Bill Wrobel's DVD - Film Score Rundowns

(Bar 2) small octave Bb whole note tied to next bars. The bass clarinet comes in at Bar 3
playing p < mf > pp Line 1 Cb [written Db] half note to small octave Bb [written middle
C] quarter note (followed by a quarter rest). Etc.
“Never There” [Reel 3/3] 38 bars, 2:10 duration. Strings are sords. Divisi CB
sound mp ascending “7” septuplet 16 th note dyads Great octave E/G to F#/A to G/B to
A/small octave C# to B/D# to C#/E to D#/F# (connected by two crossbeams) to E/G 8ths
(followed by an 8 th and half rest. VC in 4/4 time play, after an initial quarter rest, the
exact same septuplet to E/G 8ths followed by rests. After a half rest in Bar 1, all violins
play pp Line 2 E half note tied to (Bar 2 in 3/4 time) dotted half notes and tied to (Bar 3
in 4/4 time) whole note and tied to whole note next bar. The Tam Tam in Bar 1 sounds pp
a half note let vibrate (notated as a square box with an x-inside) followed by a half rest.
The harp is gliss from Contra-octave E/G gliss lines up to small octave E/G dotted half
notes. The piano plays a “low cluster” (notated like a narrow vertical obelisk) “let ring.”
The vibe in Bar 3 with soft sticks play (“motor on”) pp small octave A to B half notes to
(Bar 4) middle C down to B half notes. The harp returns in Bar 3 to play pp Lines 1 & 2
B to A half notes to (Bar 4) B to A half notes. The top staff piano returns in Bar 3 (top)
on Line 2 B down to E down to Line 1 B up to Line 2 B 16ths played 3X, etc.
“Not Right” [Reel 3/4 ] 91 bars, 2:33 duration. Violas in 6/8 time pluck
pizzicato mf middle (Line 1) C 8 th (followed by two 8 th rests) to C 8 th note (followed by
two 8 th rests) to (Bar 2 in 5/8 time) C 8 th (followed by two 8 th rests) to C 8 th (followed by
one 8 th rest). These two bars are repeated in Bars 3-4 and Bars 5-6 at least. After an 8 th
rest in Bar 5, VC/CB play Great octave C 8 th (followed by rests) to (Bar 6), after an 8 th
rest, C 8 th note (followed by two 8 th rests) to C 8 th note. In Bar 9 the violins come in to
play Line 3 C dotted half note tied to next bar, and so forth.
“What Went Wrong?” [Reel 3/5] 40 bars, 1:32 duration. Violas pluck
pizzicato mf Line 1 Gb down to small octave Bb 8ths two-note figure sounded 4x to *Bar
2) Line 1 Gb down to small octave Bb 8ths played 3X to Line 1 Gb down to Eb 8ths.
Repeat these two bars in Bars 3-4. VC/CB pluck pizzicato small octave Eb quarter note
(followed by two quarter rests) down to Great octave Bb quarter note up to (Bar 2) small
octave Eb down to Great octave Bb quarter notes (followed by a quarter rest) to same BB
quarter note (repeat next two bars). After a half and quarter rest in Bar 1, 4 horns in fiber
mutes sound mf middle Cb [written Line 1 Gb] quarter note to small octave Bb [written
F] 8 th note in Bar 2 p (followed by an 8 th , quarter and half rest). Repeat next two bars. In
Bar 3 the oboe sounds mp Line 2 Gb whole note tied to half note next bar to F to Eb
quarter notes down to (Bar 5) Line 1 Bb up to Line 2 C 8ths to D dotted half note tied to
(Bar 6) quarter note to C to D down to Bb quarter notes to (Bar 7) Gb whole note tied to
half note next bar to Ab down to En quarter notes to (Bar 9) F whole note > and tied to
8 th note next bar (followed by rests). Clarinet I plays the same eight-bar passage in the
same register (but written in a proper transposed fashion). Etc.
“In The Mirror” [Reel 3/7] 8 bars, 23 seconds duration, although a “New”
version shows 11 bars.
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