(Studies in German Literature Linguistics and Culture) Rolf J

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ContentsPrefaceSources of Benjamin’s WorksChronology of Benjamin’s Major WorksviiixxiIntroduction: Benjamin’s Actuality 1Rolf J. Goebel1: Walter Benjamin’s Criticism of Language and Literature 23Wolfgang Bock2: The Presence of the Baroque: Benjamin’s Ursprung desdeutschen Trauerspiels in Contemporary Contexts 46Dominik Finkelde3: Lost Orders of the Day: Benjamin’s Einbahnstraße 70Wolfgang Bock4: Literature as the Medium of Collective Memory:Reading Benjamin’s Einbahnstraße, “Der Erzähler,” and“Das Paris des Second Empire bei Baudelaire” 91Bernd Witte5: Benjamin in the Age of New Media 112Lutz Koepnick6: One Little Rule: On Benjamin, Autobiography, andNever Using the Word “I” 130Eric Jarosinski7: The Passagen-Werk Revisited: The Dialectics ofFragmentation and Reconfiguration in Urban Modernity 153Karl Ivan Solibakke
viCONTENTS8: Benjamin’s Politics of Remembrance: A Reading of“Über den Begriff der Geschichte” 177Marc de Wilde9: The Legacy of Benjamin’s Messianism: Giorgio Agambenand Other Contenders 195Vivian Liska10: Paris on the Amazon? Postcolonial Interrogations ofBenjamin’s European Modernism 216Willi Bolle11: Benjamin’s Gender, Sex, and Eros 246Dianne Chisholm12: Sonic Dreamworlds: Benjamin, Adorno, and thePhantasmagoria of the Opera House 273Adrian DaubSelect Bibliography and List of Further Reading 295Notes on the Contributors 299Index 303
Page 2 and 3: A Companion to the Works of Walter
Page 4 and 5: A Companion to the Works ofWalter B
Page 8: PrefaceSIXTY-NINE YEARS AFTER HIS D
Page 12 and 13: Chronology of Benjamin’s Major Wo
Page 14: CHRONOLOGY OF BENJAMIN’S MAJOR WO
Page 17 and 18: 2 ROLF J. GOEBELthe avant-garde. Th
Page 19 and 20: 4 ROLF J. GOEBEL“porosity” betw
Page 21 and 22: 6 ROLF J. GOEBELunfilled love affai
Page 23 and 24: 8 ROLF J. GOEBELrevolutions, especi
Page 25 and 26: 10 ROLF J. GOEBEL[Method of this pr
Page 27 and 28: 12 ROLF J. GOEBELthe past for the p
Page 29 and 30: 14 ROLF J. GOEBELtoward the past wi
Page 31 and 32: 16 ROLF J. GOEBELphilosophical, and
Page 33 and 34: 18 ROLF J. GOEBELreading its montag
Page 35 and 36: 20 ROLF J. GOEBELNotes1In this book
Page 37 and 38: 22 ROLF J. GOEBEL24See also Rolf J.
Page 39 and 40: 24 WOLFGANG BOCKIII, 452-80; “Pro
Page 41 and 42: 26 WOLFGANG BOCKthere are certain d
Page 43 and 44: 28 WOLFGANG BOCKin the collective a
Page 45 and 46: 30 WOLFGANG BOCKis left to be analy
Page 47 and 48: 32 WOLFGANG BOCKcombines it with ot
Page 49 and 50: 34 WOLFGANG BOCKspoken in paradise,
Page 51 and 52: 36 WOLFGANG BOCK(“How Can Big Boo
Page 53 and 54: 38 WOLFGANG BOCK[The task of art cr
Page 55 and 56: 40 WOLFGANG BOCKHere Benjamin devel
Page 57 and 58:
42 WOLFGANG BOCKThese judgments, wh
Page 59 and 60:
44 WOLFGANG BOCK11See Aby Warburg,
Page 61 and 62:
2: The Presence of the Baroque: Ben
Page 63 and 64:
48 DOMINIK FINKELDEit is to this li
Page 65 and 66:
50 DOMINIK FINKELDEand idealistic
Page 67 and 68:
52 DOMINIK FINKELDEa mosaic: a “S
Page 69 and 70:
54 DOMINIK FINKELDEorder still live
Page 71 and 72:
56 DOMINIK FINKELDEthe impact of
Page 73 and 74:
58 DOMINIK FINKELDEsorrowful or tha
Page 75 and 76:
60 DOMINIK FINKELDEcollapse of the
Page 77 and 78:
62 DOMINIK FINKELDEcounterplay of m
Page 79 and 80:
64 DOMINIK FINKELDEof contemplation
