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Bill Wrobel's DVD - Film Score Rundowns

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small octave g#/Line 1 D/F#/A 8ths to Db/Eb/F/A/Line 2 C 8ths to middle C/Eb/G , etc.<br />

Other instruments play Line 2 C/Ab/Line 3 C 8ths up to Eb/Line 3 C/Eb 8ths to Line 1<br />

B/Line 2 G/B 16ths to Bb/C/Gb/Bb dotted 8ths, and so forth.<br />

“Luggage” Reel 9/1, 10 pages, 109 bars. Dvd location Chapter 11 at 7:52. Dan<br />

asks many of the passengers to form a row so as to help him move luggage and other<br />

items of unnecessary weight to the rear door for disposal. This will save fuel. Tiomkin<br />

composes highly dramatic music for a highly un-dramatic scene! The music actually<br />

plays against the scene. This was probably quite necessary since this long scene would’ve<br />

been a bit too boring to endure without the hurrying along of con moto music. There is no<br />

rule of film music that the function of music is to always play with the scene as normally<br />

expected! Around 1:22 into the scene is when Wayne says he wants a big man to hold on<br />

to him as he props open the door enough for others to toss out the luggage. Why do this<br />

unnecessarily and endanger himself? All he had to do is set a big suitcase against the door<br />

and fuselage to keep it open. Then he could kick out that final piece of luggage once<br />

everything was thrown out. Well, that’s Hollywood for you!<br />

Reel 9/1A 5 pages, 45 bars. Bar 24 = “Terrific.”<br />

“ “ cont. 8 pages, 122 bars.<br />

Reel 9/A Lento,molto espressivo 15 bars.<br />

Reel 9/2. This has exactly the same tempo-marking as the above so I wonder if<br />

it’s the same cue or an alternate? 13 bars here instead of 15. Ends with the gong<br />

sounding.<br />

Violins in 4/4 time play small octave A# quarter note legato up to Line 1 G half<br />

note down to E quarter note to (Bar 2) D# half note (+ alto flute here) to F# to E quarter<br />

notes to (Bar 3) with added flute and muted horn Lines 1 & 2 D# quarter notes to F# half<br />

notes to D# quarter notes to (Bar 4) Lines 1 & 2 C# quarter notes up to G# dotted half<br />

notes. Violas and celli play bowed trem whole notes Great octave B/small octave<br />

C#/E/G/A# to (Bar 2) small octave G/A# whole notes bowed trem to (Bar 3) F#/A/B<br />

whole note (+ bass clarinet).<br />

Skipping some here we come to Reel 11/2, Grandioso in 2/4 time, 4 pages, 43<br />

bars. Reel 10/1 (“Tension”) is a continuation. In Reel 11 we start off with “Qualen’s<br />

Tune” by John Qualen, visual instrumental, 1:35 duration.<br />

Reel 11/2, Very Slow,Dolcissimo in 4/4 time, 5 pages, 44 bars. Dvd location start<br />

of Chapter 13. The High & the Mighty theme is played softly here. The oboe starts off<br />

with Line 2 G down to E to D to C quarter notes to (Bar 2) Line 1 B quarter note (+<br />

clarinet) gliss up to Line 2 G half note held fermata to C-B 8ths to (Bar 30 A quarter note<br />

gliss up to G quarter note, and so on. Muted strings play (with horn) Line 1 E/G half<br />

notes to F/G quarter notes to E/G quarter notes to (Bar 2) D/F dotted half notes to E 8 th to<br />

D/F 8ths, and so forth.<br />

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