Bill Wrobel's DVD - Film Score Rundowns

More documents

Recommendations

Info

I was definitely entertained by this movie, and I enjoyed Tom Baker (of Doctor Who fame) in the bad guy role! The real treats were the Harryhausen effects and Miklos Rozsa’s exotic, fun, colorful score. I showed score samples on the Rozsa Forum: http://miklosrozsa.yuku.com/topic/1101/GVOS-Unused-Opening-Titles I also did a rundown treatment of the score: http://www.filmscorerundowns.net/rozsa/goldenvoyageofsinbad.pdf -Curb Your Enthusiasm:First Season http://www.amazon.com/Curb-Your-Enthusiasm-Complete- Season/dp/B0000E2PVR/ref=sr_1_1?ie=UTF8&s=dvd&qid=1292901772&sr=1-1 -Curb Your Enthusiasm: Fifth Season http://www.amazon.com/Curb-Your-Enthusiasm-Complete- Season/dp/B000FL7CAU/ref=sr_1_fkmr0_1?ie=UTF8&qid=1292902425&sr=1-1-fkmr0 -Curb Your Enthusiasm: Seventh Season http://www.amazon.com/Curb-Your-Enthusiasm-Complete- Seventh/dp/B002OOWKSA/ref=sr_1_1?ie=UTF8&s=dvd&qid=1292988637&sr=1-1 -Spartacus (1960) **** [music ****] http://www.amazon.com/Spartacus-Criterion-Collection-Kirk- Douglas/dp/B00005A8TY/ref=sr_1_6?s=dvd&ie=UTF8&qid=1292901874&sr=1-6 Definitely a classic ancient Roman period drama, and intelligently written, and excellently cast. I particularly enjoyed Peter Ustinov as Lentulus Batmaniatus. By the way, his 1992 interview on Disc 2 is not-to-be-missed, especially the way he imitates Charles Laughton is hilarious! -Monsters, Inc. (2001) **** http://www.amazon.com/Monsters-Two-Disc-Collectors-<strong>Bill</strong>y- Crystal/dp/B00005JKDR/ref=sr_1_1?s=dvd&ie=UTF8&qid=1292901947&sr=1-1 -Now,Voyager (1942) *** [music ***] http://www.amazon.com/Voyager-Snap-case-Bette- Davis/dp/B00005NRO1/ref=sr_1_3?s=dvd&ie=UTF8&qid=1292902004&sr=1-3 -The Last Starfighter (1984) *** http://www.amazon.com/Last-Starfighter-Widescreen- Collectors/dp/B00000IQW3/ref=sr_1_4?s=dvd&ie=UTF8&qid=1292902075&sr=1-4 -Return of the Vampire (1943) ** [music ***] 214
http://www.amazon.com/Return-Vampire-Bela- Lugosi/dp/B0000694WM/ref=sr_1_1?s=dvd&ie=UTF8&qid=1292902173&sr=1-1 The written score by M.C. Tedesco is located in Box 13 at Sony/Columbia Studios. I worked very briefly on the full score, sketches, and piano-conductor score. The full score was in ink. ! The movie looks atmospheric enough (dark and moody sets) but this Columbia Pictures horror movie is poorly constructed, a pale (Dracula’s face!) comparison to the Universal monster movies of that general period. For one thing it is too short at 70 minutes to be able to give it adequate development or build-up. The dvd transfer is fine, however. The music is okay (better than the movie) but again not in the same league as the music in the Universal pictures (Skinner, etc)—although I was impressed at times. He was definitely a capable composer. But I was curious and wanted to hear the score since I worked very briefly on five of the cues. I’ll simply add the written music’s brief rundown above in the appropriate cue titles. #3873 “Main Title” Largamente in 4/4 time. The F.S. is 6 pages but page 7, Bar 25 was missing, I believe. The 3-stave sketch was there, as well as the p-c score. Key signature of Ab maj/F min (4 flats). Initial Instrumentation: Flute, oboe, 2 clarinets, Novachord, 2 trumpets (maybe a third later), 2 trombones (maybe a third later), timp, harp, piano, strings (I believe only 4 minimum to 6 violins). I only had time to work on the first four