Page 81 and 82:
66 DOMINIK FINKELDEcreatures,” Or
Page 83 and 84:
68 DOMINIK FINKELDE17Deleuze, The F
Page 85 and 86:
3: Lost Orders of the Day:Benjamin
Page 87 and 88:
72 WOLFGANG BOCKthe name of the pro
Page 89 and 90:
74 WOLFGANG BOCKTrauerspiels (The O
Page 91 and 92:
76 WOLFGANG BOCKGreat Revolution an
Page 93 and 94:
78 WOLFGANG BOCKto this old connect
Page 95 and 96:
80 WOLFGANG BOCKcontradistinctive f
Page 97 and 98:
82 WOLFGANG BOCKof books, again wit
Page 99 and 100:
84 WOLFGANG BOCKsense. In the tradi
Page 101 and 102:
86 WOLFGANG BOCKAfter-Life of a Fra
Page 103 and 104:
88 WOLFGANG BOCK9Cf. GS II.3:630-3
Page 105 and 106:
90 WOLFGANG BOCK17. 7. 1916” in L
Page 107 and 108:
92 BERND WITTEmatter generated by t
Page 109 and 110:
94 BERND WITTEforms of reading comp
Page 111 and 112:
96 BERND WITTEthe present by adopti
Page 113 and 114:
98 BERND WITTEFeerie” (GB 3:322;
Page 115 and 116:
100 BERND WITTEthe destruction of t
Page 117 and 118:
102 BERND WITTEReferring to the con
Page 119 and 120:
104 BERND WITTEidentified “Kapita
Page 121 and 122:
106 BERND WITTEIt is understandable
Page 123 and 124:
108 BERND WITTEto Marx the defeat o
Page 125 and 126:
110 BERND WITTEfor which the sensa
Page 127 and 128:
5: Benjamin in the Age of New Media
Page 129 and 130:
114 LUTZ KOEPNICKaddition rather th
Page 131 and 132:
116 LUTZ KOEPNICKbodily experience
Page 133 and 134:
118 LUTZ KOEPNICKdisruptive and qua
Page 135 and 136:
120 LUTZ KOEPNICKreshape the way in
Page 137 and 138:
122 LUTZ KOEPNICKto conceptualize f
Page 139 and 140:
124 LUTZ KOEPNICKhow the camera has
Page 141 and 142:
126 LUTZ KOEPNICKthe actor, deflate
Page 143 and 144:
128 LUTZ KOEPNICKand of course to t
Page 145 and 146:
6: One Little Rule: On Benjamin,Aut
Page 147 and 148:
132 ERIC JAROSINSKIand rhetorical f
Page 149 and 150:
134 ERIC JAROSINSKIestrangement, no
Page 151 and 152:
136 ERIC JAROSINSKIprecaution of th
Page 153 and 154:
138 ERIC JAROSINSKIis placed before
Page 155 and 156:
140 ERIC JAROSINSKIlight of Benjami
Page 157 and 158:
142 ERIC JAROSINSKIbut also the pos
Page 159 and 160:
144 ERIC JAROSINSKISusan Buck-Morss
Page 161 and 162:
146 ERIC JAROSINSKIin; she appears
Page 163 and 164:
148 ERIC JAROSINSKIverlaßner, unge
Page 165 and 166:
150 ERIC JAROSINSKISinn” (GS IV.1
Page 167 and 168:
152 ERIC JAROSINSKI16Here Benjamin
Page 169 and 170:
154 KARL IVAN SOLIBAKKEart forms
Page 171 and 172:
156 KARL IVAN SOLIBAKKEhad to compe
Page 173 and 174:
158 KARL IVAN SOLIBAKKEwould have a
Page 175 and 176:
160 KARL IVAN SOLIBAKKEwhen individ
Page 177 and 178:
162 KARL IVAN SOLIBAKKEobjects assu
Page 179 and 180:
164 KARL IVAN SOLIBAKKEbe a misrepr
Page 181 and 182:
166 KARL IVAN SOLIBAKKEto schematic
Page 183 and 184:
168 KARL IVAN SOLIBAKKEVDrawing att
Page 185 and 186:
170 KARL IVAN SOLIBAKKEcommodities
Page 187 and 188:
172 KARL IVAN SOLIBAKKEAs Virilio s
Page 189 and 190:
174 KARL IVAN SOLIBAKKEthe point at
Page 191 and 192:
176 KARL IVAN SOLIBAKKE5See also Ma
Page 193 and 194:
178 MARC DE WILDEcounter these tota
Page 195 and 196:
180 MARC DE WILDEvon allen Seiten d
Page 197 and 198:
182 MARC DE WILDEYet ultimately it
Page 199 and 200:
184 MARC DE WILDEAlthough Benjamin
Page 201 and 202:
186 MARC DE WILDEhistorical situati
Page 203 and 204:
188 MARC DE WILDEonly against the b
Page 205 and 206:
190 MARC DE WILDEerschlagen . . . N
