Bill Wrobel's DVD - Film Score Rundowns

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http://herrmann.uib.no/talking/view.cgi?forum=thGeneral&topic=3169 -Cheyenne: First Season (1955) *** http://www.amazon.com/Cheyenne-Complete-Season-Clint- Walker/dp/B000EQ46H8/ref=sr_1_1?s=dvd&ie=UTF8&qid=1292902702&sr=1-1 -The Haunting (1963) ***** [music *****] http://www.amazon.com/Haunting-Julie- Harris/dp/B00009NHB6/ref=sr_1_2?s=dvd&ie=UTF8&qid=1292902804&sr=1-2 I love this “ghost” type of movie—although you never see a ghost! You certainly “hear” the ghosts many times in the movie! Everything is suggestive, moody, darkly atmospheric. The ghost is really Hill House itself. It’s not a case of a disembodied “house guest” but the “House Ghost.” Besides the ghost and fear-factor is the parallel plot undertone of Eleanor (Julie Harris) really having a nervous breakdown. It’s not all about Nell because Theo especially and finally the others also detect a ghostly disturbance within the mansion. The house itself is grotesque, distorted, and Wise with his past editing skills (Citizen Kane, for instance) was about to manipulate scenes and exaggerate others (such as a 28 “ distortion wide angle lens for certain scenes). I highly recommend that you listen to the audio commentary because all of the principals discuss the making of the film. Harris talked about how she was depressed during this film, how she would cry during even makeup sessions, how she felt isolated. Russ Tamblyn and Claire Bloom talk about this as well—that she seemed very aloof and unfriendly during the shooting, not go to dinner with the other actors, but that was her way to stay into character. Wise offered many insights. He talked about how he used infrared film for the house scene (black sky during the day); how he decided to use black & white for this kind of movie for best mood effectiveness; how he had to use a lot of voiceovers in order to get into Eleanor’s head (this was a movie, not a book where you can read the author’s description of the characters’ train of thoughts). At dvd 00:21:25 he stated that Humphrey Serle wrote a “marvelous score.” He would usually ask a composer first to watch the whole edited movie and ask where he thought the music should be placed, and then the composer and director would work out differences. One of my favorite sections of the movie is the first haunting scene starting at 00:40:25 when you see the staircase in the middle of the night and the slowly approaching pounding that intensifies crescendo. The effective use of sound is top-notch here. I remember I was really scared here when I first saw the movie in its original release when I was thirteen. About the only other movie I was genuinely apprehensive and at the edge of my seat was when my wife & I saw Carpenter’s remake of The Thing at the dark theater! Another great scene was at 1:10:35 when Nell is getting cold sweats seeing the moonlight/cloud changes on the wall, distorting the wall work images in shadows. Wise did a scary job here. *************************** -The Seventh Seal (1957) **** [music **] 230
http://www.amazon.com/Seventh-Seal-Criterion- Collection/dp/6305174083/ref=sr_1_3?s=dvd&ie=UTF8&qid=1292902874&sr=1-3 A classic strange tale about life, meaning (or not!) and ultimate death. Of course this is an Ingmar Bergman movie! I especially like Jons, the Squire. I enjoyed watching the movie at the same time listening to the excellent audio commentary by Peter Cowie. I like this Bergman movie better than his next one, Wild Strawberries. Woody Allen would revisit the death theme is a different time period in a hilarious comedic treatment! The gods like to laugh, so the Woody Allen version is most favored by them (and me!). The last laugh was on Bergman who believed in absolute nothingness after death. He will continue to exist in some manner whether or not he believed he would not. It would’ve been better in his years here if his beliefs fitted reality, but if they did not (as in his case) it did not change reality one tiny bit! Meanwhile his sense of meaningless made for an interesting filmmaking perspective! -7 th Voyage of Sinbad (1958) *** [music ****] http://www.amazon.com/7th-Voyage-Sinbad-Kerwin- Mathews/dp/B00001W9GA/ref=sr_1_3?s=dvd&ie=UTF8&qid=1292902954&sr=1-3 An entertaining enough kids fantasy movie strongly featuring Ray Harryhausen’s dynamation effects and Bernard Herrmann’s gorgeous music! I did a rundown of the score: http://www.filmscorerundowns.net/herrmann/sinbad.pdf -Night Crossing (1982) ** 1/2 [music ****] http://www.amazon.com/Night-Crossing-John- Hurt/dp/B0000DZTIN/ref=sr_1_1?s=dvd&ie=UTF8&qid=1292903034&sr=1-1 This is a rather dour Disney movie but the music by Jerry Goldsmith is exceptionally fine. Quite soaring symphonic series of cues! I already did a relatively short rundown of the score: http://www.filmscorerundowns.net/goldsmith/nightcrossing.pdf -The Command (1954) *** [music *** 1/2] http://www.wbshop.com/Command-The/1000088150,default,pd.html?cgid=ARCHIVE Good, energetic western and a commanding score by Dimitri Tiomkin! I discussed this score in Blog # 40: http://www.filmscorerundowns.net/blogs/40.pdf -House of Wax (1953) *** 1/2 [music ****] http://www.amazon.com/House-Wax-Vincent- Price/dp/B00009NHBC/ref=sr_1_1?s=dvd&ie=UTF8&qid=1292904647&sr=1-1 231
