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DDK HistoryF.p65 - CSIR

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9.2] THE FIRST FLOWERING 303<br />

payment, or conversion of their product into commodities. This meant<br />

that the tax in kind had not only to be collected but increasingly to be<br />

consumed by local officials and dispersed gulma police garrisons, or<br />

by a constantly travelling court, because the trade whereby the grain<br />

could have been converted into cash (essential to maintain<br />

stationary concentrations of the imperial forces) had dwindled. This<br />

in turn led to the decline of a central army, the rise of local princelings<br />

from new tribes, ambitious feudatories, or daring officials. Tribute<br />

collection would become impossible ; hence the inevitable collapse of<br />

Empire aft£r which the whole vicious round started once again.<br />

Foreigners who had come for trade or service would now change<br />

into invaders — a time-honoured metamorphosis — when more could<br />

be gained by force of arms.<br />

9.2. The new economy showed two simultaneous but opposing<br />

trends ; prosperity and concentration of wealth at a few ports and<br />

capitals, with decline of the greater cities in general. Fa-hsien reported<br />

that Sravasti had barely 200 families. The Koliyan headquarters<br />

Ramagrama was deserted, its surroundings, a jungle. Kapilavastu,<br />

Kusinara, old Rajglr, and Gaya, were almost as desolate. Hsiuen Chuang’s<br />

Kapilavastu is located in an irreconcillably different position, so that<br />

the very site must have been forgotten in the intervening 200 years.<br />

This meant that the old track-route was no longer of importance, and<br />

that the villages had become supreme. Patna still flourished, and was<br />

the largest city in the whole “Middle Kingdom” ; but Asoka’s palaces<br />

were in ruins, and their superb carving and sculpture regarded the<br />

work of genii and spirits, not of common mortals. The courts, both<br />

central and provincial, shone with a new luxury. The finest sculpture and<br />

paint ing, the best caves at Ajanta, belong to this period, though the<br />

fine multiple cooperation that produced Sanci and Karle was<br />

increasingly replaced by donations from the court, nobility, and men of<br />

wealth. In the criticisms made, however, it is essential not to forget that<br />

there WAS for some time a beautiful new literature as well as<br />

sculpture, painting, architecture; the new society at the first success of<br />

feudalism from above was not only more peaceful, less extortionate,<br />

but also decidedly more cultured. The progressive decay with ingrowth

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