Bill Wrobel's DVD - Film Score Rundowns

“Of Course I’m Not Sure” [1M5] 4/4 time, 10 pages, 41 bars. Orchestrated by
Neufeld.
“Hide and Seek”[1M6] 6/8 time, 27 pages, 108 bars. Orchestrated by Neufeld.
Dvd location 00:15:33. Instrumentation initially: synth I (piano), synth II (celeste), vibe,
marimba harp, strings.
Synth I (piano mode) in 6/8 time sounds (“all ring”) Line 1 C to D 8ths up to B to
Line 2 C 16ths figure up to next figure of descending 8ths Line 2 Ab-G-Line 1 B
(repeated thru Bar 4). The harp is col the synth “liltingly.” VC pluck pizz middle C to
same C dotted quarter notes p to (Bar 2) C-C dotted quarter notes again but with the
crescendo hairpin to (Bar 3) C-C again to (Bar 4) C 8 th down to small octave G quarter
note down to D dotted quarter note. In Bar 4 the violas show up to play pp fingered trem
between small octave G-A dotted half notes repeated next three bars, and other violas
play small octave E tied dotted half notes thru Bar 8 and tied to (Bar 9) dotted quarter
note and 8 th note (followed by two 8 th rests). Violins II are fingered trem between Line 1
D/D dotted half notes and F#/G dotted half notes thru the next bars in the pattern given
for the violas. Violins I are fingered trem between Line 1 B/Line 2 C dotted half notes
and C/D dotted half notes. Also in Bar 5 (dvd 00:15:40), synth II enters (synth I leaves)
on Line 2 C-D 8ths to F#-G# 16ths up to next figure of Line 2 B up to Line 3 Ab down to
Eb 8ths, repeated next bar crescendo hairpin and repeat thru Bar 8. I believe the harp is
col this synth but I am not sure (maybe not). VC are now arco playing pp Great octave
G/small octave C dotted half notes tied thru Bar 9 as given in the previous pattern
delineated for the violas top staff. CB enter in Bar 5 to pluck pizzicato pp small octave G
8 th down to C quarter note let vibrate (followed by a dotted quarter rest) to (Bar 6), after a
dotted quarter and two 8 th rests, Line 1 C 8 th down to (Bar 7) small octave G 8 th down to
C quarter note (followed by rests). In Bar 9 (dvd 00:15:47), the vibe and marimba sound
with soft mallets Line 1 C-C-C 8ths (crossbeam connected) to another such C-C-C 8ths
figure, repeated next bars.
Skipping to Bar 22 (dvd 00:16:08) in 6/8 time, synth II (celeste) sounds mp Line 2
C to D 8ths to F#-G# 16ths to B up to Line 3 Ab down to Eb 8ths, repeated next few bars.
Harp I plays mp small 9octave G-A-B-middle C-D-E-F# 32 nd notes to G quarter note tied
to dotted quarter note L.V. in this bar only. Violins I are fingered trem pp between B/Line
2 C dotted half notes and C/D dotted half notes. Violins II are fingered trem between
Line 1 G/A dotted half notes and F#/G dotted half notes. Divisi celli play Great octave
G/middle C dotted half notes tied to next bars. CB pluck pizzicato small octave G dotted
quarter note down to C dotted quarter note up to (Bar 23) Line 1 G dotted quarter note
down to middle C dotted quarter note. The small triangle sounds p an x-headed dotted
quarter note (followed by a half-bar rest) in this bar only. After a dotted quarter rest in
Bar 22, clarinet I is legato trem (shakes) pp between middle C dotted quarter notes and D
dotted quarter note (written D-E). After a dotted quarter rest in Bar 23, clarinet II now
comes into play to sound the legato trem on small octave G-Ab [written A-Bb] dotted
quarter notes. Remember that the woodwinds’ legato trem is notated like the fingered
trem of the strings. Etc.
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