bars. The flute plays ff Line 3 Eb rinforzando half note to Eb half note tied to (Bar 2 in 2/4 time) quarter note and tied to 8 th note (followed by an 8 th rest). The oboe plays Line 2 Bb notes in this same pattern. Clarinets play Line 1 E/G [written F#/A] notes in this pattern. The Novachord (brass effect) plays small octave G/Bb/Line 1 E/Eb/G/B/Line 2 Eb [Note: either I wrote the accidentals wrong or the composer wanted the mixed notes in terms of accidentals canceling the key signature] to another such set of half notes tied to next bar as given. Once again it appears on the second set that we have both the Line 1 Eb and E natural notes. Trumpets play the aforementioned pattern on Line 1 Bb/Line 2 Eb notes. The Pos play small octave C notes in this pattern, and the timp is rolled on small octave C notes. The violas are bowed trem forte on small octave G/Line 1 E half notes to another such sounding of half notes tied to quarter and 8 th notes next bar (followed by an 8 th rests). VC play Great octave C/G notes in this pattern, and CB on small octave C. The top staff piano plays Line 1 E/G/Bb/Line 2 Eb notes in this pattern (substantiating what I wrote for the Novachord). The bottom staff plays a roll between Contra-octave C-Great octave C half notes sounded twice. In Bar 2 in 2/4 time, violins I play Line 3 Eb 8 th to rapidly descending 32 nd notes Eb-Db-C-Line 2 Bb to Ab-G-F-Eb to Db-C-Line 1 Bb-Ab to (Bar 3 in 4/4 time) Line 1 G 8 th (followed by an 8 th and quarter rest). Violins II play this an octave lower register. After an 8 th rest in Bar 2, the harp is gliss from Lines 2 & 3 Eb quarter notes gliss line down to (Bar 3) Lines 1 & 2 Eb 8ths (followed by an 8 th rest) to Ab/Line 2 C/G 8ths (followed by an 8 th and quarter rest). The violas in Bar 3 are pont p bowed trem on small octave F to E (natural glyph) half notes (repeated next bar).Celli are pont on small octave Db to C half notes. The Novachord in Bar 3 (W.W. effect) play small octave Db/F half notes to C/E 8ths (followed by an 8 th and quarter rest) and repeated next bar. Clarinet I in Bar 3 is solo playing mp small octave G [written A] 215
Page 1 and 2:
Bill Wrobel’s DVD Collection, Rev
Page 3 and 4:
need to spend time on since I had a
Page 5 and 6:
night. Karnes and the skipper and u
Page 7 and 8:
There is a nice effect in Bar 18 (0
Page 9 and 10:
play this an octave higher register
Page 11 and 12:
have a sweet theme for a major fema
Page 13 and 14:
Bb/Line 1 D staccato notes, while h
Page 15 and 16:
Runs. -Reel 6/2 (#40465), Agitato i
Page 17 and 18:
music by Thomas Newman, well, it’
Page 19 and 20:
the full score was not in that box
Page 21 and 22:
4) F tenuto half note to E to F ten
Page 23 and 24:
By the way, the instrumentation for
Page 25 and 26:
Check out this website for the movi
Page 27 and 28:
especially in stressful and even mi
Page 29 and 30:
to F up to Line 3 C 8ths down to (B
Page 31 and 32:
music for the first time. The writt
Page 33 and 34:
quarter note. After an 8 th rest in
Page 35 and 36:
The next cue is “Tiger” (locate
Page 37 and 38:
The opening of the Main Title by Jo
Page 39 and 40:
http://www.amazon.com/Quatermass-Pi
Page 41 and 42:
Reel 2 a) CHIMNEY SWEEP (Kennedy) P
Page 43 and 44:
(followed by two quarter rests). Af
Page 45 and 46:
-Northwest Frontier (1959) ** [musi
Page 47 and 48:
at the end of Reel 1 is a.) Marsell
Page 49 and 50:
I purchased this dvd from Warner Ar
Page 51 and 52:
