09.01.2013 Views

Bill Wrobel's DVD - Film Score Rundowns

Bill Wrobel's DVD - Film Score Rundowns

Bill Wrobel's DVD - Film Score Rundowns

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Check out this website for the movie:<br />

http://monstermoviemusic.blogspot.com/2008/06/black-scorpion-amex-productions-<br />

1957.html<br />

I researched the written score of The Black Scorpion (music by Paul Sawtell) at<br />

UCLA about 15 years ago—maybe 20 years ago. No full score was available, simply a<br />

four-stave reduced score—in effect a Conductor score. I believe Bert Schefter was the<br />

orchestrator but since I did not have access to the full score I can not verify this directly.<br />

Here’s the OAC description of the Sawtell Collection:<br />

http://www.oac.cdlib.org/view?docId=ft738nb31z;query=;style=oac4;doc.view=entire_te<br />

xt<br />

I fondly remember this monster movie when I was a kid, an impressionable<br />

seven-year-old. It had a scary atmosphere about it, especially the night scenes. They used<br />

Them! high sound effects originally meant for monster ants, not monster scorpions! The<br />

monster stop motion effects were by King Kong special effects master, Willis O’Brien.<br />

He gave an edgy quality to the effects and scenes—some rather unsavory and brutal!<br />

The movie opens abruptly with the explosions of Paricutin in Mexico (in part<br />

using old stock footage). The narrator (Bob Johnson, who takes on several roles in this<br />

movie!) off-screen gives an ominous assessment (“evil onslaught”) of the situation in the<br />

remote countryside. Perhaps one of the black predictions would be black giant scorpions!<br />

Obviously this is assumed because immediately after the narrator ends his Cassandric<br />

forecast, The Black Scorpion titles erupts onscreen like a volcano.<br />

As was customary for many monster movies of this era, there was a fairly long<br />

and often “talky” setup before you get to see the It (the creature) clearly. As discussed<br />

above, this occurred in The Giant Behemoth, although that setup took about an hour.<br />

Here, in The Black Scorpion, it took about half that duration (32 minutes). I like setups<br />

like these if done suspensefully enough (as in Them!), and I liked the setup here in this<br />

movie. Once the “action” starts in terms of the monster special effects, you become<br />

satisfied with the payoff, especially since you later include the exotic locale of a huge<br />

underground cavern full of scorpions, giant worms and even a pretty big spider (that<br />

unfortunately did not catch and eat that annoying little kid in the movie, Juanito). Even<br />

when I was a kid when I first saw the movie, I disliked that irritating kid, and wanted to<br />

slap him silly! Maybe if this gratuitous character wore a red uniform as in the Star Trek<br />

series, he would’ve been effectively silenced one way or another—but, alas, this was a<br />

black & white movie!<br />

I do not believe I had the Main Title music available but I’ll recheck later when I<br />

can find my complete notes….[No, my rundown sheet of cues I had available did not<br />

indicate a Main Title] Cue M-11 “Volcanic Terrain” in � time starts on the dvd at<br />

00:02:27 immediately after the Main Title music. The top staff shows the pont effect<br />

25

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!