Human Condition - Universalmuseum Joanneum
Human Condition - Universalmuseum Joanneum
Human Condition - Universalmuseum Joanneum
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156 — 157<br />
Biografien<br />
Lida Abdul<br />
Geboren 1973 in Kabul (AF),<br />
lebt und arbeitet in Kabul (AF),<br />
Kalifornien (US) und Europa<br />
Einzelausstellungen<br />
(Auswahl)<br />
2010<br />
Fundação Calouste Gulbenkian,<br />
Lissabon<br />
Krannert Art Museum,<br />
University of Illinois, Champaign<br />
Ruins: Stories of Awakening,<br />
Anna Schwartz Gallery,<br />
Melbourne<br />
2008<br />
In Transit, Giorgio Persano, Turin;<br />
Le Print Temps Septembre,<br />
Toulouse Art Festival, Toulouse;<br />
OK Centrum für<br />
Gegenwartskunst, Linz<br />
Western Front Exhibitions &<br />
Centre A, Vancouver<br />
IDEA Space, Colorado College,<br />
Colorado Springs<br />
Indianapolis Museum of Art,<br />
Indianapolis<br />
Alessandra Bonomo, Rom<br />
GSK Royal Academy of Arts,<br />
London<br />
2007<br />
Modern Mondays, MoMA,<br />
New York<br />
Musée Chagall, Nizza<br />
Musée national Picasso, Vallauris<br />
ICA Prefix Institute of<br />
Contemporary Art, Toronto<br />
National Museum of Kabul, Kabul<br />
White House, Netwerk Centrum<br />
voor hedendaagse kunst, Aalst<br />
What We Saw Upon Awakening,<br />
Location One, New York<br />
2006<br />
Petition for Another World,<br />
Museum Voor Moderne Kunst,<br />
Arnhem<br />
Giorgio Persano, Turin<br />
After War Games, Musées<br />
Palais du Tau de Reims, Reims<br />
Pino Pascali Museo d’Arte<br />
Contemporanea,<br />
Polignano a Mare<br />
Now, Here, Over There.<br />
Lida Abdul/Tania Bruguera,<br />
FRAC Lorraine, Metz<br />
What We Saw Upon Awaking,<br />
CAC Brétigny, Brétigny<br />
2005<br />
Afghanischer Pavillon,<br />
La Biennale di Venezia, Venedig<br />
Video des Monats #6:<br />
Lida Abdul, Kunsthalle Wien,<br />
Ursula Blickle Videolounge, Wien<br />
Gruppenausstellungen<br />
(Auswahl)<br />
2010<br />
The individual and the war, AZKM<br />
Ausstellungshalle zeitgenössische<br />
Kunst Münster, Münster<br />
HomeLessHome, Museum on the<br />
Seam, Jerusalem<br />
CUE: Artist’ Videos, Vancouver<br />
Art Gallery, Vancouver<br />
Monument to Transformation,<br />
Galeria Miroslav Kraljevic, Zagreb<br />
Spatial City: An Architecture of<br />
Idealism, Institute of Visual Arts,<br />
Milwaukee; Hyde Park Art Center,<br />
Chicago; Museum of<br />
Contemporary Art, Detroit<br />
2009<br />
Anabasis: On Rituals of<br />
Home coming, Ludwik Grohman<br />
Villa, Lodz<br />
Futur, FRAC Aquitaine, Bordeaux<br />
Bilderschlachten, EMAF<br />
European Media Art Festival,<br />
Osnabrück<br />
Monument to Transformation,<br />
City Gallery Prague, Prag<br />
Stranded Positions, Ausstellungsraum<br />
Klingental, Basel<br />
History of Violence, Haifa Museum<br />
of Art, Haifa<br />
The End, The Andy Warhol<br />
Museum, Pittsburgh<br />
Dream and Reality. Contemporary<br />
Art from the Near<br />
East, Zentrum Paul Klee, Bern<br />
Moving Perspectives: Lida Abdul<br />
and Dinh Q Le, Smithsonian<br />
Freer Gallery of Art and Arthur<br />
M. Sackler Gallery, Washington<br />
Riwaq Biennial, Ramallah<br />
2008<br />
Eurasia. Geographic cross-overs<br />
in art, MART Museo di Arte<br />
Moderna e Contemporanea<br />
di Trento e Rovereto, Trento/<br />
Rovereto<br />
4. Triennale zeitgenössischer<br />
Kunst Oberschwaben, Zeppelin<br />
Museum, Friedrichshafen<br />
Biennale Cuvée, OK Centrum<br />
für Gegenwartskunst, Linz<br />
Yellow Cruise, Louis Vuitton<br />
Espace, Paris<br />
Artes Mundi 3rd Award<br />
Exhibition, National Museum<br />
of Cardiff, Cardiff<br />
Lida Abdul: In Transit,<br />
Videoformes Festival,<br />
Clermont-Ferrand<br />
Intimacies of Distant War,<br />
Samuel Dorsky Museum of Art,<br />
New York<br />
