Bill Wrobel's DVD - Film Score Rundowns

[Governor’s Arrival] Reel 1/part 4, 8 pages, 32 bars. Dvd location 00:05:37.
Note: I did not work on this cue. My time was very limited. In fact I did not have time to
even get past Reel 4/4-4/1 to simply get the pages and number of bars because it was
closing time at Warner Bros Archives.
[Cassidy Enters] Reel 2/part 1, 14 pages, 53 bars, orchestrated by Gus Levine.
Dvd location 00:09:28. Scene: Cassidy (played by Robert Wilke, quite a familiar face in
movie and tv westerns!) knocks on the door of Reece Kilgore’s (Lyle Bettger) house in
the process of entertaining the Governor.
Four celli sound forte small octave C# rinforzando 16 th to D dotted 8 th tied to
dotted half note to (Bar 2) a re-sounding fp of the same small octave D whole note down
to (Bar 3) Great octave G whole note tied to 8 th note in Bar 4 (“He Walks”) p to G# to B
to Bb tenuto quarter notes to G 8 th (here starting the Lone Ranger/Intro theme). The CB is
col the celli, and also the Fag/C. Fag. The bass clarinet plays the same as the VC/CB but
written an octave higher register. So we have Line 1 C# [written D#] rinforzando 16 th to
D [written E] dotted 8 th tied to dotted half notes, and so forth. In Bar 2, four violas sound
fp small octave Eb rinforzando whole note to (Bar 3) E whole note to (Bar 4) G# to B to
Bb to G tenuto quarter notes. In Bar 2, six violins II play fp small octave Bb rinforzando
whole note (silent in Bar 3). In Bar 4, violins I and violins II sound p Line 1 (middle) C#
whole note trill (to D). In Bar 2, Pos in straight mutes sound fp > small octave D/Eb/Bb
rinforzando whole notes (silent next few bars) while the tuba here plays Great octave G
whole note. Also in Bar 2, horn I with a metal mute plays solo Line 1 Eb [written Line 1
Bb] tenuto-marked and rinforzando-marked quarter note to “3” triplet value Eb-Eb-Eb
8ths down to small octave Bb to same Bb [written Line 1 F-F] tenuto quarter notes to
(Bar 3) Line 1 C# [written G#] tenuto whole note tied to whole note next bar. Horn II
with a metal mutes plays the same in Bars 2-3 but tied to Bar 4 on an 8 th note instead of a
whole note (followed by rests). Clarinets in Bar 2 play small octave Eb/BB [written
F/middle C] rinforzando whole notes to (Bar 3) E [written F#] whole note to (Bar 4) G#
to B to Bb to G tenuto quarter notes mp. In Bar 3, the English horn sounds mf and solo
small octave B [written Line 1 F#] 16 th to Bb dotted 8 th tied to quarter note to A [written
E] whole note (silent next bar).
Skipping to Bar 8, the harp is arpeggiando (vertical wavy line rolled chord) on
Line 1 D/F#/G#/B/Line 2 F#/B (G# half-dim 7 th ) whole notes. The celeste plays the exact
same arpeggiando whole notes. In Bar 9 (dvd 00:09:55), violins I pluck pizz Line 3 D
quarter note forte (followed by a quarter rest) to now arco D half note tied to (Bar 10)
quarter note down to Line 2 B quarter note down to F# quarter note to G quarter note
legato. Six violins II in Bar 9 are divisi plucking pizzicato Line 2 G/B quarter notes
(followed by a quarter rest) to now arco D/F# half notes tied to quarter notes next bar and
then the same legato unison quarter notes as violins I. Violas pluck Line 1 B/Line 2 D
quarter notes (followed by a quarter rest) to now arco unison B half note tied to quarter
note next bar (followed by a quarter and half rest). VC pluck Line 1 F quarter note
(followed by a quarter rest) to F# half note tied to quarter note next bar (followed by
rests)> CB are silent here. Flutes in Bar 9 play Line 2 B/Line 3 F rinforzando quarter
270