Bill Wrobel's DVD - Film Score Rundowns

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two quarter rests in Bar 8, violins I play the famous Mad World melody line on Line 2 (Line 1 for violins II and small octave for violas) A tenuto quarter note poco f spr to (Bar 9) B half note legato to A quarter note (repeated next two bars) to (Bar 12), after a quarter rest, F# up to A quarter notes to (Bar 13) B half note to A quarter note, and so forth. After a quarter rest in Bar 9, celli play mf Line 1 F# tenuto quarter note legato to E quarter note to (Bar 10) F# to F quarter notes to (Bar 11) E to D quarter notes to (Bar 12) middle C# tenuto half note to C quarter note to (Bar 13) small octave B dotted half note. CB in Bar 9 plays mf small octave E quarter note (followed by two quarter rests) down to (Bar 10) Great octave A quarter note (followed by two quarter rests) to (Bar 11) I believe small octave D quarter note to (Bar 12) Great octave A quarter note to (Bar 13) small octave E quarter note. After an 8 th rest in Bar 9, the flutes play staccato 8 th notes Line 3 C#-D-D#- E to (Bar 10), after an 8 th rest, D-D#-E-F#, and so forth. Oboes play this an octave lower register, as also the clarinets. Etc. Too much to get into here! Skipping to Bar 89 (1:24 timing location) the key signature has already changed to F maj/D min (one flat). Trumpets play forte Line 1 G [written A] rinforzando-marked dotted half note (silent next bar). They return in Bar 91 to play p < Ab/Line 1 C/Eb tenuto dotted half notes tied to 8 th notes next bar forte (followed by an 8 th and two quarter rests). Pos in Bar 91 play f > mp < small octave and Line 1 C dotted half notes tied to 8 th notes next bar (forte then). The timp is rolled p < poco f on small octave C dotted half note tied to 8 th next bar. Violins I in Bar 91 sound ff descending legato 16 th notes Line 3 F-Eb-C-Line 2 A (connected by two crossbeams) to F-Eb-C-Line 1 A 16ths figure to F stand-alone 16 th (followed by a dotted 8 th rest). Violins II play the first figure to Line 2 F stand-alone 16 th (followed by rests). After a quarter rest, violas play Line 2 F-Eb-C-Line 1 Ab 16ths to F-Eb-C-small octave Ab 16ths to (Bar 92) Eb sforzando and staccato 8 th (followed by rests). After two quarter rests, VC play Line 1 F-Eb-C-small octave Ab 16ths to (Bar 92) Eb 8 th . So we have a classic domino effect. After two quarter rests in Bar 92, the glock, vibe, celeste and piano play the Mad World melody on C quarter note to (Bar 93) D half notes to C quarter notes (repeated next two bars) and so forth. Flutes also play the melody line. The chorus starts singing with a central “turkey” theme! After a quarter rest in Bar 93 (1:28 timing), the oboes and clarinets play a distinctive triplet phrasing of “3” triplet value legato 8ths Line 2 F#-A-F# (crossbeam connected) to F-Gb- F 8ths to (Bar 94) E-F-E to D#-E-D# to D quarter note. Repeat Bars 93-94 for these instruments in the next four bars. The bass clarinet in Bar 93 plays small octave A grace note to Bb dotted half note (repeated next bar) to (Bar 95) B grace note to middle C dotted half note (repeated next bar). Bassoons play forte on Great octave D/A grace notes to Eb/Bb dotted half notes (repeated in Bar 94) and so forth. The Overture runs 2 minutes and 22 seconds (give or take a second). ***************************** -The Black Scorpion (1957) *** [music ***] http://www.amazon.com/Black-Scorpion-Richard- Denning/dp/B0000B1OGC/ref=sr_1_4?s=dvd&ie=UTF8&qid=1293596977&sr=1-4 http://www.imdb.com/title/tt0050197/fullcredits 24
Check out this website for the movie: http://monstermoviemusic.blogspot.com/2008/06/black-scorpion-amex-productions- 1957.html I researched the written score of The Black Scorpion (music by Paul Sawtell) at UCLA about 15 years ago—maybe 20 years ago. No full score was available, simply a four-stave reduced score—in effect a Conductor score. I believe Bert Schefter was the orchestrator but since I did not have access to the full score I can not verify this directly. Here’s the OAC description of the Sawtell Collection: http://www.oac.cdlib.org/view?docId=ft738nb31z;query=;style=oac4;doc.view=entire_te xt I fondly remember this monster movie when I was a kid, an impressionable seven-year-old. It had a scary atmosphere about it, especially the night scenes. They used Them! high sound effects originally meant for monster ants, not monster scorpions! The monster stop motion effects were by King Kong special effects master, Willis O’Brien. He gave an edgy quality to the effects and scenes—some rather unsavory and brutal! The movie