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Bill Wrobel's DVD - Film Score Rundowns

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interesting scenes. Hawks took off three years after this distasteful experiment-turnedfailure<br />

project (probably the Egyptian sand in his mouth!) before he did another picture—<br />

this time a highly successful John Wayne movie, Rio Bravo.<br />

Speaking of crocodiles, go to 00:16:30 of the dvd. The cowardly men are thrown<br />

into the pit of crocodiles, denied an afterlife. At 00:16:40 Vashtar (played excellently by<br />

James Robertson Justice, perhaps best known for his role in Guns of Navarone)<br />

comments: “Strange religion to deny the future to one who fails in the present.” Very<br />

astute observation, one that could very easily apply to conservative Christian beliefs that<br />

will condemn a soul to eternal hell if he doesn’t make Jesus his lord & savior! It applies<br />

to reincarnation when Edgar Cayce in trance was asked:<br />

Case 826-8:<br />

Q) If a soul fails to improve itself, what becomes of it?<br />

(A) That's why the reincarnation, why it reincarnates; that it MAY have the opportunity.<br />

The music was composed by Dimitri Tiomkin who had already worked with<br />

Hawks’ films before (and later in Rio Bravo). The composer gave the picture the TTT<br />

(Typical Tiomkin Treatment): bombastic, over-the-top, and showy. There is no particular<br />

cue that stands out for me (unlike, say, Old Man & the Sea, High & the Mighty, Guns of<br />

Navarone, etc.) but nobody could mistake Tiomkin in this movie for anybody else! His<br />

music makes the picture more tolerable (to hear, not to watch!). This movie is simply<br />

shallow. You don’t care for anybody in it except the James Robertson Justice character.<br />

Pharaoh Phufu is a materialistic shit—or is it Khufu? Where’s Yul Brynner when you<br />

need him! At least he would’ve been more dynamic in the role—and no British accent!<br />

But get the dvd (cheaply, mind you) because you will learn from Peter Bogdanovish’s<br />

excellent commentary. At about 1 hour and 38 minutes into the film he mentioned how<br />

he read an unpublished book on the making of the movie by Noel Howard, I believe.<br />

Interesting.<br />

A nice freeze-frame set night scene is located at dvd 00:53:02 when Captain<br />

Treneh (Sydney Chaplin) stands before Nellifer (Joan Collins). I like the composition of<br />

the shot, the rich blues, the shadows, etc. It would’ve fit nicely in all thee great shots later<br />

in Cleopatra.<br />

-The Man Who Knew Too Much (1955) *** [music ***]<br />

http://www.amazon.com/Man-Who-Knew-Too-<br />

Much/dp/B000055Z4M/ref=sr_1_3?s=dvd&ie=UTF8&qid=1292902618&sr=1-3<br />

This is a rather weak Hitchcock film but it has its moments. I discussed the score<br />

in various places, including here:<br />

http://www.filmscorerundowns.net/blogs/9.pdf<br />

http://herrmann.uib.no/talking/view.cgi?forum=thGeneral&topic=3318<br />

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