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Human Condition - Universalmuseum Joanneum

Human Condition - Universalmuseum Joanneum

Human Condition - Universalmuseum Joanneum

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156 — 157<br />

Biografien<br />

Lida Abdul<br />

Geboren 1973 in Kabul (AF),<br />

lebt und arbeitet in Kabul (AF),<br />

Kalifornien (US) und Europa<br />

Einzelausstellungen<br />

(Auswahl)<br />

2010<br />

Fundação Calouste Gulbenkian,<br />

Lissabon<br />

Krannert Art Museum,<br />

University of Illinois, Champaign<br />

Ruins: Stories of Awakening,<br />

Anna Schwartz Gallery,<br />

Melbourne<br />

2008<br />

In Transit, Giorgio Persano, Turin;<br />

Le Print Temps Septembre,<br />

Toulouse Art Festival, Toulouse;<br />

OK Centrum für<br />

Gegenwartskunst, Linz<br />

Western Front Exhibitions &<br />

Centre A, Vancouver<br />

IDEA Space, Colorado College,<br />

Colorado Springs<br />

Indianapolis Museum of Art,<br />

Indianapolis<br />

Alessandra Bonomo, Rom<br />

GSK Royal Academy of Arts,<br />

London<br />

2007<br />

Modern Mondays, MoMA,<br />

New York<br />

Musée Chagall, Nizza<br />

Musée national Picasso, Vallauris<br />

ICA Prefix Institute of<br />

Contemporary Art, Toronto<br />

National Museum of Kabul, Kabul<br />

White House, Netwerk Centrum<br />

voor hedendaagse kunst, Aalst<br />

What We Saw Upon Awakening,<br />

Location One, New York<br />

2006<br />

Petition for Another World,<br />

Museum Voor Moderne Kunst,<br />

Arnhem<br />

Giorgio Persano, Turin<br />

After War Games, Musées<br />

Palais du Tau de Reims, Reims<br />

Pino Pascali Museo d’Arte<br />

Contemporanea,<br />

Polignano a Mare<br />

Now, Here, Over There.<br />

Lida Abdul/Tania Bruguera,<br />

FRAC Lorraine, Metz<br />

What We Saw Upon Awaking,<br />

CAC Brétigny, Brétigny<br />

2005<br />

Afghanischer Pavillon,<br />

La Biennale di Venezia, Venedig<br />

Video des Monats #6:<br />

Lida Abdul, Kunsthalle Wien,<br />

Ursula Blickle Videolounge, Wien<br />

Gruppenausstellungen<br />

(Auswahl)<br />

2010<br />

The individual and the war, AZKM<br />

Ausstellungshalle zeitgenössische<br />

Kunst Münster, Münster<br />

HomeLessHome, Museum on the<br />

Seam, Jerusalem<br />

CUE: Artist’ Videos, Vancouver<br />

Art Gallery, Vancouver<br />

Monument to Transformation,<br />

Galeria Miroslav Kraljevic, Zagreb<br />

Spatial City: An Architecture of<br />

Idealism, Institute of Visual Arts,<br />

Milwaukee; Hyde Park Art Center,<br />

Chicago; Museum of<br />

Contemporary Art, Detroit<br />

2009<br />

Anabasis: On Rituals of<br />

Home coming, Ludwik Grohman<br />

Villa, Lodz<br />

Futur, FRAC Aquitaine, Bordeaux<br />

Bilderschlachten, EMAF<br />

European Media Art Festival,<br />

Osnabrück<br />

Monument to Transformation,<br />

City Gallery Prague, Prag<br />

Stranded Positions, Ausstellungsraum<br />

Klingental, Basel<br />

History of Violence, Haifa Museum<br />

of Art, Haifa<br />

The End, The Andy Warhol<br />

Museum, Pittsburgh<br />

Dream and Reality. Contemporary<br />

Art from the Near<br />

East, Zentrum Paul Klee, Bern<br />

Moving Perspectives: Lida Abdul<br />

and Dinh Q Le, Smithsonian<br />

Freer Gallery of Art and Arthur<br />

M. Sackler Gallery, Washington<br />

Riwaq Biennial, Ramallah<br />

2008<br />

Eurasia. Geographic cross-overs<br />

in art, MART Museo di Arte<br />

Moderna e Contemporanea<br />

di Trento e Rovereto, Trento/<br />

Rovereto<br />

4. Triennale zeitgenössischer<br />

Kunst Oberschwaben, Zeppelin<br />

Museum, Friedrichshafen<br />

Biennale Cuvée, OK Centrum<br />

für Gegenwartskunst, Linz<br />

Yellow Cruise, Louis Vuitton<br />

Espace, Paris<br />

Artes Mundi 3rd Award<br />

Exhibition, National Museum<br />

of Cardiff, Cardiff<br />

Lida Abdul: In Transit,<br />

Videoformes Festival,<br />

Clermont-Ferrand<br />

Intimacies of Distant War,<br />

Samuel Dorsky Museum of Art,<br />

New York<br />

