Bill Wrobel's DVD - Film Score Rundowns

9followed by an 8 th rest) to same F 8 th (followed by an 8 th rest) and repeat next several
bars. The timp plays a similar rhythm, as also the Tom Toms, large xylophone, harp,
pianos. After a dotted 8 th rest, the bells sound Line 1 F/Line 2 C/F 16ths (followed by
rests). After an 8thb rest, violins I play Line 3 C/F 8ths (followed by a dotted 8 th rest) to
Line 2 F/Line 3 C staccato 16ths (followed by an 8 th rest) down to Line 1 C/F rinforzando
8ths (followed by an 8 th rest) to same 8ths. Repeat next bars. Violins II play this initially
an octave lower register and then col violins I with the Line 1 C/F rinforzando 8ths. After
an 8 th rest, violas play Line 1 F/Line 2 C 8ths (followed by a dotted 8 th rest) to middle
C/F 16ths (followed by an 8 th rest) down to small octave F/middle C rinforzando 8ths in
the rest pattern already given. VC play Great octave F/small octave C 8ths up to small
octave F/middle C staccato 16ths down to Great octave F/small octave C 8ths in the same
rest pattern. Divisi CB play Great octave F/small octave C 8ths (followed by an 8 th and
quarter rest) up to F/middle C staccato 8ths (followed by an 8 th rest) to same F/C staccato
8ths.
-Reel 1/ Pt 2 [Round Up] Cue # 24725. Dramatic, action cue as people, hiding
out as desirables, are rounded up for being undesirables!
Skipping to Bar 8 (dvd around 00:02:56), flute, piccolo, violins and violas in C
time play a series of “6” sextuplet 16 th note figures. They play Line 3 (Line 2 for violins
II and violas) D-Eb-D-C#-D-C# (connected as a figure by two crossbeams) to I believe
now C-Db-C-B-C-B to Bb-Cb-Bb-A-Bb-A 16ths to G#-A-G#-Fx-G-Fx 16ths to (Bar 9)
F#-G-F#-F-Gb-F to E-F-E-D#-E-D# to D-Eb-D-C#-D-C# to C-Db-C-B-C-B. In bar 10
violins I then play Line 1 Bb-Line 2 C-Line 1 Bb-A-Bb-A 16ths to G-A-G-F-G-F 16ths
to E 8 th (followed by an 8 th and quarter rest). Violins II in Bar 10 (dvd 00:02:58) play
small octave Bb 8 th followed by rests. But VC join in on the pattern in Bar 10 on the
same notes as the violins but an octave lower register. Violas keep playing as the first
violins. CB in Bar 8 play Great octave G# whole note (repeated next bar) to (Bar 10) G
half note tied to 8 th note. The piano is col 1 st & 2 nd violins. The timp is rolled ff < on
Great octave A whole note to (Bar 9) G# whole note to (Bar 10) G half note roll tied to
8 th note. After a half note in Bar 10, the gong sounds a half note. The tuba plays as the
timp. Pos play ff < small octave D/F/A rinforzando whole notes to (Bar 9) D/F#/B
rinforzando whole notes to (Bar 10) D/E/Bb half notes tied to 8ths. Trumpets are silent
here. Horns play small octave D/F/A/Line 1 D [written small octave A/middle C/E/A]
rinforzando whole notes to (Bar 9) D/F#/B/D (B min) whole notes to (Bar 10)
D/E/Bb/Line 1 D half notes to double-dotted quarter notes to two 32 nd notes. Bassoons in
Bar 10 are col the celli. The bass clarinet plays small octave A [written B] rinforzando
whole note to (Bar 9) G# [written A#] whole note to (Bar 10) G half note tied to 8 th note.
The clarinets and oboes do not play in this sequence.
-Reel 1/pt 4 [Rick’s Place] The opening several bars are the instrumental
introduction to the “It Had To Be You” visual Vocal sequence. It was arranged by F.
Perkins. Dvd location: 00:06:29. Instrumentation: alto and tenor saxes, guitar, trumpet,
trombone, timp, piano, accordion, bass. Key signature of F maj/B min (one flat). With the
one flat this of course makes the trumpet key signature just one sharp instead of the
normal two. The alto sax has two sharps, while the tenor sax has one sharp.
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