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Bill Wrobel's DVD - Film Score Rundowns

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dotted quarter note to Ab-A 16ths to Bb quarter note tied to 8 th note (followed by an 8 th<br />

rest), and repeated next bar. Violins II in Bar 4 play the same as the clarinet. Etc.<br />

#3874 “Out of the Coffin” Calm in 4/4 time, 15 pages, 60 bars. <strong>DVD</strong> location:<br />

00:01:03.Annotated “Mario Oct 17, 1943.” At the 3:16 point in the p-c score is marked<br />

“Graveyard.” Hmmm…or perhaps graveyard was at the beginning. I do know that<br />

“dialog” is at 3:16. Before that at 2:57 is “Dog howling.” This cue opens very nicely.<br />

Good moody music here.<br />

Harp is gliss pp from Line 3 A quarter note gliss line down to small octave A<br />

quarter note gliss line up to (Bar 2) Line 3 A down to small octave A up to, and so forth.<br />

Violins I are divisi bowed trem playing Line 3 A/B half notes to G/A quarter notes to F/G<br />

quarter notes to (Bar 2) Eb/F quarter notes to D/Eb quarter notes to C/D quarter notes to<br />

B/C quarter notes. Violins II play this an octave lower register. The violas are trill on<br />

small octave A whole note tied to whole note next bar. VC play rising to falling 16 th note<br />

figures Great octave F up to small octave D up to A to same A down to D down to Great<br />

octave F (play this six-note figure 4X) to (Bar 2) F-Eb-A-A-Eb-F 16ths in the same<br />

pattern. CB play small octave F whole note tied to next bar. The celeste plays Lines 1 & 2<br />

A/B tenuto quarter notes (followed by a quarter rest) to G/A 8ths (followed by an 8 th rest)<br />

to F/G 8ths (followed by an 8 th rest) to (Bar 2) Eb/F 8ths (followed by an 8 th rest), and so<br />

forth. Etc.<br />

#3875 “Vampire at Window” Orchestrated by Sid Cutner. 6 pages, 24 bars,<br />

1:25 duration. <strong>DVD</strong> location: 00:07:06. Note of “Doctor Reading”. At the :57 point is<br />

“Shadow on Floor.”<br />

Two violins II play pp fingered trem figures of small octave A to B half notes<br />

(repeat in the second half of the bar) and repeated next several bars. Violas are fingered<br />

trem between small octave G-F half notes (I believe). VC are fingered trem between<br />

small octave Eb-Db half notes. The Novachord (low stgs setting) play (top staff) Line 2 D<br />

whole notes and also above that F-G-F-G 16ths figure played 4X, while the bottom staff<br />

plays small octave G whole note and also Eb-Db-Eb-Db 16ths figure played four times.<br />

After a half and quarter rest, the english horn is solo playing p espr Line 1 D-F-E “3”<br />

triplet value 8ths down to (Bar 2) small octave A-A tenuto 8ths to I believe Bb (maybe B)<br />

tenuto half note tied to 8 th (repeated next bar). Violins I (only two) in Bar 4 are bowed<br />

trem on ascending quarter notes small octave and Line 1 A to B to Lines 1 & 2 C# to D#.<br />

The harp plays the same notes. The bass clarinet plays p Line 1 Eb to Db tenuto half<br />

notes. Clarinet I plays p small octave A-A tenuto 8ths to B tenuto quarter note to Line 1<br />

C#-C# 8ths to D# quarter note. The flute plays the same but an octave higher register,<br />

Etc.<br />

#3876 “In the Catacomb” Molto Modto in 4/4 time, 61 bars, 3:24. Sid Cutner<br />

orchestrated the cue. At the 3:09 point: “We must help.” Bar 59 = p/u wolfman. [dvd<br />

location: 00:11:42]<br />

Muted violins play p small octave A/Line 1 D whole notes tied to whole notes<br />

next bar and tied to (Bar 3) half notes, and then up to Line 1 E/A to D/G quarter notes.<br />

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