Bill Wrobel's DVD - Film Score Rundowns

up to A quarter notes up to (Bar 2) Line 1 D quarter note (followed by rests). The harp
seems emphasized on ascending quarter notes Great octave D-A-small octave F#-A up to
(Bar 2) Line 1 D-F#-A down to E quarter notes up to (Bar 3) Line 2 C# down to Line 1
F# up to A down to D quarter notes to (Bar 4) E-F#-A down to D quarter notes down to
(Bar 5) Great octave D-A-small octave F-A quarter notes, and so forth. This gentle music
fits the idyllic Swiss mountain scene (peaceful scene initially at least). I Bar 9 (dvd
00:35:05) in 6/8 time, however, violins I are now bowed trem p on Line 2 G/Bb dotted
half notes, violins II trem on Line 1 Eb dotted half note, violas trem on Line 1 G dotted
half notes, and VC play non-trem Great octave D dotted half note tied to next bar. CB
plat small octave D quarter note in Bar 9 (followed by an 8 th rest) to E dotted quarter
note. Two clarinets (A, not Bb) play middle C [written Eb] dotted quarter note tied to 8 th
note to small octave G to A 8ths up to (Bar 10) Line 1 G quarter note, and so forth. Etc.
I believe in Bar 20 is when Greer Garson yells “Hello!”. Violins I are bowed
trem on Line 2 B/Line 3 F# whole notes held fermata, while violins II are bowed trem
online 1 B/Line 2 F# whole notes. Violas play middle C/E whole notes. VC pluck Great
octave D/A/small octave F# quarter notes followed by rests. CB plays small octave D
whole note tied to next bars except that the final edit has Bars 21-31 deleted. In fact
other isolated bars are later edited out (such as Bar 37). Bar 21 was supposed to have
Chips says, “Here.” Skipping to Bar 57 (dvd 00:36:20) all violins play small octave
G/Line 1 D dotted half notes held fermata to same G/D quarter notes to (Bar 58) middle
C/F dotted half notes held fermata (kept in movie) to same C/F quarter notes held fermata
(not kept in movie). In Bar 59 in 6/8 time (dvd 00:36:35) violins play same G/D to G/D
to G/D 8ths (crossbeam connected) to G/D 8ths up to unison F quarter note held fermata.
Then the nature of the music changes in Bar 60 (dvd 00:36:42) as he starts to climb. Back
in Bar 57, violas play small octave Eb dotted half notes held fermata to Eb quarter note to
(Bar 58) Gb dotted half note to deleted Gb quarter note to (Bar 59) Eb-Eb-Eb 8ths to Eb
8 th up to Gb quarter note held fermata. VC in Bar 57 play Great octave A dotted half note
held fermata to A quarter note to (Bar 58) Ab/small octave D dotted half notes held
fermata to same deleted quarter notes to (Bar 59) Great octave A-A-A 8ths to A 8 th to Ab
quarter note held fermata. CB play Great octave B dotted half note to quarter note to (Bar
58) small octave C dotted half note to deleted quarter note to (Bar 59) B-B-B 8ths to B 8 th
to C quarter note. Clarinets and bassoons also sound. Sords horns in Bar 59 return to
play small octave G/Line 1 D [written D/A] 8ths 3X (crossbeam connected) to same G/D
8ths to middle C/F quarter notes. Etc. In Bar 64 (dvd 00:36:46) the bassoons are soli
along with the violas and celli playing a passage mp of Line 1 D dotted half note tied to
quarter note next bar to D 8 th up to F-Eb-D 8ths to (Bar 66) Eb to D dotted quarter notes
to (Bar 67) F dotted half note to (Bar 68) Eb dotted half note to (Bar 69) D dotted half
note. Pos play B/Line 1 F tied dotted half notes. Violins II play B/Line 1 F tied dotted
half notes (although they may be playing measured trem or F-F-F-F-F-F 8ths as well as B
8ths. Not sure. The section I like starting 00:37:36 I have to try to find (if I have them).
Sorry! [end session Sunday, March 13, 2011 at 7:30 pm PDT. Daylight time started
today, unfortunately. When I retire we’ll go to Arizona where there is no daylight time
changes!]
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