Bill Wrobel's DVD - Film Score Rundowns

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Here is a partial list of cues: -1M0 V. 1 “Opening” Orchestrated by Brad Dechta. -1M1 “Royce’s Sacrifice” v. 2. Orchestrated by Jeff Atmajian., -1M2 v.2 “Three Years Later” in 4/4 time. -1M3 v. 5 “The Hospital” 82 bars orchestrated by Atmajian. -2M1 “Base Camp” 14 pages, 54 bars. Orchestrated by Pete Anthony. -3M1 v. 2 “Wick Questions Vaughn” in 4/4 time. 39 bars, 10 pages. -3M2 v. 3 “Annie & Peter” in 4/4 time. 26 bars. Orchestrated by Dechta. -4M1 v.6 “Team Takes Off” 32 pages, 128 bars. Orchestrated by Dechta -4M2 “Peter’s Fear of Storm” in 5/8 time. 122 bars, 32 pages. Orchestrated by Kull. -5M1 “The Storm” in 5/8 time. 16 pages, 73 bars. Orchestrated by Atmajian, -5M1A “First Avalanche” v. 2 in 4/4 time. Orchestrated by Atmajian. -5M2 v. 2 “Morse Code” in 4/4 time. 9 pages, 35 bars. Orchestrated by Brad Dechta. -5M3R v.2 “I Won’t Let Annie Die” in 4/4 time. 24 bars. Bowed trem sord violins, solo english horn, etc. -6M2 v. 2 “I Need One More” 25 bars. -6M3 v. 2 “Rescue Preparations” v. 2 in � time. 43 bars. Marimba, bass marimba, piano, celeste, etc. -6M3 R v.3 “Rescue Preparations” -6M4 v. 3 “Kiss My Ass Goodbye” -7M1 v. 2 “Wick Agrees” Clarinet solo, then horn I solo, etc. -7M2 “Rescuers Arrive” in 6/8 time. 41 pages, 154 bars. -8M1 v.2 “Vaughn Levels With Tom” in 6/4 time. 12 pages, 47 bars. -8M2 v.3 “Peter & Wick Argue” in 4/4 time. 8 pages, 31 bars. Sords strings, etc. -8M3 v.4 “Ice Wall” in � time. 16 pages, 65 bars. -9M1 “Cyril Slips” 28 bars. -9M2 “Annie Tries for Pack” 7 bars -Cyril Hangs/Annie Pack” 129 bars, 33 pages. -9M5 v. 4 “Avalanche” 44 bars, 11 pages. -10M1 v.3 “Vaughn Makes Up Mind” 15 bars. Solo. E.H. -10M2 v.2 “Peter & Monique” 9 bars -10M3 v.2 “Malcolm & Kareem” 35 bars -10M4 v.3 “Nitro Reacts To Sun” in 4/4 time. Violins play Line 1 A#/B bowed trem tied whole notes, while violas play on E/F highly dissonant 2 nd intervals. There are also cupmuted trumpets, large log drum, gran cassa, etc. 84 bars. -11M1 v.3 “Don’t Touch Her” 53 bars -11M2 v.4 “Annie, What Is It?” 35 bars. -12M1 v.2 “Vaughn Kills Tom” 24 bars -12M2 “Peter Sets Out” 61 bars. -12M3 v.4 “Tom’s Heart” 7/8 time, orch. Frank Bennett, 88 bars. -12M4 v.5 “Finding Annie & Vaughn” Bennett, 100 bars. -13M1 v. 6 “The Rescue” 103 bars, orch by Jeff A. -13M2 v.2 “It’s A Good Song” 46 bars. 112
The “Opening” cue (not sure now if this is the exact version used in the final pic) has, in Bar 5, violins I playing pp cresc poco a poco on Line 1 Eb whole note tied thru Bar 11. In Bar 12, violins I are then div on Eb/G whole notes mf to (Bar 13 in � time) Eb/G dotted half notes to (Bar 14 in 4/4 time) I believe Fb/A whole notes f
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Bill Wrobel’s DVD Collection, Rev
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need to spend time on since I had a
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night. Karnes and the skipper and u
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There is a nice effect in Bar 18 (0
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play this an octave higher register
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have a sweet theme for a major fema
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Bb/Line 1 D staccato notes, while h
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Runs. -Reel 6/2 (#40465), Agitato i
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music by Thomas Newman, well, it’
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the full score was not in that box
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4) F tenuto half note to E to F ten
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By the way, the instrumentation for
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Check out this website for the movi
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especially in stressful and even mi
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to F up to Line 3 C 8ths down to (B
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music for the first time. The writt
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quarter note. After an 8 th rest in
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The next cue is “Tiger” (locate
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The opening of the Main Title by Jo
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http://www.amazon.com/Quatermass-Pi
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Reel 2 a) CHIMNEY SWEEP (Kennedy) P
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(followed by two quarter rests). Af
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-Northwest Frontier (1959) ** [musi
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at the end of Reel 1 is a.) Marsell
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I purchased this dvd from Warner Ar
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Steiner) starting at 00:10:51. Next
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I never did pull the written music,
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Nice, sharp print of the dvd, fine
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8. Trade Winds (Cliff Friend-Charli
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[Super Bowl Sunday, February 06, 20
Page 61 and 62: next four bars. After an 8 th rest
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Page 71 and 72: http://www.amazon.com/Dive-Bomber-E
Page 73 and 74: I am still watching the movie on my
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Page 77 and 78: As for the music, I really like the
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Page 81 and 82: This is a curious movie, rather enj
Page 83 and 84: notes to (Bar 1) middle C rinforzan
Page 85 and 86: -Skipping to Reel 6/5. 18 pages, 70
Page 87 and 88: Korngold’s Prince & the Pauper fo
Page 89 and 90: [6] “Uncle” 2 pages. 4/4 time,
Page 91 and 92: Line 1 D [written E] half note to D
Page 93 and 94: inforzando whole note held fermata.
Page 95 and 96: cave] -Reel 5/1 Molto agitato in C