Steiner) starting at 00:10:51. Next
Page 53 and 54:
I never did pull the written music,
Page 55 and 56:
Nice, sharp print of the dvd, fine
Page 57 and 58:
8. Trade Winds (Cliff Friend-Charli
Page 59 and 60:
[Super Bowl Sunday, February 06, 20
Page 61 and 62:
next four bars. After an 8 th rest
Page 63 and 64:
half notes and 8 th notes (followed
Page 65 and 66:
tied to 8 th notes (followed by an
Page 67 and 68:
note held fermata. End of cue. The
Page 69 and 70:
says, “My hero.” Dvd location i
Page 71 and 72:
http://www.amazon.com/Dive-Bomber-E
Page 73 and 74:
I am still watching the movie on my
Page 75 and 76:
techniques in 1950 (the year I was
Page 77 and 78:
As for the music, I really like the
Page 79 and 80:
inforzando-marked ( > ) 8ths notes
Page 81 and 82:
This is a curious movie, rather enj
Page 83 and 84:
notes to (Bar 1) middle C rinforzan
Page 85 and 86:
-Skipping to Reel 6/5. 18 pages, 70
Page 87 and 88:
Korngold’s Prince & the Pauper fo
Page 89 and 90:
[6] “Uncle” 2 pages. 4/4 time,
Page 91 and 92:
Line 1 D [written E] half note to D
Page 93 and 94:
inforzando whole note held fermata.
Page 95 and 96:
cave] -Reel 5/1 Molto agitato in C
Page 97 and 98:
except as a combined overall effect
Page 99 and 100:
-Reel 1/3 [Old Man’s Hut] -Reel 2
Page 101 and 102:
quarter rest in Bar 1, CB pluck p p
Page 103 and 104:
thru 10 to (Bar 11) Bb notes to (Ba
Page 105 and 106:
short wavy gliss line to Eb 8 th ti
Page 107 and 108:
34. La Cucaracha - arr. Heindorf
Page 109 and 110:
did not overly impress me beyond th
Page 111 and 112:
I don’t know why the orchestrator
Page 113 and 114:
The “Opening” cue (not sure now
Page 115 and 116:
notes tied to whole notes in Bar 7.
Page 117 and 118:
-Hollow Man (2000) ** 1/2 [music **
Page 119 and 120:
“I’m A Genius” [R1/4] 20 bars
Page 121 and 122:
(Bar 2) small octave Bb whole note
Page 123 and 124:
“No Code” [Reel 5/2] 135 bars,
Page 125 and 126:
the A min (A/C/E). Etc. After two q
Page 127 and 128:
octave F half notes twice (repeated
Page 129 and 130:
quarter notes to D-D 32 nd notes to
Page 131 and 132:
V section (dvd 00:41:49). The Pas d
Page 133 and 134:
-Darby’s Rangers (1957) *** [musi
Page 135 and 136:
http://www.amazon.com/Dragnet-1967-
Page 137 and 138:
-Green Berets (1968) ** [music ***]
Page 139 and 140:
audience that hates a movie be nice
Page 141 and 142:
Vietminh guerrillas in Indo-China,
Page 143 and 144:
plays the pattern as well with the
Page 145 and 146:
est). After an 8 th rest, Pos play
Page 147 and 148:
ar. Clarinets play Line 1 E [writte
Page 149 and 150:
“Camp Foch” (based on a French
Page 151 and 152:
“Mahidi’s Death” Reel 14/A. D
Page 153 and 154:
personally liked the section after
Page 155 and 156:
there’s really not much “there
Page 157 and 158:
The alto flute (on mike) plays p es
Page 159 and 160:
2) Bb down to E down to Line 2 Bb u
Page 161 and 162:
notes. The harp plays Contra-octave
Page 163 and 164: unless the director and others invo
Page 165 and 166: -Advise & Consent (1962) ** � [mu
Page 167 and 168: -Laura Croft: Tomb Raider (2001) **
Page 169 and 170: Another very good Jack Webb product
Page 171 and 172: format. Couple it with one of the b
Page 173 and 174: Communication (memo) from R. J. Obr
Page 175 and 176: (Bar 3) F# whole note tied to next
Page 177 and 178: whole note tied to quarter note nex
Page 179 and 180: 9 Scott “ “ “ 00:25 10 Funera
Page 181 and 182: There are several graphic scenes th
