Bill Wrobel's DVD - Film Score Rundowns

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This is a classic sci-fi movie with a classic score by Bernard Herrmann. I already reviewed this two-disc set on Talking Herrmann: http://herrmann.uib.no/talking/view.cgi?forum=thGeneral&topic=3097 And here is my rundown analysis: http://www.filmscorerundowns.net/herrmann/dess.pdf -An Affair To Remember (1957) *** [music ***] http://www.amazon.com/Affair-Remember-Cary- Grant/dp/B00007JMDF/ref=sr_1_2?s=dvd&ie=UTF8&qid=1293599003&sr=1-2 There are people who just love this movie starring Cary Grant and Deborah Kerr, giving it a classic romance status. I like it somewhat. It “looks” good, and the music by Friedhofer is interesting at time (such as when the camera rising up the skyscraper at 1:19:39 after Kerr gets auto-struck) but there were far better Cary Grant romance vehicles such as Charade (now that one is a classic for me). Mancini’s music for Charade was also far more interesting than Friedhofer’s music for AATR. I never was much of a fan of Friedhofer’s music except here and there with isolated cues. He was a wonderful musical craftsman but he does not even reach second-drawer level for me as Goldsmith, Williams and others have achieved. There is no real distinctive “voice” in his music—unlike the clear-cut unique voice of Steiner, Herrmann, Rozsa, Tiomkin. -Key Largo (1948) *** [music ***] http://www.amazon.com/Key-Largo-Keepcase-Humphrey- Bogart/dp/B000FFJYAM/ref=sr_1_1?s=dvd&ie=UTF8&qid=1293599062&sr=1-1 -The Rake’s Progress (1975) * [music **] http://www.amazon.com/Stravinsky-Rakes-Progress-Haitink- Glyndebourne/dp/B000A16I2S/ref=sr_1_1?ie=UTF8&s=dvd&qid=1293599126&sr=1-1 Avoid this dvd. Do not buy it. Even Stravinsky’s music is note too noteworthy/ -A Few Good Men (1992) *** http://www.amazon.com/Few-Good-Men- Special/dp/B00005B6JZ/ref=sr_1_1?s=dvd&ie=UTF8&qid=1293599321&sr=1-1 This is one of the Few Good Courtroom Movies. The best is The Verdict, and then 12 Angry Men. But if you can’t handle courtroom movies, then you better not buy the dvd! -The Loretta Young Show: Season 1 (1953) ** http://www.amazon.com/Loretta-Young-Show- Season/dp/B0007TKOEG/ref=sr_1_1?s=dvd&ie=UTF8&qid=1293599468&sr=1-1 338
-Snows of Kilimanjaro (1952) ** 1/2 [music *** 1/2] http://www.amazon.com/Snows-Kilimanjaro-Gregory- Peck/dp/B000LC4ZD0/ref=sr_1_1?s=dvd&ie=UTF8&qid=1293599561&sr=1-1 [reviewed Independence Day 2011] This is a rather un-fascinating (Frank Thompson in his co-commentary track states it is “fascinating”!) adaptation of Hemingway’s short work. I am not much of a fan of Hemingway, so any adaptation would not particularly interest me. The only fascinating part of this bleak movie (it’s saving grace) is the inclusion of Bernard Herrmann’s music. The commentators at around 24 minutes into the movie discuss Herrmann’s music only very briefly. Watching people like the Gregory Peck and Susan Hayward characters carrying their big guns and killing innocent animals for “sport” is rather sickening. That alone turned me off in trying to appreciate this picture. Hemingway is such a depressing writer, and this is to be expected since he ended up committing suicide! I worked a bit on written score but not entirely, so I am not sure if I will ever do a rundown treatment of it. The “Overture” has the tempo-marking of Allegro con molto agitato in 6/8 time. Quarter note = 88. All violins and violas sound ff sempre Line 1 D rinforzando 16 th legato to F-Gb-G-Gb-F 16ths to another such figure of Db-F-Gb-G-Gb-F to (Bar 2) rinforzando initial note A-Bb-A-Ab-A-Ab to G-Ab-G-F#-G-F# to (Bar 3) F-Gb-F-Eb-C-Eb 16ths figure played twice, and so on. Celli in Bar 1 pluck pizz sff small octave Bb/Line 1 Db quarter notes (followed by an 8 th rest) to same Bb/Db quarter notes (followed by an 8 th rest) to (Bar 2) Db/F quarter notes (followed by an 8 th rest) to “2” duplet value Db/F to same Db/F 8ths to (Bar 3) middle C/Eb quarter notes (followed by an 8 th rest) to same C/Eb quarter notes followed by an 8 th rest. CB pluck pizzicato on the same initial quarter notes as the VC but followed by rests for the rest of each bar. The piccolo, flutes and clarinets I-II are col the violins and violas but played an octave higher register. Clarinets III-IV are col the violins and violas. Two oboes play sff > Line 1 Bb/Line 2 Db rinforzando-marked dotted quarter notes tied to quarter notes (followed by an 8 th rest) to (Bar 2) Line 2 Db/ F tied notes in the same pattern to (Bar 3) C/Eb tied notes. Bassoons play as the oboes but an octave lower register. Stopped ( + ) horns I-II play sff > small octave Bb/Line 1 Db [written Line 1 F/Ab] dotted quarter notes tied to 8 th notes (followed by a quarter rest) to (Bar 2) Line 1 Db/F [written Line 1 Ab/Line 2 C] tied notes in that pattern to (Bar 3) C/Eb tied notes. Horns III-IV are not stopped (nat) but play sff small octave Bb/Line 1 Db rinforzando 8ths (followed by a quarter rest) to Bb/Db rinforzando 8ths once again (followed by a quarter rest) to (Bar 2) Db/F 8ths (followed by a quarter rest) to “2” duplet value rinforzando 8 th note dyads Db/F-Db/F. Harp I plays ff Line 1 Bb/Line 2 Db dotted quarter notes let vibrate extending curve lines (followed by a quarter and 8 th rest) to (Bar 2) Line 2 Db/F dotted half notes, and so on. Harp II plays this an octave lower register. Etc. “The Lake” cue (Lento in 3/2 time) is only two bars in length for Reel 1/3. Only sords (muted) strings play. All violins play p < small octave A half note legato up to Line 1 C# down to small octave A half notes up to (end Bar 2) Line 1 D# dotted whole note 339
