DIGITAL IST KULTUR CULTURE IS DIGITAL – DIGITAL IS CULTURE
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NETWORK MEETING<br />
CREATIVE.QUARTERS RUHR<br />
A<br />
s a network, the Creative.Quarters Ruhr are gaining<br />
importance at regional level and throughout Europe.<br />
At the 8th network meeting during the Forum d’Avignon<br />
Ruhr, the different perspectives of a common idea became<br />
visible: urban and quarter development through cultural<br />
and creative projects. The active players of the city quarters<br />
and representatives of the projects funded by the Creative.Quarters<br />
Ruhr programme meet at regular intervals to<br />
learn from each other, enable cooperation and jointly face<br />
challenges that are similar in all quarters. This time, a delegation<br />
of the region North East England was invited to act<br />
as an external catalyst. Melanie Laws (Chief Executive of<br />
the Association of North East Councils, ANEC) and Graeme<br />
Thompson (Dean of the Faculty of Arts, Design and Media<br />
at the University of Sunderland) explained to the participants<br />
that the economic and cultural situation in their region<br />
is similar to that of the Ruhr region, as are the methods<br />
and programmes to induce change through the promotion<br />
of culture and <strong>–</strong> in a next step <strong>–</strong> to give economic impetus.<br />
The region North East England provides specific information<br />
in terms of measurable success. Melanie Laws gives target<br />
figures: the aim is to double the existing 70,000 jobs in the<br />
creative industries by 2030. In addition, she wants to reach<br />
285,000 children and youths through cultural projects and<br />
increase participation nationwide by 500,000 participants.<br />
Reinhard Krämer from the Ministry for Family, Children,<br />
Youth, Culture and Sport of the State of North Rhine-Westphalia<br />
was impressed by the braveness of the region to set<br />
such concrete growth and employment goals for the creative<br />
industries. “We have to be courageous so as to be heard<br />
by the government, to stand out of the crowd and to reach<br />
our goals. This bears risks, but if we don’t dare we’ll never<br />
achieve anything,“ said Graeme Thompson confidently.<br />
Stefanie Rogg (Project Management Creative.Quarters<br />
Ruhr, ecce) does not consider the Creative.Quarters Ruhr<br />
project an event but a process. The last three years saw a<br />
certain dynamic due to a growing importance of cultural<br />
urban development, thus becoming a subject of debate for<br />
other and nationwide concepts or institutions (such as national<br />
urban development politics). Cooperation of the players<br />
involved in the quarters is also growing steadily, which is reflected<br />
in a joint presence and application of funds in favour<br />
of the respective Creative.Quarter.<br />
The representative of the Ministry for Culture of the State<br />
of North Rhine-Westphalia, Reinhard Krämer, outlined the<br />
Promotion of Culture Plan 2016-2018 with three key areas:<br />
digital, education, and <strong>–</strong> brand new on the agenda <strong>–</strong> individual<br />
support for artists, which is considered an ecce pilot<br />
project. The project aims at further improving the infrastructure<br />
and work conditions for artists and creative professionals<br />
in the Ruhr region.<br />
Heiner Heseding (Host and Network Manager, Creative.<br />
Quarters Ruhrort UG) presented the Creative.Quarter<br />
Ruhrort in Duisburg. The harbour quarter used to be known<br />
for its over 150 pubs. Unfortunately, almost all of them had<br />
to close down because of the changes in the shipping industry<br />
and the resulting lack of seamen. On the occasion of the<br />
European Capital of Culture RUHR.2010, the Duisburg harbour<br />
was opened again and is on the upswing. Now, artists<br />
and residents are campaigning for the cultural development<br />
of their quarter.<br />
Artist Jan Schoch presented the project “Urban Fine Art<br />
Meeting Ruhr” as an example for inter-urban cultural<br />
work. He describes the urban art scene in the Ruhr region<br />
as precarious and antiquated, because unlike cities like Cologne,<br />
Dusseldorf or Berlin, it lacks trans-regional formats<br />
of national or even international reputation. As a result,<br />
artists are migrating from the region.<br />
In this respect, the Creative.Quarters are the ideal project<br />
partner. They are striving for a densification of creative potential<br />
and urban space <strong>–</strong> a goal Schoch hopes to reach<br />
with his own project as well. After the presentation of the<br />
project, additional work meetings took place within the scope<br />
of the network meeting, aiming at a project realisation in<br />
2016 under the auspices of Creative.Quarter Ruhr. The focus<br />
is on visualisation and inter-urban cooperation of local<br />
contact persons and artists.<br />
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