Page 183 and 184: “messing” with the audience, cr
Page 185 and 186: This is a delightful, energetic, ap
Page 187 and 188: Hollander’s cue “Heaven” from
Page 189 and 190: Bar 14 strings I believe play a ser
Page 191 and 192: sheep, and then more horses were sc
Page 193 and 194: although it is no classic. There’
Page 195 and 196: Kubrick and ultimately Spielberg wa
Page 197 and 198: Pope. “David Studies Monica” [1
Page 199 and 200: Violins I in 4/4 time sound p Line
Page 201 and 202: -A Talk With Hitchcock (1964) *** h
Page 203 and 204: interesting with the operation scen
Page 205 and 206: [The Fight] Reel 5/1, Agitato in C
Page 207 and 208: [Revelation/Herd] I believe part of
Page 209 and 210: Good DePalma movie (but not great)
Page 211 and 212: Incidentally, you can see Young bei
Page 213: http://www.amazon.com/Sling-Blade-D
Page 217 and 218: After a half rest in Bar 3, violas
Page 219 and 220: “flaw” for some people is the
Page 221 and 222: I actually studied the full score a
Page 223 and 224: [Brookfield School Song] :43 durati
Page 225 and 226: [Vienna Inn Scene] Cue # 7058 (also
Page 227 and 228: B up to Line 1 D to F# legato quart
Page 229 and 230: interesting scenes. Hawks took off
Page 231 and 232: http://www.amazon.com/Seventh-Seal-
Page 233 and 234: “Main Title” Reel 1/1, 10 pages
Page 235 and 236: down to Line 1 Bb 16ths. Violas plu
Page 237 and 238: two bars to (Bar 10) D whole note (
Page 239 and 240: In Bar 16 (dvd 00:05:15) we come to
Page 241 and 242: E-F-F#-A legato 16ths (silent next
Page 243 and 244: to-be ex-partner, get the money to
Page 245 and 246: (followed by an 8 th rest) to F/mid
Page 247 and 248: to sniff out Sue who has stopped ne
Page 249 and 250: gliss line down to small octave E t
Page 251 and 252: (followed by two 8 th rests) to the
Page 253 and 254: “Can Can Part 3” Cue # 35129. K
Page 255 and 256: Skipping slightly to Bar 195 (dvd 1
Page 257 and 258: notes and then Bb-G half notes to (
Page 259 and 260: Ever Told, etc). Again, too bad. I
Page 261 and 262: This is a decent sci-fi movie but a
Page 263 and 264: Included in this set are the first
Page 265 and 266:
http://www.filmscorerundowns.net/he
Page 267 and 268:
For about $140 million you will exp
Page 269 and 270:
small octave D/G to same D/G to D/G
Page 271 and 272:
notes (followed by a quarter and ha
Page 273 and 274:
Neal meet. The dialog in that scene
Page 275 and 276:
Of special merit in this dvd Specia
Page 277 and 278:
(followed by a quarter rest) to (ne
Page 279 and 280:
-# 2B “Bye Bye Charlie” in �
Page 281 and 282:
sleazy role, and Greenstreet contin
Page 283 and 284:
9followed by an 8 th rest) to same
Page 285 and 286:
one next. ….So far, after watchin
Page 287 and 288:
and David Hedison. The scifi disast
Page 289 and 290:
-The Wrong Man (1956) *** [music **
Page 291 and 292:
ask? Too bad Columbo wasn’t aroun
Page 293 and 294:
-Spaceballs (1987) *** 7/8 [music *
Page 295 and 296:
-“Driving Home” Reel �. Andan
Page 297 and 298:
-Reel 6/1 Revised “When Johnny Co
Page 299 and 300:
http://books.google.com/books?id=sr
Page 301 and 302:
appetizer, no desert). If you’ve
Page 303 and 304:
I can’t say I like this bleak Ing
Page 305 and 306:
plays p ascending legato 16ths Grea
Page 307 and 308:
Bar 19 to play Line 1 G#-A#-B-Line
Page 309 and 310:
The movie never appealed to me but
Page 311 and 312:
the busy-body lady tells people tha
Page 313 and 314:
numbers in Calamity Jane, however!