Open Sky, Kunstverein<br />
Medienturm, Graz<br />
2007<br />
Illuminations, Tate Modern,<br />
London<br />
2. Moscow Biennial of<br />
Contemporary Art, Moskau<br />
8. Sharjah Biennial, Sharjah<br />
Re-thinking Dissent, 4. Göteborg<br />
International Biennial for<br />
Contemporary Art, Göteborg<br />
3. Auckland Triennial, Auckland<br />
Thermocline of Art: New Asian<br />
Waves, ZKM, Karlsruhe<br />
Memorial to Iraq War, ICA,<br />
London<br />
Timeout: Art and Sustainability,<br />
Kunstmuseum Liechtenstein,<br />
Vaduz<br />
Global Feminisms, Brooklyn<br />
Museum, New York; Wanderausstellung<br />
Asian Attitude/Transient Forces,<br />
The National Museum, Poznan;<br />
Zendai Museum of Modern Art,<br />
Shanghai; Wanderausstellung<br />
2006<br />
27. Sao Paulo Biennial, Sao Paulo<br />
First Chapter_Trace Root,<br />
Gwangju Biennale, Gwangju<br />
The Doubtful Strait. A Visual Art<br />
Event, Museo de Arte y Diseño<br />
Contemporáneo, Costa Rica<br />
Mens, S.M.A.K, Gent; K.U.,<br />
Leuven<br />
Painting as a Way of Living,<br />
Istanbul Museum of Modern Art,<br />
Istanbul<br />
The UnQuiet World,<br />
The Australian Centre for<br />
Contemporary Art, Victoria<br />
Undercurrents06, Göteborg<br />
Konstmuseum, Göteborg<br />
Courants Alternatifs, Le Parvis<br />
Centre d’art contemporain,<br />
Ibos-Tarbes; CAPC Musée d’art<br />
contemporain, Bordeaux<br />
Painting Ruins, Foundation for<br />
Culture and Civil Society, Kabul<br />
Fast Futures: Asian Video Art,<br />
Mumbai<br />
ACAW Asian Contemporary Art<br />
Week, Brooklyn Art Museum,<br />
New York<br />
Nafas. Contemporary Art<br />
from the Islamic World, IFA,<br />
Berlin/Stuttgart<br />
Liberation, Tradition and<br />
Meaning/Women on the Edge<br />
of Culture, Milwaukee Institute<br />
of Art & Design, Milwaukee<br />
New territories, De Hallen,<br />
Brügge<br />
2005<br />
Between the Furniture and<br />
the Building (Between a Rock<br />
and a Hard Place), CAC Brétigny;<br />
FR66, Paris<br />
Wall to Destroyed, FRAC Lorraine,<br />
Metz<br />
Irreducible. Contemporary Short<br />
Form Video, Miami Central, Miami<br />
In the Shadow of Heroes,<br />
Central Asian Biennale,<br />
Kirgisische Republik<br />
Video Lounge, South London<br />
Gallery, London<br />
Vinyl, Redux Projects Gallery,<br />
London<br />
Taste of others, Apex Art,<br />
New York<br />
2004<br />
Contemporaneity, Academy of<br />
Fine Arts, Tashkent; National<br />
Museum of Arts, Bishkek;<br />
Foundation for Culture and Civil<br />
Society, Kabul<br />
On healing, D.U.M.B.O., Brooklyn<br />
Poetics of Proximity, Chapman<br />
University, Orange<br />
2003<br />
Shibuya UNESCO Association,<br />
Tokyo<br />
Colors of God, Layola Marymount<br />
University, Los Angeles<br />
Open Ticket, Guggenheim Gallery<br />
Chapman College, Orange<br />
Wide Awake, Highways,<br />
Los Angeles<br />
ENTERINTERCESSOR,<br />
Raid Projects, Los Angeles<br />
2002<br />
All Stars of LA Performance<br />
Art, City of Los Angeles Cultural<br />
Affairs Department, Hollywood<br />
Not in our Name, The Palace Art<br />
Speak, Hollywood<br />
Democracy When?, LACE<br />
Los Angeles Contemporary Art<br />
Exhibitions, Hollywood<br />
After the Ruins of Kabul,<br />
Highways, Santa Monica;<br />
Bumbershoot Festival, Seattle;<br />
The Palace Art Speak, Hollywood<br />
Project Enduring Look, Exhibition<br />
Studies Space, School of the<br />
Art Institute of Chicago, Chicago<br />
GENERATION WHY: ARTISTS<br />
OF CONSCIENCE SPEAK,<br />
Occidental College, Los Angeles<br />
2001<br />
Overflowing, Track-16,<br />
Santa Monica<br />
The Gathering, Highways,<br />
Santa Monica<br />
Slam, Highways, Santa Monica<br />
In Public, Art Center College<br />
of Art and Design, Pasadena<br />
CAPITAL ART, Track-16,<br />
Santa Monica<br />
All Star of LA, Knitting Factory,<br />
Los Angeles