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Bill Wrobel’s DVD Collection, Rev
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need to spend time on since I had a
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night. Karnes and the skipper and u
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There is a nice effect in Bar 18 (0
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play this an octave higher register
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have a sweet theme for a major fema
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Bb/Line 1 D staccato notes, while h
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Runs. -Reel 6/2 (#40465), Agitato i
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music by Thomas Newman, well, it’
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the full score was not in that box
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4) F tenuto half note to E to F ten
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By the way, the instrumentation for
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Check out this website for the movi
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especially in stressful and even mi
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to F up to Line 3 C 8ths down to (B
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music for the first time. The writt
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quarter note. After an 8 th rest in
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The next cue is “Tiger” (locate
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The opening of the Main Title by Jo
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http://www.amazon.com/Quatermass-Pi
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Reel 2 a) CHIMNEY SWEEP (Kennedy) P
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(followed by two quarter rests). Af
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-Northwest Frontier (1959) ** [musi
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at the end of Reel 1 is a.) Marsell
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I purchased this dvd from Warner Ar
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Steiner) starting at 00:10:51. Next
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I never did pull the written music,
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Nice, sharp print of the dvd, fine
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8. Trade Winds (Cliff Friend-Charli
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[Super Bowl Sunday, February 06, 20
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next four bars. After an 8 th rest
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half notes and 8 th notes (followed
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tied to 8 th notes (followed by an
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note held fermata. End of cue. The
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says, “My hero.” Dvd location i
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http://www.amazon.com/Dive-Bomber-E
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I am still watching the movie on my
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techniques in 1950 (the year I was
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As for the music, I really like the
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inforzando-marked ( > ) 8ths notes
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This is a curious movie, rather enj
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notes to (Bar 1) middle C rinforzan
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-Skipping to Reel 6/5. 18 pages, 70
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Korngold’s Prince & the Pauper fo
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[6] “Uncle” 2 pages. 4/4 time,
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Line 1 D [written E] half note to D
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inforzando whole note held fermata.
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cave] -Reel 5/1 Molto agitato in C
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except as a combined overall effect
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-Reel 1/3 [Old Man’s Hut] -Reel 2
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quarter rest in Bar 1, CB pluck p p
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thru 10 to (Bar 11) Bb notes to (Ba
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short wavy gliss line to Eb 8 th ti
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34. La Cucaracha - arr. Heindorf
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did not overly impress me beyond th
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I don’t know why the orchestrator
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The “Opening” cue (not sure now
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notes tied to whole notes in Bar 7.
