Bill Wrobel's DVD - Film Score Rundowns

In Bar 1 the timp is rolled on C whole note tied to dotted half note next bar. I
believe VC/CB play Great octave and small octave C whole notes tied to dotted half
notes next bar (followed by an 8 th rest) to E-Eb-D-Db 32 nd notes to (Bar 3) C dotted half
notes to the same 32 nd notes to (Bar 5) B whole notes, and so forth. After an 8 th rest, I
believe Pos play small octave E/G/middle C to same E/G/C 32 nd notes to E/G/C quarter
notes tied to dotted 8 th notes to two 32 nd note chords as given to dotted 8ths to two 32 nd
note chords to (Bar 2) E/G/C dotted 8ths to D#/A/C to D#/A/C 32 nd notes to “3” triplet
value 8 th note figures D#/A/C to Ab/Bb to D#/A/C 8ths to Ab/Bb to D#/A/C to Ab/Bb
triplet 8ths to the first triplet figure to (Bar 3) E/G/C to Gb/Ab to E/G/C triplet 8ths to
Eb/Ab/C to F/A/C to Eb/Ab/C 8ths (repeat these two figures in the second half of this
bar) to (Bar 4) Great octave B/small octave F#/B/Line 1 D# double-dotted quarter notes
to two such 32nc note chords to double-dotted quarter notes again to two 32 nd notes, and
so forth. After a dotted 8 th rest in Bar 1, the trumpets and horns play Line 1 E/G/Line 2 C
to same E/G/C 32 nd notes to quarter notes tied to dotted 8ths, and so forth. After an 8 th
rest in Bar 1, woodwinds and I believe violins and violas play ff Lines 1 & 2 “7”
septuplet ascending 16ths C-D-E-F-G-A-B to Lines 2 & 3 C half note trill tied to whole
notes next two bars to B-C grace notes to (Bar 4) D#-E-E#0F#- “6” sextuplet value 16ths
to same F# sextuplet value 8 th tied to half note to D-E-E#-F# 16ths, and so forth.
In Bar 8 in C time, voices on a separate track say (spoken, not sung) “Carlisle,
Carlisle” (to Bar 9) “Rah, Rah, Rah” (to Bar 10) “Thorpe, Thorpe.” Some brass
instruments play Line 1 Ab/Line 2 Db/F (Db maj) rinforzando 8ths to rinforzando quarter
notes (followed by an 8 th rest) to 8ths to quarter notes again (followed by an 8 th rest) to
(Bar 9) Ab/Db/F rinforzando 8ths (followed by an 8 th rest) to same 8 th notes (8 th rest
following) to same 8 th notes (followed by an 8 th and quarter rest). Then instruments in
Bar 10 play F/C quarter notes in various registers (followed by a quarter rest) to quarter
notes again (followed by a quarter rest).
In Bar 11 (dvd 00:00:18) CB play rinforzando-marked notes small octave D/A
quarter notes to D/A to D/A 8ths to D/A quarter notes to D/A to D/A 8ths (repeated next
bar) to Bar 13) D/A sforzando quarter notes followed by rests. VC play this same pattern
on Great octave D/A rinforzando notes. The pianos play the same pattern on Great octave
D/A/small octave D/A/Line 1 D rinforzando notes. The timp plays it on Great octave
A/small octave D notes in Bars 11-12 to (Bar 13) solo notes D down to Great octave A
8ths up to D quarter note to same D down to A 8ths. Clarinet III (unless it is the bass
clarinet) sounds ff the same VC/CB pattern on Line 1 D [written E] notes. Bassoons play
as the VC (Great octave D/A notes). Horns play the pattern on small octave A/Line 1 D
[written Line 1 E/A] notes. The Tom Toms also play the pattern for two bars. The gong
sounds a whole note in Bar 11.Trumpets in Bar 11 sound ff Line 1 D/A/Line 2 D
rinforzando whole notes tied to dotted half notes next bar to D/A/D to same D/A/D
sforzando-marked 8ths to (Bar 13) D/A/D sforzando quarter notes (followed by a quarter
and half rest). Trombones play f Great octave A/small octave D/A rinforzando whole
notes tied to dotted half notes next bar to two 8ths to (Bar 13) quarter notes (followed by
rests). In Bar 12 violins I play forte crescendo rapidly ascending 16 th notes Line 1 D-E-F-
G (connected as a figure by two crossbeams) to A-Bb-B-Line 2 C# 16ths to D-E-F-G
16ths to A-Bb-B-Line 3 C# 16ths to (Bar 13) Line 3 D sforzando-marked quarter note
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