270, 272Fourier, Charles, 157, 168, 227fragment, 4, 7–9, 19, 36, 48, 63–65, 73,79, 88, 137, 143–44, 148, 153–76,181, 186, 188–89, 199, 202, 217–33,270, 273Frank, Thomas, 69Frankfurt School, 36, 71, 91, 278Frauenkirche (Dresden), 13–14Frazer, James George, 29, 43Free School Community, 5Free Student Movement, 5Freud, Sigmund, 29–30, 43, 58, 162,167, 231, 245, 147, 251–52, 265–66,293Fried, Nico, 194Friedberg, Anne, 249, 271Friedlander, Eli, 291Fuchs, Eduard, 36, 45Gadamer, Hans-Georg, 201Gallagher, Shaun, 126, 129Gender, 16, 246–72George, Stefan, 23Gesamtkunstwerk, 279, 280, 282, 289, 293Geulen, Eva, 152, 247, 253, 271–72Giehlow, Karl, 57, 68, 79Gingold, Peter, 194Giuliani, Rudy, 14globalization, 1, 10–11, 14, 16, 18, 23,33–35, 108, 110, 156, 173–74, 218,221, 224Gödde, Christoph, 2Goebel, Rolf J., 22, 35, 44, 176, 217, 244Goethe, Johann Wolfgang, 5, 32, 36–38, 42, 60, 79, 88, 97, 207Goldstein, Kurt, 194Graham, Dan, 4Grandville (Jean Ignace IsidorGérard), 157, 162, 168, 220–21, 285Green Party, 191–92Griffiths, Gareth, 217, 244Grimmelshausen, Johann Jacob Christophvon, 47, 62Grossman, Jeffrey, 20, 44Gryphius, Andreas, 48, 63, 66, 69Gryphius, Andreas, work by: LeoArmenius, 48, 65–66Guattari, Félix, 271–72Gundolf, Friedrich, 42Gunning, Tom, 291Gutzkow, Karl, 224–25Haas, Willy, 67Habermas, Jürgen, 195, 197, 213–15Hadley Centre, 245Hailey, Christopher, 286, 293Hamacher, Werner, 141, 143, 151Hansen, Mark B. N. 119, 129Hansen, Miriam, 248–49, 271Hanssen, Beatrice, 20, 67, 162, 175Haraway, Donna, 271–72Haussmann, Georges-Eugène, 157,168, 223, 241, 273Hawthorne, Donna, 127Heartfield, John (Helmut Herzfeld),120Heckel, Hans, 60Hegel, Georg Wilhelm Friedrich,36–37, 48, 53, 83–84, 184, 201–2,204–5, 287
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A Companion to the Works of Walter
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A Companion to the Works ofWalter B
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ContentsPrefaceSources of Benjamin
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PrefaceSIXTY-NINE YEARS AFTER HIS D
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Chronology of Benjamin’s Major Wo
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CHRONOLOGY OF BENJAMIN’S MAJOR WO
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2 ROLF J. GOEBELthe avant-garde. Th
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4 ROLF J. GOEBEL“porosity” betw
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6 ROLF J. GOEBELunfilled love affai
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8 ROLF J. GOEBELrevolutions, especi
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10 ROLF J. GOEBEL[Method of this pr
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12 ROLF J. GOEBELthe past for the p
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14 ROLF J. GOEBELtoward the past wi
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16 ROLF J. GOEBELphilosophical, and
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18 ROLF J. GOEBELreading its montag
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20 ROLF J. GOEBELNotes1In this book
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22 ROLF J. GOEBEL24See also Rolf J.
