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Bill Wrobel's DVD - Film Score Rundowns

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I believe in my review of Starship Troopers (the original) I discussed various<br />

“drawers” of composers; for instance, top drawer (A list) would include Herrmann of<br />

course, Steiner, Rozsa, Korngold, and perhaps Tiomkin. Second-drawer level composers<br />

would include Goldsmith, Williams, and so forth. This does not mean one composer is<br />

necessarily above the others or “best” because a so-called lower-drawer composer in<br />

comparison may come out with a stunningly beautiful specific score that would rate as a<br />

“top-drawer” music composition. Also, a particular composer may hold a “special place<br />

in your heart” but this does not necessarily mean his work is objectively “great” (mature,<br />

rhythmically complex, harmonically interesting, rich in variation and thematic<br />

development, etc.). For example, die-hard fans of John Barry simply feel he is the<br />

greatest. That is a valid opinion. I personally quite enjoy his music. Barry’s music<br />

resonates quite strongly with such fans. He often delivers the goods in terms of enjoyable<br />

music of a mass-market type (James Bond scores, etc.) that is immediately likeable,<br />

popular, and so on. This does not mean his music is objectively “top-tier” or “topdrawer”<br />

compared to others (such as Korngold, Steiner, Herrmann, Rozsa). Barry’s<br />

music is rather simple in comparison, not harmonically complex or varied.<br />

Also this list is not completely reflective of my tastes because there are many<br />

dvds I would like in my collection but I never got around to buying them! After all, my<br />

discretionary money is a bit limited despite my good federal job because I have other<br />

priorities like a mortgage and bills to pay, and I tend to want to find a deal before I fork<br />

over my hard-earned money. For instance, I usually don’t buy anything from the<br />

excellent Warner Archive site (except for what I consider a rare Must-Have-Now item)<br />

during the winter-spring-summer months. I wait until Thanksgiving because that is when<br />

their dvds are half-off for that Thanksgiving weekend (5 for $50 or 10 for $100). So there<br />

are a lot of dvds I would like to have (especially if they include terrific Special Features<br />

and commentaries). They include, as examples, I Know Where I’m Going (1945, Wendy<br />

Hiller), 12 Angry Men, Psycho, Godfather, Jaws, Raiders of the Lost Ark, The Third Man,<br />

The Wizard of Oz, The Shadow –great Goldsmith music-- and so forth. One dvd I will<br />

definitely buy was the one my wife & I watched today (Saturday, June 04, 2011) at Regal<br />

Theaters, Woody Allen’s Midnight in Paris. It’s excellent. MY last enjoyable Allen<br />

movie was Mighty Aphrodite but especially Manhattan Murder Mystery. My favorite<br />

Allen movie is Love & Death that I have on old vhs-video instead of dvd (so I probably<br />

will not review it here). I also have many other vhs-videos of movies (such as many Max<br />

Steiner-scored films) that I cannot or never did get in dvd format, so I probably won’t<br />

review them either!<br />

Since this is a “<strong>Film</strong> <strong>Score</strong> Blog” I will as often as I can provide detailed<br />

information regarding the film music. This includes cue sheets information, delineations<br />

of the written cues, and whatever else of interest I can offer. Of course many movies I<br />

have nothing to offer regarding details of the written music since I never researched<br />

them. So I will simply provide a simple review of the movie and the music. Of course<br />

any reviewer can do that (provide opinions), so that is why I want to make this long paper<br />

a special review project since I had studied many of the scores and can give music score<br />

details that all or most other reviewers cannot provide. Some movie and scores I do not<br />

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