Open Sky, Kunstverein<br />

Medienturm, Graz<br />

2007<br />

Illuminations, Tate Modern,<br />

London<br />

2. Moscow Biennial of<br />

Contemporary Art, Moskau<br />

8. Sharjah Biennial, Sharjah<br />

Re-thinking Dissent, 4. Göteborg<br />

International Biennial for<br />

Contemporary Art, Göteborg<br />

3. Auckland Triennial, Auckland<br />

Thermocline of Art: New Asian<br />

Waves, ZKM, Karlsruhe<br />

Memorial to Iraq War, ICA,<br />

London<br />

Timeout: Art and Sustainability,<br />

Kunstmuseum Liechtenstein,<br />

Vaduz<br />

Global Feminisms, Brooklyn<br />

Museum, New York; Wanderausstellung<br />

Asian Attitude/Transient Forces,<br />

The National Museum, Poznan;<br />

Zendai Museum of Modern Art,<br />

Shanghai; Wanderausstellung<br />

2006<br />

27. Sao Paulo Biennial, Sao Paulo<br />

First Chapter_Trace Root,<br />

Gwangju Biennale, Gwangju<br />

The Doubtful Strait. A Visual Art<br />

Event, Museo de Arte y Diseño<br />

Contemporáneo, Costa Rica<br />

Mens, S.M.A.K, Gent; K.U.,<br />

Leuven<br />

Painting as a Way of Living,<br />

Istanbul Museum of Modern Art,<br />

Istanbul<br />

The UnQuiet World,<br />

The Australian Centre for<br />

Contemporary Art, Victoria<br />

Undercurrents06, Göteborg<br />

Konstmuseum, Göteborg<br />

Courants Alternatifs, Le Parvis<br />

Centre d’art contemporain,<br />

Ibos-Tarbes; CAPC Musée d’art<br />

contemporain, Bordeaux<br />

Painting Ruins, Foundation for<br />

Culture and Civil Society, Kabul<br />

Fast Futures: Asian Video Art,<br />

Mumbai<br />

ACAW Asian Contemporary Art<br />

Week, Brooklyn Art Museum,<br />

New York<br />

Nafas. Contemporary Art<br />

from the Islamic World, IFA,<br />

Berlin/Stuttgart<br />

Liberation, Tradition and<br />

Meaning/Women on the Edge<br />

of Culture, Milwaukee Institute<br />

of Art & Design, Milwaukee<br />

New territories, De Hallen,<br />

Brügge<br />

2005<br />

Between the Furniture and<br />

the Building (Between a Rock<br />

and a Hard Place), CAC Brétigny;<br />

FR66, Paris<br />

Wall to Destroyed, FRAC Lorraine,<br />

Metz<br />

Irreducible. Contemporary Short<br />

Form Video, Miami Central, Miami<br />

In the Shadow of Heroes,<br />

Central Asian Biennale,<br />

Kirgisische Republik<br />

Video Lounge, South London<br />

Gallery, London<br />

Vinyl, Redux Projects Gallery,<br />

London<br />

Taste of others, Apex Art,<br />

New York<br />

2004<br />

Contemporaneity, Academy of<br />

Fine Arts, Tashkent; National<br />

Museum of Arts, Bishkek;<br />

Foundation for Culture and Civil<br />

Society, Kabul<br />

On healing, D.U.M.B.O., Brooklyn<br />

Poetics of Proximity, Chapman<br />

University, Orange<br />

2003<br />

Shibuya UNESCO Association,<br />

Tokyo<br />

Colors of God, Layola Marymount<br />

University, Los Angeles<br />

Open Ticket, Guggenheim Gallery<br />

Chapman College, Orange<br />

Wide Awake, Highways,<br />

Los Angeles<br />

ENTERINTERCESSOR,<br />

Raid Projects, Los Angeles<br />

2002<br />

All Stars of LA Performance<br />

Art, City of Los Angeles Cultural<br />

Affairs Department, Hollywood<br />

Not in our Name, The Palace Art<br />

Speak, Hollywood<br />

Democracy When?, LACE<br />

Los Angeles Contemporary Art<br />

Exhibitions, Hollywood<br />

After the Ruins of Kabul,<br />

Highways, Santa Monica;<br />

Bumbershoot Festival, Seattle;<br />

The Palace Art Speak, Hollywood<br />

Project Enduring Look, Exhibition<br />

Studies Space, School of the<br />

Art Institute of Chicago, Chicago<br />

GENERATION WHY: ARTISTS<br />

OF CONSCIENCE SPEAK,<br />

Occidental College, Los Angeles<br />

2001<br />

Overflowing, Track-16,<br />

Santa Monica<br />

The Gathering, Highways,<br />

Santa Monica<br />

Slam, Highways, Santa Monica<br />

In Public, Art Center College<br />

of Art and Design, Pasadena<br />

CAPITAL ART, Track-16,<br />

Santa Monica<br />

All Star of LA, Knitting Factory,<br />

Los Angeles

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