Page 97 and 98: except as a combined overall effect
Page 99 and 100: -Reel 1/3 [Old Man’s Hut] -Reel 2
Page 101 and 102: quarter rest in Bar 1, CB pluck p p
Page 103 and 104: thru 10 to (Bar 11) Bb notes to (Ba
Page 105 and 106: short wavy gliss line to Eb 8 th ti
Page 107 and 108: 34. La Cucaracha - arr. Heindorf
Page 109 and 110: did not overly impress me beyond th
Page 111: I don’t know why the orchestrator
Page 115 and 116: notes tied to whole notes in Bar 7.
Page 117 and 118: -Hollow Man (2000) ** 1/2 [music **
Page 119 and 120: “I’m A Genius” [R1/4] 20 bars
Page 121 and 122: (Bar 2) small octave Bb whole note
Page 123 and 124: “No Code” [Reel 5/2] 135 bars,
Page 125 and 126: the A min (A/C/E). Etc. After two q
Page 127 and 128: octave F half notes twice (repeated
Page 129 and 130: quarter notes to D-D 32 nd notes to
Page 131 and 132: V section (dvd 00:41:49). The Pas d
Page 133 and 134: -Darby’s Rangers (1957) *** [musi
Page 135 and 136: http://www.amazon.com/Dragnet-1967-
Page 137 and 138: -Green Berets (1968) ** [music ***]
Page 139 and 140: audience that hates a movie be nice
Page 141 and 142: Vietminh guerrillas in Indo-China,
Page 143 and 144: plays the pattern as well with the
Page 145 and 146: est). After an 8 th rest, Pos play
Page 147 and 148: ar. Clarinets play Line 1 E [writte
Page 149 and 150: “Camp Foch” (based on a French
Page 151 and 152: “Mahidi’s Death” Reel 14/A. D
Page 153 and 154: personally liked the section after
Page 155 and 156: there’s really not much “there
Page 157 and 158: The alto flute (on mike) plays p es
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unless the director and others invo
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-Advise & Consent (1962) ** � [mu
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-Laura Croft: Tomb Raider (2001) **
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Another very good Jack Webb product
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format. Couple it with one of the b
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Communication (memo) from R. J. Obr
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(Bar 3) F# whole note tied to next
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whole note tied to quarter note nex
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9 Scott “ “ “ 00:25 10 Funera
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There are several graphic scenes th
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“messing” with the audience, cr
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This is a delightful, energetic, ap
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Hollander’s cue “Heaven” from
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Bar 14 strings I believe play a ser
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sheep, and then more horses were sc
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although it is no classic. There’
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Kubrick and ultimately Spielberg wa
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Pope. “David Studies Monica” [1
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Violins I in 4/4 time sound p Line
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-A Talk With Hitchcock (1964) *** h
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interesting with the operation scen
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[The Fight] Reel 5/1, Agitato in C
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[Revelation/Herd] I believe part of
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Good DePalma movie (but not great)
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Incidentally, you can see Young bei
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http://www.amazon.com/Sling-Blade-D
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http://www.amazon.com/Return-Vampir
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After a half rest in Bar 3, violas
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“flaw” for some people is the
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I actually studied the full score a
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[Brookfield School Song] :43 durati
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[Vienna Inn Scene] Cue # 7058 (also
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B up to Line 1 D to F# legato quart
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interesting scenes. Hawks took off
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http://www.amazon.com/Seventh-Seal-
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“Main Title” Reel 1/1, 10 pages
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down to Line 1 Bb 16ths. Violas plu
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two bars to (Bar 10) D whole note (
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In Bar 16 (dvd 00:05:15) we come to
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E-F-F#-A legato 16ths (silent next
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to-be ex-partner, get the money to
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(followed by an 8 th rest) to F/mid
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to sniff out Sue who has stopped ne
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gliss line down to small octave E t
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(followed by two 8 th rests) to the
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“Can Can Part 3” Cue # 35129. K
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Skipping slightly to Bar 195 (dvd 1
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notes and then Bb-G half notes to (
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Ever Told, etc). Again, too bad. I
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This is a decent sci-fi movie but a
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Included in this set are the first
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http://www.filmscorerundowns.net/he
