Bill Wrobel's DVD - Film Score Rundowns

Line 2 Db quarter note down to Line 1 Bb half note. Another flute here plays Line 2 F
dotted half note (followed by a quarter rest). After a half and quarter rest in Bar 50, a
clarinet plays p small octave B [written Line 1 C#] tenuto quarter note tied to half note
next bar decrescendo hairpin (followed by a quarter rest) to same B quarter note tied to
(Bar 52) half note (followed by a half rest). After a half and quarter rest in Bar 52, Fag I
plays small octave B tenuto quarter note tied to half note next bar, and so forth. Skipping
to Bar 80 (dvd 00:28:07), after the old man tells them it’s Fool’s Gold, VC/CB play small
octave D dotted half note rinforzando-marked (followed by a quarter rest). The celeste
and harps play p Lines 1 & 2 D 8ths (followed by an 8 th rest) down to small octave and
Line 1 Bb 8ths (followed by an 8 th rest) down to G 8ths (followed by an 8 th rest) down to
C# 8ths (followed by an 8 th rest). The vibe softly strikes p Line 2 D 8 th down to Line 1 Bb
down to G to C# 8ths in that same rest pattern.
-Reel 3/3 Con moto [windstorm/jungle valley] dvd 00:28:25.
Flute I plays Line 4 C whole note mf tied to whole note next bar to (Bar 3) Line 3
Bb whole note tied to whole note next bar and tied to dotted half note in Bar 5
decrescendo hairpin (followed by a quarter rest). Two piccolos play the same but an
octave lower register (and the same for the vibe). Violins are divided into three staves
with four violins per staff. Top staff violins sound mf fingered trem whole notes Line 3
A/Line 4 C to G#/B (repeated next bar) to (Bar 3) G/Bb to F#/A whole notes (repeated
next bar) to (Bar 5) Line 2 B/Line 3 D whole notes to A#/Line 3 C# whole notes to (Bar
6) between A/C and G#/B whole notes crescendo to (Bar 7) Line 3 F/Ab whole notes and
E/G whole notes ff. Middle staff violins in Bar 1 are fingered trem between Line 3 F#/B
and Fx/A# whole notes to (repeated next bar) to (Bar 3) F#/A and E#/G# whole notes
(repeated next bar) to (Bar 5) A#/Line 3 C# whole notes and Gx/B# whole notes to (Bar
6) G#/B and Fx/A# whole notes to (Bar 7) E/G to D#/F# whole notes. Bottom staff
violins are fingered trem between Line 3 G/Bb and F#/A whole notes (repeated next bar)
to (Bar 3) F/Ab and E/G whole notes (repeated next bar) to (Bar 5) A/Line 3 C to G#/B
whole notes to (Bar 6) G/Bb to F#/A whole notes to (Bar 7) Line 3 Eb/Gb to D/F whole
notes. After a half rest in Bar 6, the harps sound forte dvd 00:28:18) Line s G#/B half
notes gliss lines up to (Bar 7) Line 3 (unclear half notes) gliss lines down to Line 1 D/F
half notes gliss lines upward. The vibe in Bar 7 sounds Line 2 Ab half note. Etc.
-Reel 4/2 Lively 13 bars [trail again]
The cue ends in Bar 13 on a nice-sounding F major tonality of whole notes held
fermata. The dvd location is 00:30:14. When it finishes, worn-out Dobbs says, “You
know what I’m thinking? I’m thinking we ought to pull out…” In Cut (or 2/2) time, all
violins sound mp small octave A rinforzando-marked whole note held fermata. Violas
(top staff) play small octave F whole note held fermata, while bottom staff violas play
small octave C whole note. VC/CB play Great octave F rinforzando whole note held
fermata. Harps play Contra-octave F/Great octave F/A/small octave C/F/A whole notes
held fermata. The timp is trem rolled on Great octave F whole note. The tuba plays
Contra-octave F whole note. The Pos play Great octave F/A/small octave C/F whole
notes. The single trumpet plays small octave A [written B] whole note. Four horns play
Great octave and small octave A [written small octave and Line 1 E] whole notes. Fags
play Great octave F/A whole notes. The bass clarinet plays small octave F [written G]
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