Page 315 and 316:
I reviewed this dvd on Talking Herr
Page 317 and 318:
yarn) starring the excellent Johnny
Page 319 and 320:
ehearsal of the fight that somehow
Page 321 and 322:
classic!). I loved the actors such
Page 323 and 324:
Back to Poledouris, I would recomme
Page 325 and 326:
“rolling stream ostinati” that
Page 327 and 328:
I discussed my September and Octobe
Page 329 and 330:
The gong is struck in Bar 5.The cym
Page 331 and 332:
Bb/F quarter notes to C/Eb quarter
Page 333 and 334:
[cont.] Vacation Trip] Reel 7/1, 6
Page 335 and 336:
Reel 12 material starts with “Sem
Page 337 and 338:
http://www.lovingtheclassics.com/Je
Page 339 and 340:
-Snows of Kilimanjaro (1952) ** 1/2
Page 341 and 342:
eturning in Bar 4 on middle Cb [wri
Page 343 and 344:
3 & 5. Violins I play Line 3 F# who
Page 345 and 346:
note tied to next two bars. Bottom
Page 347 and 348:
Eb dotted half note tied to quarter
Page 349 and 350:
Line 2 Bb dotted half note to A qua
Page 351 and 352:
he got loose. Of course if the writ
Page 353 and 354:
from her store! Ironically, conside
Page 355 and 356:
Shakespeare, however, and most of t
Page 357 and 358:
note to (Bar 3) F# [written G#] who
Page 359 and 360:
00:59:52) is quite nice, especially
Page 361 and 362:
cinematography and Lean’s expert
Page 363 and 364:
http://www.amazon.com/Naked-City-Yo
Page 365 and 366:
note tied to “3” triplet value
Page 367 and 368:
In Bar 1 the timp is rolled on C wh
Page 369 and 370:
This is not a good conspiracy movie
Page 371 and 372:
-“The Doomsday Machine” -‘Met
Page 373 and 374:
Season Three, “Love’s Old Sweet
Page 375 and 376:
as the bus rising along the desert
Page 377 and 378:
There are five discs here starting
Page 379 and 380:
-The Naked Jungle (1954) *** [music
Page 381 and 382:
his best works. Let’s put it this
Page 383 and 384:
http://www.amazon.com/Drums-Deep-So
Page 385 and 386:
I did like the bluish star field lo
Page 387 and 388:
effect of I believe the stopped hor
Page 389 and 390:
Richard Boone as the good doctor pr
Page 391 and 392:
http://www.amazon.com/Adventures-Bu
Page 393 and 394:
Page Cook (his real name was Charle
Page 395 and 396:
Shortly in Bar 6 the piccolo plays
Page 397 and 398:
phrasing of Line 1 F legato down to
Page 399 and 400:
http://www.amazon.com/French-Connec
Page 401 and 402:
-The Raid (1954) *** � [music ***
show all

Bill Wrobel's DVD - Film Score Rundowns

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?