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Bill Wrobel’s DVD Collection, Rev
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need to spend time on since I had a
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night. Karnes and the skipper and u
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There is a nice effect in Bar 18 (0
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play this an octave higher register
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have a sweet theme for a major fema
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Bb/Line 1 D staccato notes, while h
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Runs. -Reel 6/2 (#40465), Agitato i
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music by Thomas Newman, well, it’
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the full score was not in that box
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4) F tenuto half note to E to F ten
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By the way, the instrumentation for
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Check out this website for the movi
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especially in stressful and even mi
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to F up to Line 3 C 8ths down to (B
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music for the first time. The writt
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quarter note. After an 8 th rest in
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The next cue is “Tiger” (locate
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The opening of the Main Title by Jo
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http://www.amazon.com/Quatermass-Pi
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Reel 2 a) CHIMNEY SWEEP (Kennedy) P
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(followed by two quarter rests). Af
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-Northwest Frontier (1959) ** [musi
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at the end of Reel 1 is a.) Marsell
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I purchased this dvd from Warner Ar
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Steiner) starting at 00:10:51. Next
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I never did pull the written music,
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Nice, sharp print of the dvd, fine
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8. Trade Winds (Cliff Friend-Charli
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[Super Bowl Sunday, February 06, 20
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next four bars. After an 8 th rest
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half notes and 8 th notes (followed
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tied to 8 th notes (followed by an
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note held fermata. End of cue. The
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says, “My hero.” Dvd location i
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http://www.amazon.com/Dive-Bomber-E
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I am still watching the movie on my
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techniques in 1950 (the year I was
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As for the music, I really like the
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inforzando-marked ( > ) 8ths notes
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This is a curious movie, rather enj
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notes to (Bar 1) middle C rinforzan
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-Skipping to Reel 6/5. 18 pages, 70
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Korngold’s Prince & the Pauper fo
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[6] “Uncle” 2 pages. 4/4 time,
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Line 1 D [written E] half note to D
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inforzando whole note held fermata.
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cave] -Reel 5/1 Molto agitato in C
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except as a combined overall effect
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-Reel 1/3 [Old Man’s Hut] -Reel 2
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quarter rest in Bar 1, CB pluck p p
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thru 10 to (Bar 11) Bb notes to (Ba
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short wavy gliss line to Eb 8 th ti
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34. La Cucaracha - arr. Heindorf
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did not overly impress me beyond th
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I don’t know why the orchestrator
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The “Opening” cue (not sure now
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notes tied to whole notes in Bar 7.
