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Bill Wrobel's DVD - Film Score Rundowns

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I purchased this dvd from Warner Archive for two main reasons: Max Steiner’s<br />

music that I was eager to hear, and Edward G. Robinson (I’m a fan). Of course I was<br />

also curious to see George Sanders as a crew-cut Nazi, and Paul Lukas as a Nazi official.<br />

This movie is, I believe, the premiere anti-Nazi series of movies that Warner Bros.<br />

produced, and rather overdone in my opinion! It’s not at all subtle or nuanced or clever!<br />

I never pulled the written score but I do have the cue sheets. There are some<br />

omissions in them, starting with the opening of Reel 1. Of course we hear the Warner<br />

Bros. Signature composed by Max (originally for Gold Is Where You Find It) but at the<br />

dvd section 00:00:08 - :16 you hear a segment of Max’s arrangement of the Deutschland<br />

Uber Alles (unknown composer) but it was not referenced after a.) Signature but<br />

apparently included in the Signature timing since that was allotted 21 seconds duration.<br />

After a music-less segment showing a man speaking in silhouette at a microphone, we<br />

fade to a Scottish scene with “Annie Laurie” (unknown composer) playing.<br />

The next medley (3.) shows a.) Misterioso (Max Steiner) located on the dvd at<br />

00:01:43. This is where the lady opens the mysterious letter and addresses an outgoing<br />

letter to Nazis. Then you hear b.) Die Wacht An Rhein (C. Wilhelm). Later the only entry<br />

in the 4 th medley (dvd 00:04:32) is Deutschland Uber Alles during the applause of the<br />

Nazi speaker (played by Paul Lukas). Then there is a tavern scene with the players<br />

performers a tune. The cue sheets state “German March” (Max Steiner) but I am not sure<br />

if this is truly accurate. After this in the 7 th medley is a.) The Imposter (Max Steiner)<br />

located at 00:07:29 for just over half a minute. This is the NYPL scene. The music seques<br />

to b.) Die Wacht Am Rhein (C. Wilheim/public domain). At 00:1013 is the Bismarck<br />

scene where a cable operator gets a transmitted message (to George Sanders). This single<br />

Medley item in # 8 is “The Operator” (music by Max Steiner). This telegraph-type music<br />

is employed by Max many times (in old-time Westerns, etc.).Then at 00:16:12 in Medly<br />

# 9 we hear Deutschland Uber Alles, and in # 10 we hear “Misterioso” (Steiner) at dvd<br />

00:18:59.<br />

At 00:29:21 we hear in medley # 11 d.) Papacoda Polka (J. Strauss) as V.I. (visual<br />

instrumental) in the tavern scene. Later (dvd 00:33:06) at the end of medly # 11, e.) “I<br />

Don’t Want To Go Back”) when the Nazi operator is forced back to go back to the<br />

Homeland (Germany). Then at the 34-minute point roughly is The Arrival, The Train,<br />

and Montage music at the end of Reel 4. At the start of Reel 5 is a long music sequence<br />

of about two minutes, essentially a montage about how the Nazis engage in active<br />

propaganda in America. So we start at (dvd 00:38:05) at a.) “Printing Press” (Max<br />

Steiner) that incorporates soon Die Wacht Am and then (00:39:01) Yankee Doodle<br />

(unknown composer), and then “America” (unknown) and Yankee Doodle again. Then f.)<br />

Propaganda (Steiner), etc. That Scottish woman seen in the opening of the movie is<br />

arrested in the 14 th medley a.) America (dvd 00:41:38). This seques to b.) Yankee Doodle<br />

with the cut to the FBI offices (00:42:09) for only two or three seconds, ending abruptly.<br />

Very soon we finally get to see Edward G. Robinson as the head FBI official. At<br />

00:46:27 is Under The Flag of Victory (Von Blom) Visual Instrumental as the Nazi<br />

youth do a parade in front of their Nazi superiors. This seques to the start of the 17 th<br />

49

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