Bill Wrobel's DVD - Film Score Rundowns

Line 1 D [written E] half note to D to C 8ths to (Bar 2) D dotted half note held fermata.
Clarinets I-II-III play as the trumpets, while trumpet I plays an octave higher register.
Oboe II plays as the trumpets, while oboe I and 3 flutes play an octave higher register.
End of cue.
-Reel 3/1 [Bandits Attack Train] Cue # 30643.
16 violins in C time sound ff rinforzando 16 th notes small octave G/Eb-G/Eb-
G/Eb-G/Eb to G/Eb rinforzando dotted half notes tied to (Bar 2 in 3/4 time) dotted half
notes and tied to (Bar 3 in 2/4 time) dotted quarter notes decrescendo (followed by an 8 th
rest) to (Bar 4 in 3/4 time) same G/Eb to G/Eb 32 nd notes to G/Eb dotted 8ths tied to half
notes. 6 violas in Bar 1 play this same pattern on small octave Db/Bb notes, and 6 celli
on Great octave A notes, and 4 CB on Great octave A/small octave E notes. Two oboes
play this pattern on Line 1 Eb notes, 4 clarinets on small octave Db/G/Bb/Line 1 Eb
notes, the bass clarinet on small octave A notes, 2 alto saxes on small octave G/BB
[written Line 1 E/G] notes, 1 tenor sax on C# [written D#] notes (enharmonic Db),
bassoon on Great octave E notes, C. Fag on Great octave A notes. Four horns play this
pattern on small octave Db/G/Bb/Line 1 Eb notes, 4 trumpets on small octave BB/Line 1
Eb notes, 4 Pos on Great octave E/A/small octave C#/G notes, and tuba on Contra-octave
A notes. The timp beats ff on Great octave A-A-A-A rinforzando 16ths to A dotted half
note trem roll tied to next bars. The gong sounds ff on a diamond-shaped whole note
(repeated as a dotted half note diamond-shaped in Bar 4). The 1 st piano plays the pattern
on Great octave A/small octave C#/G/Bb/Line 1 Eb notes, and the 2 nd piano on Contraoctave
A/Great octave E/A/small octave C#/G/Bb/Line 1 Eb notes.
-Reel 3/2 Con moto [“Let’s Get Going?”/ False gold]
Starting at Bar 46 (dvd 00:26:54) is when Dobbs thinks he has found gold right
out in the open. Slower in C time, the bass clarinet plays small octave Db whole note
while the Fags play Great octave Ab/small octave F whole notes. Horn I starts a solo
passage p for three bars. We find middle (Line 1) C [written Line 1 G] down to small
octave B [written Line 1 F#] back to C to B legato quarter notes to (Bar 47) C to B to C
quarter notes pp poco accell to B quarter note tied to (Bar 48) half note and 8 th note
decrescendo hairpin (followed by an 8 th rest). The harp in Bar 48 (Agitato in this bar)
sounds mf small octave B rinforzando half note (followed by a half rest). Violas in Bar 48
are bowed trem pp on small octave B whole note tied to whole notes next several bars
(still bowed trem). In Bar 50 (dvd 00:27:07), eight violins I sound mp descending
rinforzando-marked bowed trem quarter notes Line 2 C-Line 1 Ab-F-small octave B—F
minor tonality-- (repeated next bar) to (Bar 52) Line 2 F down to Db down to Line 1 Bb
down to E bowed trem quarter notes cresc e accel. VC are bowed trem small octave B
whole note starting Bar 52. The vibe in Bar 50 sounds mf Line 2 C dotted half note
(followed by a quarter rest) and repeated next bar up to (Bar 52) F dotted half note. Harps
play the same as the vibe. After a quarter rest in Bar 50, the celeste sounds p small octave
Ab quarter note down to F half note (repeated next bar) to (Bar 52) Line 1 F down to Db
down to small octave Bb down to E legato quarter notes. After a half and quarter rest in
Bar 50, the piano sounds p pedal small octave B quarter note let vibrate (repeated next
few bars). After a quarter rest in Bar 50, at least one flute plays p < Line 1 Ab quarter
note legato down to F half note (repeated next bar) to (Bar 52, accel), after a quarter rest,
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