opens abruptly with the explosions of Paricutin in Mexico (in part using old stock footage). The narrator (Bob Johnson, who takes on several roles in this movie!) off-screen gives an ominous assessment (“evil onslaught”) of the situation in the remote countryside. Perhaps one of the black predictions would be black giant scorpions! Obviously this is assumed because immediately after the narrator ends his Cassandric forecast, The Black Scorpion titles erupts onscreen like a volcano. As was customary for many monster movies of this era, there was a fairly long and often “talky” setup before you get to see the It (the creature) clearly. As discussed above, this occurred in The Giant Behemoth, although that setup took about an hour. Here, in The Black Scorpion, it took about half that duration (32 minutes). I like setups like these if done suspensefully enough (as in Them!), and I liked the setup here in this movie. Once the “action” starts in terms of the monster special effects, you become satisfied with the payoff, especially since you later include the exotic locale of a huge underground cavern full of scorpions, giant worms and even a pretty big spider (that unfortunately did not catch and eat that annoying little kid in the movie, Juanito). Even when I was a kid when I first saw the movie, I disliked that irritating kid, and wanted to slap him silly! Maybe if this gratuitous character wore a red uniform as in the Star Trek series, he would’ve been effectively silenced one way or another—but, alas, this was a black & white movie! I do not believe I had the Main Title music available but I’ll recheck later when I can find my complete notes….[No, my rundown sheet of cues I had available did not indicate a Main Title] Cue M-11 “Volcanic Terrain” in � time starts on the dvd at 00:02:27 immediately after the Main Title music. The top staff shows the pont effect 25
Page 1 and 2: Bill Wrobel’s DVD Collection, Rev
Page 3 and 4: need to spend time on since I had a
Page 5 and 6: night. Karnes and the skipper and u
Page 7 and 8: There is a nice effect in Bar 18 (0
Page 9 and 10: play this an octave higher register
Page 11 and 12: have a sweet theme for a major fema
Page 13 and 14: Bb/Line 1 D staccato notes, while h
Page 15 and 16: Runs. -Reel 6/2 (#40465), Agitato i
Page 17 and 18: music by Thomas Newman, well, it’
Page 19 and 20: the full score was not in that box
Page 21 and 22: 4) F tenuto half note to E to F ten
Page 23: By the way, the instrumentation for
Page 27 and 28: especially in stressful and even mi
Page 29 and 30: to F up to Line 3 C 8ths down to (B
Page 31 and 32: music for the first time. The writt
Page 33 and 34: quarter note. After an 8 th rest in
Page 35 and 36: The next cue is “Tiger” (locate
Page 37 and 38: The opening of the Main Title by Jo
Page 39 and 40: http://www.amazon.com/Quatermass-Pi
Page 41 and 42: Reel 2 a) CHIMNEY SWEEP (Kennedy) P
Page 43 and 44: (followed by two quarter rests). Af
Page 45 and 46: -Northwest Frontier (1959) ** [musi
Page 47 and 48: at the end of Reel 1 is a.) Marsell
Page 49 and 50: I purchased this dvd from Warner Ar
Page 51 and 52: Steiner) starting at 00:10:51. Next
Page 53 and 54: I never did pull the written music,
Page 55 and 56: Nice, sharp print of the dvd, fine
Page 57 and 58: 8. Trade Winds (Cliff Friend-Charli
Page 59 and 60: [Super Bowl Sunday, February 06, 20
Page 61 and 62: next four bars. After an 8 th rest
Page 63 and 64: half notes and 8 th notes (followed
Page 65 and 66: tied to 8 th notes (followed by an
Page 67 and 68: note held fermata. End of cue. The
Page 69 and 70: says, “My hero.” Dvd location i
Page 71 and 72: http://www.amazon.com/Dive-Bomber-E
Page 73 and 74: I am still watching the movie on my
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techniques in 1950 (the year I was
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As for the music, I really like the
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inforzando-marked ( > ) 8ths notes
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This is a curious movie, rather enj
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notes to (Bar 1) middle C rinforzan
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-Skipping to Reel 6/5. 18 pages, 70
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Korngold’s Prince & the Pauper fo
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[6] “Uncle” 2 pages. 4/4 time,
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Line 1 D [written E] half note to D
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inforzando whole note held fermata.