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24 WOLFGANG BOCKIII, 452-80; “Pro
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26 WOLFGANG BOCKthere are certain d
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28 WOLFGANG BOCKin the collective a
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32 WOLFGANG BOCKcombines it with ot
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34 WOLFGANG BOCKspoken in paradise,
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36 WOLFGANG BOCK(“How Can Big Boo
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38 WOLFGANG BOCK[The task of art cr
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40 WOLFGANG BOCKHere Benjamin devel
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42 WOLFGANG BOCKThese judgments, wh
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44 WOLFGANG BOCK11See Aby Warburg,
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2: The Presence of the Baroque: Ben
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48 DOMINIK FINKELDEit is to this li
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50 DOMINIK FINKELDEand idealistic
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52 DOMINIK FINKELDEa mosaic: a “S
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54 DOMINIK FINKELDEorder still live
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56 DOMINIK FINKELDEthe impact of
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58 DOMINIK FINKELDEsorrowful or tha
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60 DOMINIK FINKELDEcollapse of the
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62 DOMINIK FINKELDEcounterplay of m
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64 DOMINIK FINKELDEof contemplation
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66 DOMINIK FINKELDEcreatures,” Or
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68 DOMINIK FINKELDE17Deleuze, The F
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3: Lost Orders of the Day:Benjamin
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72 WOLFGANG BOCKthe name of the pro
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74 WOLFGANG BOCKTrauerspiels (The O
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76 WOLFGANG BOCKGreat Revolution an
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78 WOLFGANG BOCKto this old connect
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80 WOLFGANG BOCKcontradistinctive f
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82 WOLFGANG BOCKof books, again wit
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84 WOLFGANG BOCKsense. In the tradi
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86 WOLFGANG BOCKAfter-Life of a Fra
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88 WOLFGANG BOCK9Cf. GS II.3:630-3
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90 WOLFGANG BOCK17. 7. 1916” in L
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92 BERND WITTEmatter generated by t
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94 BERND WITTEforms of reading comp
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96 BERND WITTEthe present by adopti
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98 BERND WITTEFeerie” (GB 3:322;
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100 BERND WITTEthe destruction of t
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102 BERND WITTEReferring to the con
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104 BERND WITTEidentified “Kapita
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106 BERND WITTEIt is understandable
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108 BERND WITTEto Marx the defeat o
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110 BERND WITTEfor which the sensa
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5: Benjamin in the Age of New Media
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114 LUTZ KOEPNICKaddition rather th
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116 LUTZ KOEPNICKbodily experience
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118 LUTZ KOEPNICKdisruptive and qua
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120 LUTZ KOEPNICKreshape the way in
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122 LUTZ KOEPNICKto conceptualize f
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124 LUTZ KOEPNICKhow the camera has
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126 LUTZ KOEPNICKthe actor, deflate
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128 LUTZ KOEPNICKand of course to t
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6: One Little Rule: On Benjamin,Aut
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132 ERIC JAROSINSKIand rhetorical f
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134 ERIC JAROSINSKIestrangement, no
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136 ERIC JAROSINSKIprecaution of th
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138 ERIC JAROSINSKIis placed before
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140 ERIC JAROSINSKIlight of Benjami
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142 ERIC JAROSINSKIbut also the pos
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144 ERIC JAROSINSKISusan Buck-Morss
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146 ERIC JAROSINSKIin; she appears
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148 ERIC JAROSINSKIverlaßner, unge
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150 ERIC JAROSINSKISinn” (GS IV.1
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152 ERIC JAROSINSKI16Here Benjamin
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154 KARL IVAN SOLIBAKKEart forms
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156 KARL IVAN SOLIBAKKEhad to compe
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158 KARL IVAN SOLIBAKKEwould have a
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160 KARL IVAN SOLIBAKKEwhen individ
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162 KARL IVAN SOLIBAKKEobjects assu
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164 KARL IVAN SOLIBAKKEbe a misrepr
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166 KARL IVAN SOLIBAKKEto schematic
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168 KARL IVAN SOLIBAKKEVDrawing att
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170 KARL IVAN SOLIBAKKEcommodities
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172 KARL IVAN SOLIBAKKEAs Virilio s
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174 KARL IVAN SOLIBAKKEthe point at
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176 KARL IVAN SOLIBAKKE5See also Ma
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178 MARC DE WILDEcounter these tota
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180 MARC DE WILDEvon allen Seiten d
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182 MARC DE WILDEYet ultimately it
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184 MARC DE WILDEAlthough Benjamin
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186 MARC DE WILDEhistorical situati
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188 MARC DE WILDEonly against the b
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190 MARC DE WILDEerschlagen . . . N
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192 MARC DE WILDEthat is, their par
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194 MARC DE WILDE11For this concept
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196 VIVIAN LISKAFaced with urgent c
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198 VIVIAN LISKAas an interval, “
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200 VIVIAN LISKAold and new orders,
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202 VIVIAN LISKAprose aims at regai
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204 VIVIAN LISKAaddition to the ess
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206 VIVIAN LISKAgift of the storyte
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208 VIVIAN LISKAand for a moment st
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210 VIVIAN LISKAative expressed in
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212 VIVIAN LISKASancho Pansa, der s
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214 VIVIAN LISKA5For Agamben’s cr
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10: Paris on the Amazon? Postcoloni
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218 WILLI BOLLEto assemble all (or
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220 WILLI BOLLEII. The View of the
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222 WILLI BOLLECompany, from where
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224 WILLI BOLLEIndes,” “Groß-I
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226 WILLI BOLLENotre drapeau n’a
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228 WILLI BOLLEwould be the colonie
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230 WILLI BOLLEcontemporary Mário
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232 WILLI BOLLEwerden würden” (
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234 WILLI BOLLEfrom Dante to Kafka,
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236 WILLI BOLLEwhereas Baudelaire i
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238 WILLI BOLLEconsumers by adverti
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240 WILLI BOLLEcreate conditions th
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242 WILLI BOLLEof the rubber barons
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244 WILLI BOLLE5Edward W. Said, Ori
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11: Benjamin’s Gender, Sex, and E
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248 DIANNE CHISHOLMgive their criti
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250 DIANNE CHISHOLMMy purpose is to
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252 DIANNE CHISHOLMBenjamin’s “
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254 DIANNE CHISHOLMcommunicative la
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