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-Hollow Man (2000) ** 1/2 [music **
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“I’m A Genius” [R1/4] 20 bars
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(Bar 2) small octave Bb whole note
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“No Code” [Reel 5/2] 135 bars,
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the A min (A/C/E). Etc. After two q
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octave F half notes twice (repeated
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quarter notes to D-D 32 nd notes to
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V section (dvd 00:41:49). The Pas d
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-Darby’s Rangers (1957) *** [musi
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http://www.amazon.com/Dragnet-1967-
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-Green Berets (1968) ** [music ***]
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audience that hates a movie be nice
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Vietminh guerrillas in Indo-China,
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plays the pattern as well with the
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est). After an 8 th rest, Pos play
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ar. Clarinets play Line 1 E [writte
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“Camp Foch” (based on a French
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“Mahidi’s Death” Reel 14/A. D
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personally liked the section after
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there’s really not much “there
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The alto flute (on mike) plays p es
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2) Bb down to E down to Line 2 Bb u
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notes. The harp plays Contra-octave
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unless the director and others invo
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-Advise & Consent (1962) ** � [mu
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-Laura Croft: Tomb Raider (2001) **
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Another very good Jack Webb product
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format. Couple it with one of the b
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Communication (memo) from R. J. Obr
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(Bar 3) F# whole note tied to next
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whole note tied to quarter note nex
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9 Scott “ “ “ 00:25 10 Funera
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There are several graphic scenes th
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“messing” with the audience, cr
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This is a delightful, energetic, ap
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Hollander’s cue “Heaven” from
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Bar 14 strings I believe play a ser
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sheep, and then more horses were sc
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although it is no classic. There’
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Kubrick and ultimately Spielberg wa
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Pope. “David Studies Monica” [1
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Violins I in 4/4 time sound p Line
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-A Talk With Hitchcock (1964) *** h
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interesting with the operation scen
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[The Fight] Reel 5/1, Agitato in C
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[Revelation/Herd] I believe part of
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Good DePalma movie (but not great)
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Incidentally, you can see Young bei
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http://www.amazon.com/Sling-Blade-D
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http://www.amazon.com/Return-Vampir
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After a half rest in Bar 3, violas
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“flaw” for some people is the
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I actually studied the full score a
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[Brookfield School Song] :43 durati
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[Vienna Inn Scene] Cue # 7058 (also
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B up to Line 1 D to F# legato quart
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interesting scenes. Hawks took off
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http://www.amazon.com/Seventh-Seal-
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“Main Title” Reel 1/1, 10 pages
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down to Line 1 Bb 16ths. Violas plu
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two bars to (Bar 10) D whole note (
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In Bar 16 (dvd 00:05:15) we come to
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E-F-F#-A legato 16ths (silent next
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to-be ex-partner, get the money to
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(followed by an 8 th rest) to F/mid
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to sniff out Sue who has stopped ne
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gliss line down to small octave E t
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(followed by two 8 th rests) to the
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“Can Can Part 3” Cue # 35129. K
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Skipping slightly to Bar 195 (dvd 1
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notes and then Bb-G half notes to (
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Ever Told, etc). Again, too bad. I
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This is a decent sci-fi movie but a
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Included in this set are the first
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http://www.filmscorerundowns.net/he
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For about $140 million you will exp
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small octave D/G to same D/G to D/G
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notes (followed by a quarter and ha
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Neal meet. The dialog in that scene
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Of special merit in this dvd Specia
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(followed by a quarter rest) to (ne
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-# 2B “Bye Bye Charlie” in �
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sleazy role, and Greenstreet contin
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9followed by an 8 th rest) to same
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one next. ….So far, after watchin
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Page 289 and 290: -The Wrong Man (1956) *** [music **
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Page 293 and 294: -Spaceballs (1987) *** 7/8 [music *
Page 295 and 296: -“Driving Home” Reel �. Andan
Page 297 and 298: -Reel 6/1 Revised “When Johnny Co
Page 299 and 300: http://books.google.com/books?id=sr
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Page 309 and 310: The movie never appealed to me but
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Page 315 and 316: I reviewed this dvd on Talking Herr
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Page 333 and 334: [cont.] Vacation Trip] Reel 7/1, 6
Page 335 and 336: Reel 12 material starts with “Sem
Page 337: http://www.lovingtheclassics.com/Je
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Page 363 and 364: http://www.amazon.com/Naked-City-Yo
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Page 367 and 368: In Bar 1 the timp is rolled on C wh
Page 369 and 370: This is not a good conspiracy movie
Page 371 and 372: -“The Doomsday Machine” -‘Met
Page 373 and 374: Season Three, “Love’s Old Sweet
Page 375 and 376: as the bus rising along the desert
Page 377 and 378: There are five discs here starting
Page 379 and 380: -The Naked Jungle (1954) *** [music
Page 381 and 382: his best works. Let’s put it this
Page 383 and 384: http://www.amazon.com/Drums-Deep-So
Page 385 and 386: I did like the bluish star field lo
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Richard Boone as the good doctor pr
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http://www.amazon.com/Adventures-Bu
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Page Cook (his real name was Charle
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Shortly in Bar 6 the piccolo plays
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phrasing of Line 1 F legato down to
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http://www.amazon.com/French-Connec
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-The Raid (1954) *** � [music ***
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Bill Wrobel's DVD - Film Score Rundowns

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