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cave] -Reel 5/1 Molto agitato in C
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except as a combined overall effect
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-Reel 1/3 [Old Man’s Hut] -Reel 2
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quarter rest in Bar 1, CB pluck p p
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thru 10 to (Bar 11) Bb notes to (Ba
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short wavy gliss line to Eb 8 th ti
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34. La Cucaracha - arr. Heindorf
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did not overly impress me beyond th
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I don’t know why the orchestrator
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The “Opening” cue (not sure now
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notes tied to whole notes in Bar 7.
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-Hollow Man (2000) ** 1/2 [music **
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“I’m A Genius” [R1/4] 20 bars
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(Bar 2) small octave Bb whole note
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“No Code” [Reel 5/2] 135 bars,
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the A min (A/C/E). Etc. After two q
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octave F half notes twice (repeated
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quarter notes to D-D 32 nd notes to
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V section (dvd 00:41:49). The Pas d
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-Darby’s Rangers (1957) *** [musi
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http://www.amazon.com/Dragnet-1967-
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-Green Berets (1968) ** [music ***]
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audience that hates a movie be nice
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Vietminh guerrillas in Indo-China,
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plays the pattern as well with the
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est). After an 8 th rest, Pos play
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ar. Clarinets play Line 1 E [writte
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“Camp Foch” (based on a French
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“Mahidi’s Death” Reel 14/A. D
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personally liked the section after
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there’s really not much “there
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The alto flute (on mike) plays p es
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2) Bb down to E down to Line 2 Bb u
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notes. The harp plays Contra-octave
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unless the director and others invo
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-Advise & Consent (1962) ** � [mu
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-Laura Croft: Tomb Raider (2001) **
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Another very good Jack Webb product
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format. Couple it with one of the b
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Communication (memo) from R. J. Obr
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(Bar 3) F# whole note tied to next
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whole note tied to quarter note nex
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9 Scott “ “ “ 00:25 10 Funera
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There are several graphic scenes th
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“messing” with the audience, cr
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This is a delightful, energetic, ap
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Hollander’s cue “Heaven” from
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Bar 14 strings I believe play a ser
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sheep, and then more horses were sc
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although it is no classic. There’
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Kubrick and ultimately Spielberg wa
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Pope. “David Studies Monica” [1
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Violins I in 4/4 time sound p Line
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-A Talk With Hitchcock (1964) *** h
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interesting with the operation scen
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[The Fight] Reel 5/1, Agitato in C
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[Revelation/Herd] I believe part of
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Good DePalma movie (but not great)
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Incidentally, you can see Young bei
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http://www.amazon.com/Sling-Blade-D
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http://www.amazon.com/Return-Vampir
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After a half rest in Bar 3, violas
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“flaw” for some people is the
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I actually studied the full score a
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[Brookfield School Song] :43 durati
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[Vienna Inn Scene] Cue # 7058 (also
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B up to Line 1 D to F# legato quart
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interesting scenes. Hawks took off
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http://www.amazon.com/Seventh-Seal-
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“Main Title” Reel 1/1, 10 pages
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down to Line 1 Bb 16ths. Violas plu
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two bars to (Bar 10) D whole note (
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In Bar 16 (dvd 00:05:15) we come to
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E-F-F#-A legato 16ths (silent next
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to-be ex-partner, get the money to
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(followed by an 8 th rest) to F/mid
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to sniff out Sue who has stopped ne
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gliss line down to small octave E t