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For about $140 million you will exp
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small octave D/G to same D/G to D/G
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notes (followed by a quarter and ha
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Neal meet. The dialog in that scene
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Of special merit in this dvd Specia
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(followed by a quarter rest) to (ne
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-# 2B “Bye Bye Charlie” in �
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sleazy role, and Greenstreet contin
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9followed by an 8 th rest) to same
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one next. ….So far, after watchin
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and David Hedison. The scifi disast
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-The Wrong Man (1956) *** [music **
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ask? Too bad Columbo wasn’t aroun
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-Spaceballs (1987) *** 7/8 [music *
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-“Driving Home” Reel �. Andan
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-Reel 6/1 Revised “When Johnny Co
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http://books.google.com/books?id=sr
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appetizer, no desert). If you’ve
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I can’t say I like this bleak Ing
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plays p ascending legato 16ths Grea
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Bar 19 to play Line 1 G#-A#-B-Line
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The movie never appealed to me but
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the busy-body lady tells people tha
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numbers in Calamity Jane, however!
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I reviewed this dvd on Talking Herr
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yarn) starring the excellent Johnny
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ehearsal of the fight that somehow
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classic!). I loved the actors such
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Back to Poledouris, I would recomme
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“rolling stream ostinati” that
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I discussed my September and Octobe
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The gong is struck in Bar 5.The cym
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Bb/F quarter notes to C/Eb quarter
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[cont.] Vacation Trip] Reel 7/1, 6
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Reel 12 material starts with “Sem
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http://www.lovingtheclassics.com/Je
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-Snows of Kilimanjaro (1952) ** 1/2
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eturning in Bar 4 on middle Cb [wri
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3 & 5. Violins I play Line 3 F# who
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note tied to next two bars. Bottom
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Eb dotted half note tied to quarter
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Line 2 Bb dotted half note to A qua
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he got loose. Of course if the writ
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from her store! Ironically, conside
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Shakespeare, however, and most of t
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note to (Bar 3) F# [written G#] who
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00:59:52) is quite nice, especially
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cinematography and Lean’s expert
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http://www.amazon.com/Naked-City-Yo
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note tied to “3” triplet value
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In Bar 1 the timp is rolled on C wh
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This is not a good conspiracy movie
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-“The Doomsday Machine” -‘Met
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Season Three, “Love’s Old Sweet
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as the bus rising along the desert
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There are five discs here starting
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-The Naked Jungle (1954) *** [music
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his best works. Let’s put it this
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http://www.amazon.com/Drums-Deep-So
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I did like the bluish star field lo
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effect of I believe the stopped hor
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Richard Boone as the good doctor pr
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http://www.amazon.com/Adventures-Bu
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Page Cook (his real name was Charle
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Shortly in Bar 6 the piccolo plays
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phrasing of Line 1 F legato down to
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http://www.amazon.com/French-Connec
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-The Raid (1954) *** � [music ***
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Bill Wrobel's DVD - Film Score Rundowns

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