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Bill Wrobel's DVD - Film Score Rundowns

Bill Wrobel's DVD - Film Score Rundowns

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to F up to Line 3 C 8ths down to (Bar 4) Bb down to F 8ths down to Cb to Line 1 Bb 8ths<br />

up to Line 2 F up to Cb 8ths to Bb down to F, and so forth. So a creative change of<br />

instrumentation made the music more interesting to hear. The second staff shows middle<br />

C#/D/F whole notes tied to next bar, and the fourth staff shows Contra-octave and Great<br />

octave E/B/small octave F whole notes tied to next bar. Etc.<br />

M-71 is “Sealing the Cave”<br />

M-72 is “Dr. Scott Arrives”<br />

M-73 is “The Conference”<br />

M-80 is “At University Headquarters”<br />

M-81 A is ????<br />

Cue M-82 “Scorpions Attack the Train” is located at 1:13:23. It starts with<br />

Hank and Teresa walking to the car. Woodwinds on the second staff play middle C/E/G#<br />

(another augmented triad!) to (Bar 2) C/E/A whole notes. The third staff shows small<br />

octave F# whole note legato to (Bar 2) F whole note. After a quarter rest in Bar 1, the<br />

bottom staff of two horns show small octave B tenuto quarter note tied to 8 th note to A 8 th<br />

up to Line 1 E 8 th down to C 8 th tied to 8 th note next bar (followed by rests). After an 8 th<br />

rest in Bar 2, violins play under legato phrase slur Line 1 D-E-A 8ths to G down to E 8ths<br />

to F-D 8ths to (Bar 3) F/A quarter notes to same F/A 8ths to G/Bb 8ths to A/Line 2 C half<br />

notes tied to quarter notes next bar, and so forth. The English horn in Bar 3 plays Line 1<br />

F dotted half note to E-F-E 8ths down to (Bar 4) D whole note tied to quarter note next<br />

bar. The harp in Bar 3 plays Great octave F/small octave C/A whole notes and also<br />

ascending “3” triplet value 8 th notes Great octave F-small octave C-D to A-middle C-D<br />

8ths up to Line 1 A quarter note (followed by a quarter rest).<br />

Skipping to Bar 8 (1:13:48 dvd), we come to the night shot of the toy locomotive!<br />

Strings play the fast chug-chug motion figures of small octave Bb legato to A to A-A<br />

staccato 16ths (played 4X) to (Bar 9 in 3/4 time) 3X on this same figure. The cello and<br />

bass clarinets play Contra-octave and Great octave A whole notes tied to dotted half<br />

notes next bar. After a half rest in Bar 1, the woodwinds play Line 1 Eb/Gb/A/Line 2 D<br />

dotted quarter notes to rinforzando 8 th notes to (Bar 2) dotted half notes (same pitches).<br />

Bar 10 corresponds to the Medium Shot of the train and the mountainous area (1:13:53).<br />

A new repeat rhythmic pattern is established. Strings now play small octave<br />

C#/G#/middle C# 16ths to same 16ths to 8ths three-note figure played 3X in the � meter<br />

to (Bar 11) Great octave B/small octave F#/B notes in that pattern to (Bar 12) A/small<br />

octave E/A notes to (Bar 13) B/F#/B notes (repeated next bar). Other strings and<br />

woodwinds play this pattern on Line 1 D/G/Line 2 D notes to (Bar 11) C#/F#/Line 2 C#<br />

to (Bar 12) C/F/Line 2 C notes to (Bar 13) D/G/D notes (repeated in Bar 14). Cellos and<br />

bass clarinet (and whatever else not indicated here) play Great octave and small octave<br />

C#-C# 8ths played 3X to (Bar 11) Contra-octave and Great octave A-B 8ths figures<br />

(Repeated next bar) to (Bar 13) B to A# 8ths. Strings are fingered trem and woodwinds<br />

legato trem (“shakes”) between A-Bb whole notes (1:13:59) in Bar 16. Violins in Bar 19<br />

play small octave Bb legato to A to A-A staccato 8ths figure played 2X (repeated thru<br />

Bar 23). Woodwinds play Line 2 Eb/Gb/A/Line 3 D rinforzando whole notes to (Bar 20)<br />

dotted quarter notes to 8ths to half notes. WE also see the low strings on tied A whole<br />

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