Human Condition - Universalmuseum Joanneum
Human Condition - Universalmuseum Joanneum
Human Condition - Universalmuseum Joanneum
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Biographies<br />
Renzo Martens<br />
Born 1973 in Sluiskil (NL),<br />
lives and works in Amsterdam<br />
(NL), Brussels (BE) and<br />
Kinshasa (CD)<br />
Solo Exhibitions<br />
2009<br />
Episode 3, Wilkinson Gallery,<br />
London<br />
2008<br />
Episode 3, Stedelijk Museum<br />
Bureau, Amsterdam<br />
2005<br />
Episode 1, Vtape, Toronto<br />
2004<br />
Episode 1, Marres Centre<br />
for Contemporary Culture,<br />
Maastricht<br />
2003<br />
Episode 1, Galerie Fons Welters,<br />
Amsterdam<br />
1999<br />
Rien ne va plus, De Merodestraat,<br />
Brussels<br />
Group Exhibitions<br />
2010<br />
Monumentalism, Stedelijk<br />
Museum, Amsterdam<br />
Berlin Biennale, Berlin<br />
MyWar. Identity and Appropriation<br />
Under War <strong>Condition</strong>, FACT,<br />
Liverpool<br />
Self as disappearance, Centre<br />
d’art contemporain La synagogue<br />
de Delme, Delme<br />
Morality Act III. And the moral<br />
of the story is …, Witte de With,<br />
Rotterdam<br />
2009<br />
Recente Aanwinsten, De Hallen,<br />
Haarlem<br />
Rien ne va plus, Van Abbe<br />
Museum, Eindhoven<br />
Le Temps de la Fin, Espace<br />
d’art contemporain La Tolerie,<br />
Clermont-Ferrand<br />
Exploring the Age of Repression,<br />
Pavilion, Bucharest<br />
Endurance. Daring Feats of<br />
Risk, Survival and Perseverance,<br />
Abington Art Center, Philadelphia<br />
Images Recalled, Fotofestival,<br />
Ludwigshafen<br />
Until the End of the World,<br />
AMP Gallery, Athens<br />
Monumentalismus. One’s History<br />
is Another’s Misery, Autocenter,<br />
Berlin<br />
Muhka Media, Muhka, Antwerp<br />
Hors Pistes (filmscreening<br />
Episode 3), Centre Pompidou,<br />
Paris<br />
Kunstenfestivaldesarts, Brussels<br />
2008<br />
Matter of Fact; Aftermath<br />
(Capacete/A Gentil Carioca/<br />
Galeria Vermelho), Sao Paulo<br />
Brussels Biennial, Brussels<br />
Manifesta 7. Matter of Fact<br />
(The European Biennial of<br />
Contemporary Art), Rovereto<br />
L’Art en Europe. Experience<br />
Pommery #5, Domaine Pommery,<br />
Reims<br />
Neither Either Nor Or,<br />
Württembergischer Kunstverein,<br />
Stuttgart<br />
To Burn Oneself with Oneself:<br />
the Romantic Damage Show,<br />
De Appel, Amsterdam<br />
2007<br />
Modern Solitude, Galerie Fons<br />
Welters, Amsterdam<br />
Brave New World, Cobra Museum,<br />
Amstelveen<br />
Nothing Else Matters,<br />
Museum de Hallen, Haarlem<br />
Speakers, Aeroplastics Gallery,<br />
Brussels<br />
Magazine Project, documenta 12,<br />
Kassel<br />
2006<br />
A Picture of War is not War,<br />
Wilkinson Gallery, London<br />
Excess, Z’33, Hasselt<br />
An Evening with …,<br />
Platform Garanti, Istanbul<br />
Frieze Art Fair, Wilkinson Gallery,<br />
London<br />
2005<br />
I Love Video Art, Musée d’Art<br />
Contemporain, Strasbourg<br />
Undercurrents, Basis Actuele<br />
Kunst (BAK), Utrecht<br />
Reprise, Marres Centre for<br />
Contemporary Culture,<br />
Maastricht<br />
Inner and Outer Worlds,<br />
Argos festival, Argos<br />
Soft Target,<br />
Basis Actuele Kunst, Utrecht<br />
2004<br />
Constructing Visions,<br />
TENT, Rotterdam<br />
Mediamatic Supersalon,<br />
Mediamatic, Amsterdam<br />
Plug-In, Futura, Prague<br />
Yugoslav Biennial, Vrsac<br />
Monitoring,<br />
Kunstverein Kassel, Kassel<br />
IDFA, Amsterdam<br />
2003<br />
Urban Dramas,<br />
De Singel, Antwerp<br />
Etablissements d’en face<br />
projects, Brussels<br />
Blick zum Nachbarn.<br />
Kunstfilmbiennale, Cologne<br />
Art Cologne<br />
Galerie Fons Welters,<br />
Amsterdam<br />
2002<br />
De Avonden, De Appel,<br />
Amsterdam
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