Bill Wrobel's DVD - Film Score Rundowns

-Reel 4/5 in 5/4 time, 12 pages, 46 bars [“Here she goes three ways” /divide
gold/cave-in]
When Curtin dispels his momentary dark side of the force and returns to the cavein
to find Dobbs, the Trek theme (the basic motif of the movie not tied to the Main Title)
is played starting Bar 35 on page 9, Moderato in C time. All violins play mf molto
espressivo and also poco accel e cresc on the G string (sul G) Line 1 C tenuto quarter
note to same C dotted 8 th down to small octave B 16 th back to C dotted 8 th to Eb 16 th to D
to C 8ths to (Bar 36) D quarter note to D dotted 8 th to C 16 th to D dotted 8 th up to A 16 th
to G to F 8ths to (Bar 37) E dotted quarter note down to C 8 th to E dotted quarter note to
C 8 th to (Bar 38) E dotted 8 th down to C 16 th to small octave B dotted 8 th to C 16 th up to E
quarter note to “6” sextuplet value 16ths D-E-F-G-A-B to (Bar 29) Line 2 C quarter note
to C dotted 8 th to Line 1 B 16 th , and so forth. Back in Bar 35, violas (top staff) play mf
small octave G tenuto half note to A tenuto half note to (Bar 36) small octave C/A tenuto
half notes to B tenuto half note to (Bar 37) middle C to same C half notes to (Bar 38) A
to B half notes to (Bar 39) small octave and Line 1 G half notes bowed trem to middle
C/A half notes bowed trem, and so forth. Back in Bar 35, bottom staff violas play small
octave E to same E tenuto half notes to (Bar 36) F to F tenuto half notes to (Bars 37-38) a
repeat of the previous two bars to (Bar 39) E half note bowed trem to A/Line 1 E half
notes bowed trem. Back in Bar 35,VC (top staff) play mf Great octave G to A tenuto half
notes to (Bar 36) D up to G tenuto half notes to (Bar 37) small octave G to G# to A to Bb
legato quarter notes to (Bar 38) A quarter note to B dotted 8 th to middle C 16 th up to E to
D quarter notes to (Bar 39) C quarter note to C dotted 8 th down to B 16 th to C dotted 8 th
up to E 16 th to D to C 8ths. Back in Bar 35, bottom staff VC play as the top staff celli for
this bar and next to (Bar 37) the same quarter notes as well but an octave lower register
(Great octave range) to (Bar 38) small octave C quarter note down to Great octave B
dotted 8 th to A 16 th to “3” triplet value 8ths G-A-B to small octave D-F-A triplet value
8ths to (Bar 39) col top staff celli. Back in Bar 35, CB play Great octave G to A tenuto
half notes to (Bar 36) small octave D down to Great octave G half notes to (Bar 37) C to
C half notes to (Bar 38) D down to Great octave G half notes to (Bar 39) C down to A
half notes.
Back in Bar 35, both harps are arpeggiando (vertical wavy line rolled chord) mf
on Contra-octave and Great octave G/small octave E/G half notes to same G/G/E/A half
notes to (Bar 36) D/small octave C/F/A half notes to Contra-octave and Great octave
G/small octave F/B half notes. Then in Bar 37 the harps start to play “6” sextuplet value
16 th note ascending-descending figures. We find small octave C up to G up to middle C
to E to G to Line 2 C 16ths (connected as a figure by two crossbeams) up to descending
16ths E-C-Line 1 G#-E-C-small octave G# (connected by two crossbeams) down to C up
to A to middle C to E to A to Line 2 C up to next figure of descending 16ths E-C-Line 1
Bb-E-C-small octave Bb. Etc.
Back in Bar 35, horn I (and English horn) sound mf molto espressivo Line 1 C
[written Line 1 G] quarter note to C dotted 8 th down to small octave B [written Line 1 F#]
16 th , and so forth in that same melody line played by the violins (and two flutes and two
clarinets). The bass clarinet plays small octave G [written A] half note to A [written B]
half note down to (Bar 36) D to G half notes, and so forth.
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