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DDK HistoryF.p65 - CSIR

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42 DEVELOPMENT OF SlVA [2.5<br />

the patient before the days of ice-packs) with shrines in every village,<br />

and over a score in Poona which is a city grown out of many villages;<br />

as she now receives gifts from devout mothers on the tenth or twelfth<br />

day after vaccination, she may be considered an effective protector<br />

against the disease, especially by people who have never heard of Jenner<br />

and to whom the vaccination is just a new-fangled blood-rite. Every<br />

lane in Poona has such cults by the dozen; many of the temples grew<br />

out of family gods set up by the brahmins who were attracted to the<br />

city in the palmy days of the Peshwas, while the cruder gods continue<br />

side by side. Occasionally, a local cult is assimilated to or may have<br />

developed from the documented gods of the pantheon ; for example,<br />

the major Maharastrian deity Vithoba is taken to be a form of Visnu,<br />

his consort Rukliumal equated to Laksmi.<br />

To return to the Vetala, we find that he is a goblin throughout classical<br />

Sanskrit literature, a demoniac creature of some kind ; the Vikrama<br />

cycle of legends contains him as a prominent actor. Siva, with whom<br />

he has iconographic similarities, is the lord of all goblins (bhutesa),<br />

as is any senior Vetala of longer standing ; but neither Siva’s image<br />

nor the phallic symbol are normally found coated with the red* minium<br />

pigment. Bhairava, whom we have seen in parallel location to the Vetala,<br />

is of the same substance (amid) as Siva, and a death-god (as are Siva<br />

proper and the Vetala too) able to receive sacrifices. Siva, however,<br />

* A local tiger-cult Vagboba is to be seen on the divide between Pimploli village and<br />

Bedsa. The aniconic image is round and socketed, like a Siva phallus, but coated with a<br />

thick layer or minium into which two eye-sockets have been pressed. A stone Nandi bull<br />

stands in front of the god, as for Siva’s symbol, but his genealogy is explained in the<br />

present case by dozens of tiny stone bull-figures, in serried ranks, all facing the god. It is<br />

fairly obvious that the original practice was of sacrificing a bull regularly to the tiger-god<br />

; this was replaced by the stone votive bull figurines. Later, the assimilation to Siva<br />

would take place under brahmin influence, with the diminution of tigers which further<br />

reduced depredations of livestock grazing in the forest. In Bhorghat, on the other hand,<br />

the corresponding cult is of the tiger-goddess Vagh-jai (elsewhere one of the ‘ seven<br />

sisters ‘) ; she has acquired a quite recent closed temple, with bells, fashionable worship,<br />

and gifts from travellers on the Bombay-Poona highway which passes close by.

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