Page 207 and 208:
192 MARC DE WILDEthat is, their par
Page 209 and 210:
194 MARC DE WILDE11For this concept
Page 211 and 212:
196 VIVIAN LISKAFaced with urgent c
Page 213 and 214:
198 VIVIAN LISKAas an interval, “
Page 215 and 216:
200 VIVIAN LISKAold and new orders,
Page 217 and 218:
202 VIVIAN LISKAprose aims at regai
Page 219 and 220:
204 VIVIAN LISKAaddition to the ess
Page 221 and 222:
206 VIVIAN LISKAgift of the storyte
Page 223 and 224:
208 VIVIAN LISKAand for a moment st
Page 225 and 226:
210 VIVIAN LISKAative expressed in
Page 227 and 228:
212 VIVIAN LISKASancho Pansa, der s
Page 229 and 230:
214 VIVIAN LISKA5For Agamben’s cr
Page 231 and 232:
10: Paris on the Amazon? Postcoloni
Page 233 and 234:
218 WILLI BOLLEto assemble all (or
Page 235 and 236:
220 WILLI BOLLEII. The View of the
Page 237 and 238:
222 WILLI BOLLECompany, from where
Page 239 and 240:
224 WILLI BOLLEIndes,” “Groß-I
Page 241 and 242:
226 WILLI BOLLENotre drapeau n’a
Page 243 and 244:
228 WILLI BOLLEwould be the colonie
Page 245 and 246:
230 WILLI BOLLEcontemporary Mário
Page 247 and 248:
232 WILLI BOLLEwerden würden” (
Page 249 and 250:
234 WILLI BOLLEfrom Dante to Kafka,
Page 251 and 252:
236 WILLI BOLLEwhereas Baudelaire i
Page 253 and 254:
238 WILLI BOLLEconsumers by adverti
Page 255 and 256:
240 WILLI BOLLEcreate conditions th
Page 257 and 258:
242 WILLI BOLLEof the rubber barons
Page 259 and 260:
244 WILLI BOLLE5Edward W. Said, Ori
Page 261 and 262:
11: Benjamin’s Gender, Sex, and E
Page 263 and 264:
248 DIANNE CHISHOLMgive their criti
Page 265 and 266:
250 DIANNE CHISHOLMMy purpose is to
Page 267 and 268:
252 DIANNE CHISHOLMBenjamin’s “
Page 269 and 270:
254 DIANNE CHISHOLMcommunicative la
Page 271 and 272:
256 DIANNE CHISHOLMBrautlager in ei
Page 273 and 274:
258 DIANNE CHISHOLMIn “Über Lieb
Page 275 and 276:
260 DIANNE CHISHOLMfamily and bourg
Page 277 and 278:
262 DIANNE CHISHOLMheroic image of
Page 279 and 280:
264 DIANNE CHISHOLMof consumer pers
Page 281 and 282:
266 DIANNE CHISHOLMBenjamin was thi
Page 283 and 284:
268 DIANNE CHISHOLMcommunity-buildi
Page 285 and 286:
270 DIANNE CHISHOLMliberals? What r
Page 287 and 288:
272 DIANNE CHISHOLM12Michel Foucaul
Page 289 and 290:
274 ADRIAN DAUBto it an optic remar
Page 291 and 292:
276 ADRIAN DAUBculture, architectur
Page 293 and 294:
278 ADRIAN DAUB(modern, Wagnerian)
Page 295 and 296:
280 ADRIAN DAUBhouse may be conceiv
Page 297 and 298:
282 ADRIAN DAUBcome to dominate the
Page 299 and 300:
284 ADRIAN DAUBand technological. I
Page 301 and 302:
286 ADRIAN DAUBIVThis simulated spa
Page 303 and 304:
288 ADRIAN DAUBdepicted negatively,
Page 305 and 306:
290 ADRIAN DAUBaction itself takes
Page 307 and 308:
292 ADRIAN DAUB29In a 1965 essay Ad
Page 310 and 311:
Select Bibliography and List of Fur
Page 312:
SELECT BIBLIOGRAPHY AND LIST OF FUR
Page 315 and 316:
300 NOTES ON THE CONTRIBUTORSEschat
Page 318 and 319:
IndexAbbas, Ackbar, 290Abulafia, Ab
Page 320 and 321:
INDEX 305“Program for a Proletari
Page 322 and 323:
INDEX 307Cohen, Margret, 175Cole, J
Page 324 and 325:
INDEX 309Heidegger, Martin, 23, 43,
Page 326 and 327:
INDEX 311monad, 39, 49-50, 52-53, 6
Page 328 and 329:
INDEX 313Shanghai, 14Shaw, Jeffrey,
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(Studies in German Literature Linguistics and Culture) Rolf J

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