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(followed by two 8 th rests) to the
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“Can Can Part 3” Cue # 35129. K
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Skipping slightly to Bar 195 (dvd 1
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notes and then Bb-G half notes to (
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Ever Told, etc). Again, too bad. I
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This is a decent sci-fi movie but a
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Included in this set are the first
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http://www.filmscorerundowns.net/he
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For about $140 million you will exp
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small octave D/G to same D/G to D/G
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notes (followed by a quarter and ha
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Neal meet. The dialog in that scene
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Of special merit in this dvd Specia
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(followed by a quarter rest) to (ne
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-# 2B “Bye Bye Charlie” in �
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sleazy role, and Greenstreet contin
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9followed by an 8 th rest) to same
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one next. ….So far, after watchin
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and David Hedison. The scifi disast
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-The Wrong Man (1956) *** [music **
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ask? Too bad Columbo wasn’t aroun
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-Spaceballs (1987) *** 7/8 [music *
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-“Driving Home” Reel �. Andan
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-Reel 6/1 Revised “When Johnny Co
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http://books.google.com/books?id=sr
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appetizer, no desert). If you’ve
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I can’t say I like this bleak Ing
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plays p ascending legato 16ths Grea
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Bar 19 to play Line 1 G#-A#-B-Line
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The movie never appealed to me but
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the busy-body lady tells people tha
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numbers in Calamity Jane, however!
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I reviewed this dvd on Talking Herr
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yarn) starring the excellent Johnny
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ehearsal of the fight that somehow
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classic!). I loved the actors such
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Back to Poledouris, I would recomme
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“rolling stream ostinati” that
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I discussed my September and Octobe
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The gong is struck in Bar 5.The cym
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Bb/F quarter notes to C/Eb quarter
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[cont.] Vacation Trip] Reel 7/1, 6
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Reel 12 material starts with “Sem
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http://www.lovingtheclassics.com/Je
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-Snows of Kilimanjaro (1952) ** 1/2
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eturning in Bar 4 on middle Cb [wri
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3 & 5. Violins I play Line 3 F# who
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note tied to next two bars. Bottom
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Eb dotted half note tied to quarter
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Line 2 Bb dotted half note to A qua
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he got loose. Of course if the writ
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from her store! Ironically, conside
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Shakespeare, however, and most of t
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note to (Bar 3) F# [written G#] who
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00:59:52) is quite nice, especially
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cinematography and Lean’s expert
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http://www.amazon.com/Naked-City-Yo
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note tied to “3” triplet value
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In Bar 1 the timp is rolled on C wh
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This is not a good conspiracy movie
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-“The Doomsday Machine” -‘Met
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Season Three, “Love’s Old Sweet
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as the bus rising along the desert
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There are five discs here starting
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-The Naked Jungle (1954) *** [music
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his best works. Let’s put it this
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http://www.amazon.com/Drums-Deep-So
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I did like the bluish star field lo
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effect of I believe the stopped hor
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Richard Boone as the good doctor pr
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http://www.amazon.com/Adventures-Bu
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Page Cook (his real name was Charle
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Shortly in Bar 6 the piccolo plays
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phrasing of Line 1 F legato down to
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http://www.amazon.com/French-Connec
Page 401 and 402:
-The Raid (1954) *** � [music ***
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Bill Wrobel's DVD - Film Score Rundowns

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