Bill Wrobel's DVD - Film Score Rundowns

the bottom staff violins I also show Line 2 G/Line 3 C# tenuto quarter notes to (Bar 3)
same G/C# tenuto quarter notes (followed by a quarter rest) to same G/C# tenuto quarter
notes to (Bar 4) G/C# tenuto quarter notes (followed by two quarter rests). Top staff
violins I in Bar 2 (after two quarter rests) also play this pattern on Line 2 A/Line 3 F#
tenuto quarter notes in the same pattern. After a quarter rest, bottom staff violins II in
Bar 1 play small octave B/Line 1 D half notes to (Bar 2) A/middle C# dotted half notes
now played bowed trem and repeated next two bars. Muted violins II top staff in Bar 2
play Line 1 A/Line 2 C#/F# dotted half notes tied to next three bars. Violas 3-4 play
small octave G#/B dotted half notes to (Bar 2) G/B dotted half notes bowed trem
(repeated next bar) to (Bar 4) G/A dotted half notes trem (repeated next bar). Violas 1-2
play Line 1 D/F# quarter notes at the end of Bar 1 to (Bar 2) Line 1 E dotted half note to
(Bar 3) F# dotted half note to (Bar 4) E dotted half note. VC in Bar 2 play small octave G
quarter note followed by two quarter rests. Etc.
“2 nd Montage” (also “Montage Sequence” according to the cue sheets). Cue #
7068, 1:08 duration. Key signature of one sharp. Attacca in Cut time, 83 bars.
Violins I play ff descending legato quarter notes Line 3 Eb-D-C-Line 2 Bb to (Bar
2) A half note to G to A quarter notes down to (Bar 3) F# to E quarter notes to D half
note tied to (Bar 4) half note up to Line 3 D half note to (Bar 5) Line 3 E-D-C-Line 2 B
quarter notes to (Bar 6) A half note to G to A quarter notes to (Bar 7) F# to E quarter
notes to D half note. Violins play this an octave lower register (8 basso). Violas play
Line 1 Eb-D-C-small octave Bb quarter notes to (Bar 2) A up to middle C half notes
down to (Bar 3) A whole note tied to half note next bar up to Line 1 D half note to (Bar
5) E-D-C-small octave B quarter notes to (Bar 6) A up to D half notes to (Bar 7) small
octave A whole note. VC/CB play small octave C whole note tied to whole note next bar
to (Bar 3) D whole note tied to next bar to (Bars 5-6) C tied whole notes. Pos in Bar 1
play small octave C/G/Line 1 Eb quarter notes (followed by rests) returning in Bar 4 on
D/F/Line 1 D whole notes. Horn I plays small octave A whole note tied to whole note
next three bars. Trumpet I in “A” also plays (unsure of the note). Two flutes play Line 2
G whole note tied to half note next bar (followed by rests) returning in Bar 5 on G whole
note tied to half note next bar. Two oboes play Line 1 Eb/G whole notes tied to next bar
to (Bar 3) D/A whole notes tied to next bar to (Bar 5) E/G tied whole notes. Two “A”
clarinets start to play in Bar 3. Two Fags in Bar 1 play small octave G/middle C whole
notes tied to next bar to (Bar 3) F#/Line 1 D whole notes tied to whole notes next bar.
Etc.
[Chip’s After Farewell Dinner] Cue # 7069, :10 duration.
[The Manchester] unknown composer, 1 minute duration.
[Praeludia # 6] Rheinberger, 1:12 duration.
“Headmaster’s Sequence” Cue # 7067 (?), :37 duration. Violins I in 3/4 time
sound p Lines 2 & 3 G# dotted half notes bowed trem (repeated next bar) to (Bar 3) A
dotted half notes trem (repeated next few bars). The solo violin in Bar 2 play small octave
226