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Burlesques William Makepeace Thackeray

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17<br />

respectable, and a shekel despicable. Psha, my Codlingsby! One is as the other. I trade in<br />

pennies and in millions. I am above or below neither."<br />

They were passing through a second shop, smelling strongly of cedar, and, in fact, piled up<br />

with bales of those pencils which the young Hebrews are in the habit of vending through<br />

the streets. "I have sold bundles and bundles of these," said Rafael. "My little brother is<br />

now out with oranges in Piccadilly. I am bringing him up to be head of our house at<br />

Amsterdam. We all do it. I had myself to see Rothschild in Eaton Place this morning, about<br />

the Irish loan, of which I have taken three millions: and as I wanted to walk, I carried the<br />

bag.<br />

"You should have seen the astonishment of Lauda Latymer, the Archbishop of Croydon's<br />

daughter, as she was passing St. Bennet's, Knightsbridge, and as she fancied she recognized<br />

in the man who was crying old clothes the gentleman with whom she had talked at the<br />

Count de St. Aulair's the night before." Something like a blush flushed over the pale<br />

features of Mendoza as he mentioned the Lady Lauda's name. "Come on," said he. They<br />

passed through various warehouses—the orange room, the sealing-wax room, the sixbladed<br />

knife department, and finally came to an old baize door. Rafael opened the baize<br />

door by some secret contrivance, and they were in a black passage, with a curtain at the<br />

end.<br />

He clapped his hands; the curtain at the end of the passage drew back, and a flood of golden<br />

light streamed on the Hebrew and his visitor.<br />

CHAPTER XXIV.<br />

They entered a moderate-sized apartment—indeed, Holywell Street is not above a hundred<br />

yards long, and this chamber was not more than half that length—it was fitted up with the<br />

simple taste of its owner.<br />

The carpet was of white velvet—(laid over several webs of Aubusson, Ispahan, and<br />

Axminster, so that your foot gave no more sound as it trod upon the yielding plain than the<br />

shadow did which followed you)—of white velvet, painted with flowers, arabesques, and<br />

classic figures, by Sir <strong>William</strong> Ross, J. M. W. Turner, R. A., Mrs. Mee, and Paul<br />

Delaroche. The edges were wrought with seed-pearls, and fringed with Valenciennes lace<br />

and bullion. The walls were hung with cloth of silver, embroidered with gold figures, over

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