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-Hollow Man (2000) ** 1/2 [music **
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“I’m A Genius” [R1/4] 20 bars
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(Bar 2) small octave Bb whole note
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“No Code” [Reel 5/2] 135 bars,
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the A min (A/C/E). Etc. After two q
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octave F half notes twice (repeated
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quarter notes to D-D 32 nd notes to
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V section (dvd 00:41:49). The Pas d
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-Darby’s Rangers (1957) *** [musi
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http://www.amazon.com/Dragnet-1967-
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-Green Berets (1968) ** [music ***]
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audience that hates a movie be nice
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Vietminh guerrillas in Indo-China,
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plays the pattern as well with the
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est). After an 8 th rest, Pos play
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ar. Clarinets play Line 1 E [writte
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“Camp Foch” (based on a French
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“Mahidi’s Death” Reel 14/A. D
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personally liked the section after
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there’s really not much “there
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The alto flute (on mike) plays p es
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2) Bb down to E down to Line 2 Bb u
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notes. The harp plays Contra-octave
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unless the director and others invo
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-Advise & Consent (1962) ** � [mu
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-Laura Croft: Tomb Raider (2001) **
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Another very good Jack Webb product
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format. Couple it with one of the b
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Communication (memo) from R. J. Obr
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(Bar 3) F# whole note tied to next
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whole note tied to quarter note nex
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Page 181 and 182: There are several graphic scenes th
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Page 185 and 186: This is a delightful, energetic, ap
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Page 193 and 194: although it is no classic. There’
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Page 209 and 210: Good DePalma movie (but not great)
Page 211 and 212: Incidentally, you can see Young bei
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Page 215 and 216: http://www.amazon.com/Return-Vampir
Page 217 and 218: After a half rest in Bar 3, violas
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Page 221 and 222: I actually studied the full score a
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Page 225 and 226: [Vienna Inn Scene] Cue # 7058 (also
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Page 233 and 234: “Main Title” Reel 1/1, 10 pages
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Page 239 and 240: In Bar 16 (dvd 00:05:15) we come to
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Page 255 and 256: Skipping slightly to Bar 195 (dvd 1
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Page 259 and 260: Ever Told, etc). Again, too bad. I
Page 261 and 262: This is a decent sci-fi movie but a
Page 263 and 264: Included in this set are the first
Page 265 and 266: http://www.filmscorerundowns.net/he
Page 267 and 268: For about $140 million you will exp
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sleazy role, and Greenstreet contin
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9followed by an 8 th rest) to same
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one next. ….So far, after watchin
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and David Hedison. The scifi disast
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-The Wrong Man (1956) *** [music **
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ask? Too bad Columbo wasn’t aroun
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-Spaceballs (1987) *** 7/8 [music *
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-“Driving Home” Reel �. Andan
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-Reel 6/1 Revised “When Johnny Co
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http://books.google.com/books?id=sr
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appetizer, no desert). If you’ve
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I can’t say I like this bleak Ing
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plays p ascending legato 16ths Grea
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Bar 19 to play Line 1 G#-A#-B-Line
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The movie never appealed to me but
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the busy-body lady tells people tha
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numbers in Calamity Jane, however!
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I reviewed this dvd on Talking Herr
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yarn) starring the excellent Johnny
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ehearsal of the fight that somehow
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classic!). I loved the actors such
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Back to Poledouris, I would recomme
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“rolling stream ostinati” that
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I discussed my September and Octobe
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The gong is struck in Bar 5.The cym
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Bb/F quarter notes to C/Eb quarter
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[cont.] Vacation Trip] Reel 7/1, 6
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Reel 12 material starts with “Sem
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http://www.lovingtheclassics.com/Je
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-Snows of Kilimanjaro (1952) ** 1/2
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eturning in Bar 4 on middle Cb [wri
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3 & 5. Violins I play Line 3 F# who
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note tied to next two bars. Bottom
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Eb dotted half note tied to quarter
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Line 2 Bb dotted half note to A qua
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he got loose. Of course if the writ
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from her store! Ironically, conside
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Shakespeare, however, and most of t
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note to (Bar 3) F# [written G#] who
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00:59:52) is quite nice, especially
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cinematography and Lean’s expert
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http://www.amazon.com/Naked-City-Yo
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note tied to “3” triplet value
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In Bar 1 the timp is rolled on C wh
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This is not a good conspiracy movie
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-“The Doomsday Machine” -‘Met
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Season Three, “Love’s Old Sweet
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as the bus rising along the desert
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There are five discs here starting
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-The Naked Jungle (1954) *** [music
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his best works. Let’s put it this
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http://www.amazon.com/Drums-Deep-So
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I did like the bluish star field lo
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effect of I believe the stopped hor
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Richard Boone as the good doctor pr
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http://www.amazon.com/Adventures-Bu
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Page Cook (his real name was Charle
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Shortly in Bar 6 the piccolo plays
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phrasing of Line 1 F legato down to
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http://www.amazon.com/French-Connec
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-The Raid (1954) *** � [music ***
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Bill Wrobel's DVD - Film Score Rundowns

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